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Author: Keith Reader
Publisher: Manchester University Press
ISBN: 1526141760
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.. The first monograph on his work to appear in English for many years dealing not only with his thirteen feature-length films but also his little-seen early short Affaires publiques and his short treatise Notes on cinematography.. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.. The major critical responses to his work, from the adulatory to the dismissive, are summarized and analyzed.. The work includes a full filmography and a critical bibliography.
Author: Keith Reader
Publisher: Manchester University Press
ISBN: 1526141760
Category : Performing Arts
Languages : en
Pages : 177
Get Book Here
Book Description
This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema.. The first monograph on his work to appear in English for many years dealing not only with his thirteen feature-length films but also his little-seen early short Affaires publiques and his short treatise Notes on cinematography.. The films are considered in chronological order, using a perspective that draws variously on spectator theory, Catholic mysticism, gender theory and Lacanian psychoanalysis.. The major critical responses to his work, from the adulatory to the dismissive, are summarized and analyzed.. The work includes a full filmography and a critical bibliography.
Author: Cinematheque Ontario
Publisher: Indiana University Press
ISBN: 9780968296912
Category : Performing Arts
Languages : en
Pages : 628
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Book Description
An examination of the French director's vision and style.
Author: Robert Bresson
Publisher: New York Review of Books
ISBN: 168137045X
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
Robert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and Cinema-Scope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.
Author: James Quandt
Publisher: Toronto International Film Festival
ISBN: 9780968296950
Category : Performing Arts
Languages : en
Pages : 784
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Book Description
Robert Bresson, published in 1998, remains one of the most acclaimed and thorough examinations of the French director’s vision and style. Robert Bresson (Revised) reproduces essential contributions from the original edition, including essays by Susan Sontag, André Bazin, P. Adams Sitney, and Kristin Thompson, and features new or original material by David Bordwell, Mark Rappaport, Shigehiko Hasumi, Jonathan Rosenbaum, Serge Daney, Jean-Michel Frodon, Colin Burnett, Richard Suchenski, and filmmakers Jean-Pierre Gorin and the Dardenne brothers, Jean-Pierre and Luc. With more than thirty key articles by leading critics and scholars, interviews, commentaries by important contemporary filmmakers, and an illuminating symposium on the director’s current stature, Robert Bresson (Revised) is an invaluable volume for anyone seeking to understand the director’s austere perfectionism and the beauty of his singular body of work. Published by the Toronto International Film Festival and distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.
Author: Brian Price
Publisher: U of Minnesota Press
ISBN: 0816654611
Category : Art
Languages : en
Pages : 237
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Book Description
Based on the author's doctoral dissertation--New York University.
Author: Robert Bresson
Publisher:
ISBN: 9781557133656
Category : Cine
Languages : en
Pages : 0
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Book Description
The only published writing by the great French flimmaker, Robert Bresson.
Author: Colin Burnett
Publisher: Indiana University Press
ISBN: 025302501X
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.
Author: Paul Schrader
Publisher: Univ of California Press
ISBN: 0520969146
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
Author: Henri Cartier-Bresson
Publisher:
ISBN: 9783869307886
Category : Photography
Languages : en
Pages : 160
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Book Description
One of the most famous books in the history of photography, this volume assembles Cartier-Bresson's best work from his early years.
Author: David Clandfield
Publisher: Indiana University Press
ISBN: 9780968913239
Category : Biography & Autobiography
Languages : en
Pages : 278
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Book Description
One of the great exponents of the direct cinema style, Quebecois poet, essayist, and film-maker Pierre Perrault (1927-1999) began his documentary career in radio before joining the more traditional Ren’e Bonni’ere filming life in the lower St. Lawrence. In the 1960s he joined the National Film Board of Canada to shoot films in the new direct style, taking a small two-man crew into communities to reveal their beliefs and allegiances as they coped with social change. His legendary trilogy on the Ile-aux-Coudres opened with his most famous work, Pour la suite du monde (1963). Ostensibly a look at the local people’s effort to revive a traditional beluga hunt, it is actually the beginning of a lifelong inquiry into the relationship between community and national identity. This relationship emerges most clearly in the highly poetic Un pays sans bon sens! (1970), which brought Perrault into conflict with the NFB. The film was sidelined for many years. After a trip outside Quebec to Moncton to document francophone student unrest, Perrault made a second trilogy, this one in northwestern Quebec, showing the collapse of traditional farming communities relocated to the Abitibi during the Great Depression. Further explorations took Perrault to the northern interiors of Quebec, the hunting woods of Maniwaki, and to the tall ships retracing Jacques Cartier’s voyages of discovery. The triology culminated in the desolate arctic landscapes of the mysterious muskox, and two of his most haunting creations. The first major publication on Perrault in English, Pierre Perrault and the Poetic Documentary discusses not only the world that Perrault’s cinema revealed but a revolution in film-making from a great poet. Co-written and edited by David Clandfield, Principal of New College in the University of Toronto, Pierre Perrault and the Poetic Documentary also features contributions from scholar Jerry White, as well as translations of some of Perrault’s writings on film. Published by the Toronto International Film Festival. Distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.
