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Author: Lena Huber
Publisher:
ISBN: 9783868288858
Category : Paris (France)
Languages : en
Pages : 176
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Book Description
Robert Delaunay and The City of Lights will recognise Delaunay's unwavering commitment to colour in painting to convey form, depth, light and movement, while highlighting how the modern metropolis of Paris often provided the inspiration for his imagery and pictorial research. The newly commissioned texts allow the reader to experience the wide-ranging and prescient nature of Robert Delaunay's work - exploring the significant themes of movement, technology, sport, and advertising that were to preoccupy him throughout his career.
Author: Lena Huber
Publisher:
ISBN: 9783868288858
Category : Paris (France)
Languages : en
Pages : 176
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Book Description
Robert Delaunay and The City of Lights will recognise Delaunay's unwavering commitment to colour in painting to convey form, depth, light and movement, while highlighting how the modern metropolis of Paris often provided the inspiration for his imagery and pictorial research. The newly commissioned texts allow the reader to experience the wide-ranging and prescient nature of Robert Delaunay's work - exploring the significant themes of movement, technology, sport, and advertising that were to preoccupy him throughout his career.
Author: Georges Duby
Publisher: National Geographic Books
ISBN: 0789210460
Category : Travel
Languages : en
Pages : 0
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Book Description
A sumptuous artistic tribute to the city of lights, this hardcover, slipcased volume brings Paris to life in paintings that range from the medieval to the modern. “Paris is a moveable feast,” Ernest Hemingway once proclaimed. The city of lights, or the city of love, Paris is indeed a feast for the senses. Paris’s rich history has been justly captured by the many artists sheltered by its garrets and supported by its patrons for centuries. Finally the story and grandeur of this beautiful city are revealed in this luxurious slipcased volume. The over 300 full-color illustrations, including four breathtaking gatefolds, present Paris from its days as a medieval city on the Ile de la Cité, in the middle of the Seine River, through the tumultuous days of the French Revolution, to the “Haussmannization” of Paris, when much of the city was razed to make way for broad boulevards emanating from the Arc de Triomphe. The rich heritage of painting in Paris is broadly represented in this collection. Home of the Académie des Beaux-Arts, Paris nurtured generations of French artists and displayed their work in the Salon. As the Impressionists broke with the authoritarian standards of the Academy, Parisian art became even more diverse and increasingly abstract—a trend that continued through the twentieth century. The History of Paris in Painting honors this celebrated city and its famous monuments by presenting readers with an artistic feast that will make anyone fall in love with Paris again and again.
Author: Agnès Rocamora
Publisher: Bloomsbury Publishing
ISBN: 0857731130
Category : Design
Languages : en
Pages : 239
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Book Description
While much attention has been paid to the making of Paris in the work of writers and artists, little is known about the city as defined and created by the fashion media. Filling this gap in studies of the French capital, this original and illuminating book focuses on how the French fashion press - with its rich conjunction of words and images - has been able to construct Paris as a leading world fashion city.Based in an original analysis of fashion writing and images in contemporary French fashion magazines and newspapers, the book shows how the fashion media have been central to the consecration of the city of Paris on the fashion map, as well as its celebration in the collective imaginary. Agnes Rocamora explores, for example, the figures of 'la Parisienne' and 'la passante' (the female passer by), and the presence of the Eiffel tower in fashion visuals. She gives attention to the continuum between the French journalistic discourse and that of cultural forms such as films, paintings and literature, thus revealing the persistence across texts and time of visions of Paris and shedding light on the production and reproduction of the Paris myth.
Author: Sherry A. Buckberrough
Publisher:
ISBN:
Category :
Languages : en
Pages : 818
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Book Description
Author: Christian Derouet
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
An insightful look at the dynamic relationship between modern art and modern urban life in 1920s Paris through the lens of Fernand Léger's masterpiece The City With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theater, dance, film, and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes--including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amédée Ozenfant, Francis Picabia, and Theo van Doesburg--in relation to Léger. Featuring nearly 250 images of paintings, architectural designs, models, posters, set designs, and film stills and an anthology of relevant historical texts not previously published in English, this handsome volume conveys the spirit of experimentation of the 1920s. Scholars in the fields of art, architecture, and film history offer a deeper understanding of the relationship between art and the modern urban experience that defined this significant chapter in the history of modern art. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (10/14/13-01/05/14)
Author: Tom Slevin
Publisher: Bloomsbury Publishing
ISBN: 1786739968
Category : History
Languages : en
Pages : 273
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Book Description
In what ways do the artistic avant-garde's representations of the human body reflect the catastrophe of World War I? The European modernists were inspired by developments in the nineteenth-century, yielding new forms of knowledge about the nature of reality and repositioning the human body as the new 'object' of knowledge. New 'visions' of the human subject were created within this transformation. However, modernity's reactionary political climate - for which World War I provided a catalyst - transformed a once liberal ideal between humanity, environment, and technology, into a tool of disciplinary rationalisation. Visions of the Human considers the consequences of this historical moment for the twentieth and twenty-first centuries. It explores the ways in which the 'technologies of the self' that inspired the avant-garde were increasingly instrumentalised by conservative politics, urbanism, consumer capitalism and the society of 'the spectacle'. This is an engaging and powerful study which challenges prior ideas and explores new ways of thinking about modern visual culture.
Author: Gordon Hughes
Publisher: University of Chicago Press
ISBN: 022615906X
Category : Art
Languages : en
Pages : 178
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Book Description
The first English-language study of the influential French painter Robert Delaunay to appear in thirty years. Delaunay has long been appreciated as one of the leading Parisian artists of the early twentieth century. And art historians have consistently viewed his vibrantly colored paintings starting in 1912 as early experiments in abstraction. Hughes, however, tautly argues that Delaunay was not just one of the earliest artists to work in pure abstraction, but the earliest one to do so. The colorful, optically driven canvases that Delaunay produced set him apart from the more ethereal abstraction of Kandinsky, Mondrian, Malevich, and Kupka, with whom he is often clubbed and whose spiritual motivations he rejected. Delaunay s paintings were grounded in material sensation and reflected the modern optical science of his time. They had nothing in common with the idealism that drove Kandinsky and the others. As a result, his work set the stage not only for the kind of abstraction that would come to dominate painting in the mid twentieth century (Pollock, Stella, Still, Kline); it also inspired the critics who theorized and elevated that particular strain of modernist practice."
Author: Jeffrey Thompson Schnapp
Publisher: Stanford University Press
ISBN: 9780804754804
Category : History
Languages : en
Pages : 470
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Book Description
Crowds presents several layers of meditation on the phenomenon of collectivities, from the scholarly to the personal; it is the most comprehensive cross-disciplinary publication on crowds in modernity. For more information, visit http://shl.stanford.edu/Crowds
Author: Blaise Cendrars
Publisher:
ISBN: 9780300164145
Category : Artists' books
Languages : en
Pages : 25
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Book Description
Blaise Cendrars' narrative about his life-changing journey on the Trans-Siberian Railway is a poem of memory and movement. Sonia Delaunay's designs create a parallel path as the reader slips down the palette while swimming through a river of words.
Author: Tristan Tzara
Publisher: Gegensatz Press
ISBN: 1933237430
Category : Drama
Languages : en
Pages : 66
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Book Description
Written in 1920 or 1921 first performed on June 10, 1921, next and most famously performed July 6, 1923. Modus ponens: If the purpose of Dada in general and The Gas Heart in particular was to piss people off, then both, especially the latter, succeeded marvelously. The purpose of Dada in general and The Gas Heart in particular was to piss people off. Therefore, ...
