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Author: Wanda Nanibush
Publisher: Delmonico Books
ISBN: 9781636810379
Category : Art
Languages : en
Pages : 252
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Book Description
Houle's painting blends Western abstraction, postmodernism and conceptualism with First Nations art history and techniques, challenging expectations about Indigenous aesthetics An extensive survey spanning more than 50 years, Robert Houle: Red Is Beautiful celebrates Houle's ongoing career as an internationally recognized Indigenous artist, curator and writer, calling attention to First Nations and settler-colonialist histories through the critical lens of his impressive oeuvre. Painful personal experiences from the time he spent in residential school as a youth are brought into sharp relief through painting. Houle's visual commentary tackles global topics including commercial appropriation, Indigenous resistance movements, land rights, religion and war, among others. A leader in challenging systemic racial biases, Houle has played a significant role at successfully introducing Indigenous art and its relationship to the contemporary art world in Canada and beyond. Rare excerpts from the artist's archive are featured alongside major scholarly texts, poetic writings and personal anecdotes from fellow prominent Indigenous thinkers and creators, offering new insights about an artist ahead of his time. Robert Houle (born 1947) teaches at the OCADU and has collaborated on projects that seek to establish awareness of First Nations contemporary art, such as the Land, Spirit, Power exhibition at the National Gallery of Canada in 1992. He is represented by Kinsman Robinson Galleries in Toronto.
Author: Wanda Nanibush
Publisher: Delmonico Books
ISBN: 9781636810379
Category : Art
Languages : en
Pages : 252
Get Book Here
Book Description
Houle's painting blends Western abstraction, postmodernism and conceptualism with First Nations art history and techniques, challenging expectations about Indigenous aesthetics An extensive survey spanning more than 50 years, Robert Houle: Red Is Beautiful celebrates Houle's ongoing career as an internationally recognized Indigenous artist, curator and writer, calling attention to First Nations and settler-colonialist histories through the critical lens of his impressive oeuvre. Painful personal experiences from the time he spent in residential school as a youth are brought into sharp relief through painting. Houle's visual commentary tackles global topics including commercial appropriation, Indigenous resistance movements, land rights, religion and war, among others. A leader in challenging systemic racial biases, Houle has played a significant role at successfully introducing Indigenous art and its relationship to the contemporary art world in Canada and beyond. Rare excerpts from the artist's archive are featured alongside major scholarly texts, poetic writings and personal anecdotes from fellow prominent Indigenous thinkers and creators, offering new insights about an artist ahead of his time. Robert Houle (born 1947) teaches at the OCADU and has collaborated on projects that seek to establish awareness of First Nations contemporary art, such as the Land, Spirit, Power exhibition at the National Gallery of Canada in 1992. He is represented by Kinsman Robinson Galleries in Toronto.
Author: Shirley Madill
Publisher: Canadian Art Library
ISBN: 9781487102647
Category :
Languages : en
Pages : 128
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Book Description
Saulteaux artist Robert Houle (b.1947) has claimed space and authority for Indigenous representation in contemporary art for more than fifty years. This new publication celebrates his generational influence and coincides with his exhibition Red Is Beautiful, organized by the Art Gallery of Ontario and touring to the Winnipeg Art Gallery and the National Museum of the American Indian at the Smithsonian Institution. A curator, writer, and educator as well as an artist, Houle has made a profound impact. Growing up on the Sandy Bay First Nation/Kaa-wii-kwe-tawang-kak in Manitoba, he was placed in residential school and denied access to his family and traditions. Always fiercely principled, he has dedicated his career to challenging colonialist perspectives. In 1980, he resigned from his position as the first curator of contemporary Indigenous art at the National Museum of Man (now the Canadian Museum of History) and set off on a path toward creating a remarkable body of work that spans painting, drawing, and large-scale installation. Robert Houle: Life & Work reveals how Houle's artistic output has opened critical discussion on political and cultural issues surrounding First Nations peoples, including Indigenous identity, the impact of colonialism, and land claims and residential schools. Houle has played a pivotal role in bringing contemporary Indigenous artists into the Canadian art mainstream through his writing and curating of important exhibitions, such as Land, Spirit, Power: First Nations at the National Gallery of Canada in 1992. This book also explores the artist's public art projects, critical elements of his legacy for art in Canada.
Author: Robert Houle
Publisher: Goose Lane Editions
ISBN:
Category : Art
Languages : en
Pages : 106
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Book Description
Author: Robert Houle
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 66
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Book Description
With passion, humour and honesty, Salteaux painter and installation artist Robert Houle explores First Nations cultural issues in Canada's history.
Author: Robert Crumb
Publisher:
ISBN: 9783836566940
Category : Design
Languages : en
Pages : 444
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Book Description
Collection of cartoons, caricatures and some comic strips by R. Crumb.
