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Author: Robert Pinget
Publisher: Dalkey Archive Press
ISBN: 9781564783271
Category : Fiction
Languages : en
Pages : 414
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Book Description
The Inquisitory consists entirely of the interrogation of an old, deaf servant regarding unspecified crimes that may or may not have taken place at his master's French chateau. The servant's replies - which are by turns comic, straightforward, angry, nostalgic, and disingenuous - hint at a variety of seedy events, including murder, orgies, tax fraud, and drug deals. Of course, the servant wasn't involved with any of these activities - if the reader chooses to believe him. In trying to convince the inquisitor of his innocence, the servant creates a web of half-truths, vague references, and glaring inconsistencies amid "forgotten" details, indicating that he may know more than he's letting on.
Author: Robert Pinget
Publisher: Dalkey Archive Press
ISBN: 9781564783271
Category : Fiction
Languages : en
Pages : 414
Get Book Here
Book Description
The Inquisitory consists entirely of the interrogation of an old, deaf servant regarding unspecified crimes that may or may not have taken place at his master's French chateau. The servant's replies - which are by turns comic, straightforward, angry, nostalgic, and disingenuous - hint at a variety of seedy events, including murder, orgies, tax fraud, and drug deals. Of course, the servant wasn't involved with any of these activities - if the reader chooses to believe him. In trying to convince the inquisitor of his innocence, the servant creates a web of half-truths, vague references, and glaring inconsistencies amid "forgotten" details, indicating that he may know more than he's letting on.
Author: Robert Pinget
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 136
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Book Description
Author: Robert Pinget
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 184
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Book Description
Author: Adam Guy
Publisher: Oxford University Press, USA
ISBN: 019885000X
Category : English fiction
Languages : en
Pages : 246
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Book Description
The nouveau roman and Writing in Britain After Modernism recovers a neglected literary history. In the late 1950s, news began to arrive in Britain of a group of French writers who were remaking the form of the novel. In the work of Michel Butor, Marguerite Duras, Robert Pinget, Alain Robbe-Grillet, Nathalie Sarraute, and Claude Simon, the hallmarks of novelistic writing--discernible characters, psychological depth, linear chronology--were discarded in favour of other aesthetic horizons. Transposed to Britain's highly polarized literary culture, the nouveau roman became a focal point for debates about the novel. For some, the nouveau roman represented an aberration, and a pernicious turn against the humanistic values that the novel embodied. For others, it provided a route out of the stultifying conventionality and conformism that had taken root in British letters. On both sides, one question persisted: given the innovations of interwar modernism, to what extent was the nouveau roman actually new? This book begins by drawing on publishers archives and hitherto undocumented sources from a wide range of periodicals to show how the nouveau roman was mediated to the British public. Of central importance here is the publisher Calder & Boyars, and its belief that the nouveau roman could be enjoyed by a mass public. The book then moves onto literary responses in Britain to the nouveau roman, focusing on questions of translation, realism, the end of empire, and the writing of the project. From the translations of Maria Jolas, through to the hostile responses of the circle around C. P. Snow, and onto the literary debts expressed in novels by Brian W. Aldiss, Christine Brooke-Rose, Eva Figes, B. S. Johnson, Alan Sheridan, Muriel Spark, and Denis Williams, the nouveau roman is shown to be a central concern in the postwar British literary field.
Author: Robert Pinget
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 40
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Book Description
Author: Léonard A. Rosmarin
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
"In this first comprehensive study of Pinget published in English, Leonard A. Rosmarin argues that each of Pinget's novels, plays, and even narratives represents successive stages in an inner voyage of exploration. As Pinget probes deeper and deeper into his imaginary universe, its confines, Rosmarin asserts, seem to expand, opening up innumerable perspectives, bringing forth all kinds of disquieting paradoxes." "Rosmarin shows how Pinget's fascination with the subconscious explains, at least in part, his attraction to the Nouveau Roman. Lucid control is a means to an end, Rosmarin maintains, with the end being the in-depth exploration of the unfathomable riches hidden within the subconscious. Because the subconscious contains an infinite variety of possibilities to explore, Pinget has always found it necessary to devise a special tone for each novel he embarked on." "Ultimately, Rosmarin observes that Pinget, like his enigmatic protagonists, has embarked on an endless search for a magical formula - the essential truth or truths of his being that will make him whole again."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Robert Pinget
Publisher:
ISBN: 9780873761079
Category :
Languages : en
Pages : 0
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Book Description
Fiction. Translated from the French by Barbara Wright. "What can I tell you about FABLE? It is a love story, or rather the story of a betrayal. The man betrayed doesn't cry out for vengeance, he is prostrated. Then he tries to turn the tragedy to ridicule, in order to overcome it. Monsieur Miaille becomes Monsieur Miette ('crumb'), thus he survives, although greatly diminished. Return to the fold (Fantoine) after a short odyssey, and acceptance." Robert Pinget, in a letter to his translator, Barbara Wright"
Author: David Vichnar
Publisher: Charles University in Prague, Karolinum Press
ISBN: 8024649373
Category : Literary Criticism
Languages : en
Pages : 510
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Book Description
The Avant-Postman explores a broad range of innovative postwar writing in France, Britain, and the United States. Taking James Joyce’s "revolution of the word" in Ulysses and Finnegans Wake as a joint starting point, David Vichnar draws genealogical lines through the work of more than fifty writers up to the present, including Alain Robbe-Grillet, B. S. Johnson, William Burroughs, Christine Brooke-Rose, Georges Perec, Kathy Acker, Iain Sinclair, Hélène Cixous, Alan Moore, David Foster Wallace, and many others. Centering the exploration around five writing strategies employed by Joyce—narrative parallax, stylistic metempsychosis, concrete writing, forgery, and neologising the logos—the book reveals the striking continuities and developments from Joyce’s day to our own.
Author: Robert Pinget
Publisher: French Literature
ISBN: 9781628971125
Category : Fiction
Languages : en
Pages : 0
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Book Description
This early work by the landmark Swiss author Robert Pinget is unlike any other he produced over his long career; indeed, there are few books by any writer with which it bears comparison--aside perhaps from the novels of Raymond Roussel or Denis Diderot. Graal Flibuste follows the progress of its narrator and his impudent coachman, Brindon, through a fantastical land peopled by strange creatures and stranger potentates, and filled with tall tales, mysteries, crimes, dilemmas, and deities . . . not least among whom is the terrible god Graal Flibuste himself.
Author: John Hawkes
Publisher: New Directions Publishing
ISBN: 9780811200653
Category : Fiction
Languages : en
Pages : 196
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Book Description
But it would be unfair to the reader to reveal what happens when a gang of professional crooks gets wind of the scheme and moves to muscle in on this bettors' dream of a long-odds situation. Worked out with all the meticulous detail, terror, and suspense of a nightmare, the tale is, on one level, comparable to a Graham Greene thriller; on another, it explores a group of people, their relationships fears, and loves. For as Leslie A. Fiedler says in his introduction, "John Hawkes.. . makes terror rather than love the center of his work, knowing all the while, of course, that there can be no terror without the hope for love and love's defeat . . . ."