Author: Denise Bolduc
Publisher: Coach House Books
ISBN: 1770566457
Category : Literary Collections
Languages : en
Pages : 360
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Book Description
WINNER OF THE HERITAGE TORONTO 2022 BOOK AWARD Rich and diverse narratives of Indigenous Toronto, past and present Beneath many major North American cities rests a deep foundation of Indigenous history that has been colonized, paved over, and, too often, silenced. Few of its current inhabitants know that Toronto has seen twelve thousand years of uninterrupted Indigenous presence and nationhood in this region, along with a vibrant culture and history that thrives to this day. With contributions by Indigenous Elders, scholars, journalists, artists, and historians, this unique anthology explores the poles of cultural continuity and settler colonialism that have come to define Toronto as a significant cultural hub and intersection that was also known as a Meeting Place long before European settlers arrived. "This book is a reflection of endurance and a helpful corrective to settler fantasies. It tells a more balanced account of our communities, then and now. It offers the space for us to reclaim our ancestors’ language and legacy, rewriting ourselves back into a landscape from which non Indigenous historians have worked hard to erase us. But we are there in the skyline and throughout the GTA, along the coast and in all directions." -- from the introduction by Hayden King
Author: Sam McKegney
Publisher: Univ. of Manitoba Press
ISBN: 0887554423
Category : Social Science
Languages : en
Pages : 657
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Book Description
What does it mean to be an Indigenous man today? Between October 2010 and May 2013, Sam McKegney conducted interviews with leading Indigenous artists, critics, activists, and elders on the subject of Indigenous manhood. In offices, kitchens, and coffee shops, and once in a car driving down the 401, McKegney and his participants tackled crucial questions about masculine self-worth and how to foster balanced and empowered gender relations. Masculindians captures twenty of these conversations in a volume that is intensely personal, yet speaks across generations, geography, and gender boundaries. As varied as their speakers, the discussions range from culture, history, and world view to gender theory, artistic representations, and activist interventions. They speak of possibility and strength, of beauty and vulnerability. They speak of sensuality, eroticism, and warriorhood, and of the corrosive influence of shame, racism, and violence. Firmly grounding Indigenous continuance in sacred landscapes, interpersonal reciprocity, and relations with other-than-human kin, these conversations honour and embolden the generative potential of healthy Indigenous masculinities.
Author: Diana Nemiroff
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240
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Book Description
Exhibition catalogue for 'Land, Spirit, Power' at the National Gallery of Canada, Ottawa, in 1992, a collection of contemporary art intended as a response and contribution to current discussions on questions of cultural identity, from the specific perspective of First Nations. Includes three essays, and data on each artist.
Author: Annick Smith
Publisher:
ISBN:
Category : History
Languages : en
Pages : 296
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Book Description
On one of North America's last remaining expanses of grassland the Nature Conservancy has begun what is perhaps the boldest ecological experiment ever attempted. They are not simply conserving the natural beauty of this place, where eight-foot-tall grasses roll for miles under limitless prairie skies; they are studying it and shaping it anew, bringing back the bison once hunted here by native Plains horsemen, and seeding with fire to liberate the natural biodiversity of a land never broken by the plow. On the stage that is the Tallgrass Prairie Preserve many dramas have unfolded. Indians, white settlers, ranchers, oil barons, scientists, and politicians have all taken roles alongside Nature's players - geologic phenomena, weather, the intricately interwoven lives of plants and animals. In Big Bluestem, Annick Smith traces the fascinating story of this land that, like the grasses, endures, and should endure, in its glory forever.
Author: Shane Balkowitsch
Publisher: G Editions LLC
ISBN: 9781943876426
Category : Photography
Languages : en
Pages : 0
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Book Description
North Dakotan Shane Balkowitsch's quest to take 1000 Native American wet-plates portraits in the present day is one step closer with this second volume. In this series of wet-plate collodion book of portraits of Northern Plains Native Americans, the photographer/author continues with his distinctive and unique presentation that is the only one to have ever been instigated or created for this particular group of Native Americans. The technique he uses, wet-plate collodion and the eye of the author align to present a masterful, unique, and respectful array that is sumptuous and compelling. Here the subjects are presented in their native garb, giving he subjects the opportunity explore their self-image, in a safe space where who they are how they see themselves are certain to be respected and admired. Wet-plate collodion is one of the earliest forms of photography. A wet-plate photographer makes a film based on a piece of glass or metal using collodion, submerges it in a silver nitrate solution to make it light sensitive, and then exposes the photograph usually in an old style wood bellows camera box and antique brass lens from the 1800's. The end result is a one-of-a-kind, archival object of art that will last many lifetimes. Shane and his Native American sitters have collaborated in the creation of a piece of contemporary history using classical methodology. The legacy he has created is indeed, who they were, what they were like, and what they did. There is nothing like it in the library of Native American portraiture in the modern era. The photographer's effort is to show that his subjects are still here--with their culture, dignity, and traditions.
