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Author: Risa J. Toha
Publisher: Cambridge University Press
ISBN: 1316518973
Category : Political Science
Languages : en
Pages : 325
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Book Description
Toha explains why ethnic groups engage in violence during political transition, and why and how this violence eventually declines.
Author: Risa J. Toha
Publisher: Cambridge University Press
ISBN: 1316518973
Category : Political Science
Languages : en
Pages : 325
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Book Description
Toha explains why ethnic groups engage in violence during political transition, and why and how this violence eventually declines.
Author: Paul A. Gilje
Publisher: Indiana University Press
ISBN: 9780253212627
Category : History
Languages : en
Pages : 260
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Book Description
" . . . a sweeping, analytical synethsis of collective violence from the colonial experience to the present." —American Studies "Gilje has written 'the book' on rioting throughout American history." —The Historian ". . . a thorough, illuminating, and at times harrowing account of man's inhumanity to man." —William and Mary Quarterly " . . . fulfills its title's promise as an encyclopedic study . . . an impressive accomplishment and required reading for anyone interested in America's contentious past." —Journal of the Early Republic "Gilje has written a thought-provoking survey of the social context of American riots and popular disorders from the Colonial period to the late 20th century. . . . a must read for anyone interested in riots." —Choice In this wide-ranging survey of rioting in America, Paul A. Gilje argues that we cannot fully comprehend the history of the United States without an understanding of the impact of rioting. Exploring the rationale of the American mob brings to light the grievances that motivate its behavior and the historical circumstances that drive the choices it makes. Gilje's unusual lens makes for an eye-opening view of the American people and their history.
Author: Howard Rahtz
Publisher: Lynne Rienner Publishers
ISBN: 9781626375581
Category : SOCIAL SCIENCE
Languages : en
Pages : 209
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Book Description
Reflected almost daily in headlines, the enormous rift between the police and the communities they serve¿especially African American communities¿remains one of the major challenges facing the United States. And race-related riots continue to be a violent manifestation of that rift. Can this dismal state of affairs be changed? Can the distrust between black citizens and the police ever be transformed into mutual respect? Howard Rahtz addresses this issue, first tracing the history of race riots in the US and then drawing on both the lessons of that history and his own first-hand experience to offer a realistic approach for developing and maintaining a police force that is a true community partner. Howard Rahtz served for nearly two decades with the Cincinnati Police Department, retiring in 2007 as commander of the Vice Control Unit. He currently teaches at police academies in the area and speaks nationally on police reform. He is the author of Community Policing: A Handbook and Understanding Police Use of Force.
Author: Joshua Clover
Publisher: Verso Books
ISBN: 1784780626
Category : Political Science
Languages : en
Pages : 241
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Book Description
Award winning poet Joshua Clover theorises the riot as the form of the coming insurrection Baltimore. Ferguson. Tottenham. Clichy-sous-Bois. Oakland. Ours has become an “age of riots” as the struggle of people versus state and capital has taken to the streets. Award-winning poet and scholar Joshua Clover offers a new understanding of this present moment and its history. Rioting was the central form of protest in the seventeenth and eighteenth centuries, and was supplanted by the strike in the early nineteenth century. It returned to prominence in the 1970s, profoundly changed along with the coordinates of race and class. From early wage demands to recent social justice campaigns pursued through occupations and blockades, Clover connects these protests to the upheavals of a sclerotic economy in a state of moral collapse. Historical events such as the global economic crisis of 1973 and the decline of organized labor, viewed from the perspective of vast social transformations, are the proper context for understanding these eruptions of discontent. As social unrest against an unsustainable order continues to grow, this valuable history will help guide future antagonists in their struggles toward a revolutionary horizon.
Author: Natasha Ginwala
Publisher: Columbia Books on Architecture and the City
ISBN: 9781941332634
Category :
Languages : en
Pages : 256
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Book Description
Nights of the Dispossessed brings together artistic works, political texts, and research projects from across the world in an endeavor to sense, chronicle, and think through recent riots and uprisings.
Author: Christopher Hart
Publisher:
ISBN: 9781474435444
Category : Language Arts & Disciplines
Languages : en
Pages : 224
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Book Description
Drawing on insights from linguistics, multimodality and media studies, this book explores the ideological dimensions of media representation and its function in discursively constructing public understandings of, and attitudes toward, civil disorder.
Author: David F. Krugler
Publisher: Cambridge University Press
ISBN: 1316195007
Category : History
Languages : en
Pages : 347
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Book Description
1919, The Year of Racial Violence recounts African Americans' brave stand against a cascade of mob attacks in the United States after World War I. The emerging New Negro identity, which prized unflinching resistance to second-class citizenship, further inspired veterans and their fellow black citizens. In city after city - Washington, DC; Chicago; Charleston; and elsewhere - black men and women took up arms to repel mobs that used lynching, assaults, and other forms of violence to protect white supremacy; yet, authorities blamed blacks for the violence, leading to mass arrests and misleading news coverage. Refusing to yield, African Americans sought accuracy and fairness in the courts of public opinion and the law. This is the first account of this three-front fight - in the streets, in the press, and in the courts - against mob violence during one of the worst years of racial conflict in US history.
Author: A. K. Thompson
Publisher: AK Press
ISBN: 1849350507
Category : Social Science
Languages : en
Pages : 192
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Book Description
Are you taking over, or are you taking orders? Are you going backwards, or are you going forwards? White riot—I wanna riot. White riot—a riot of my own. —The Clash, "White Riot" Ten years after the battle in Seattle sparked an historic struggle against the forces of multinational conglomeration and American imperialism, the anti-globalization generation is ready to reflect on a decade of organizing that changed the face of mass action around the globe. Scholar and activist AK Thompson revisits the struggles against globalization in Canada and the United States at the turn of the century, and he explores the connection between political violence and the white middle class. Equal parts sociological study and activist handbook, Black Bloc, White Riot engages with the key debates that arose in the anti-globalization movement over the course of the past decade: direct or mass action? Summit-hopping or local organizing? Pacifism or diversity of tactics? Drawing on movement literature, contemporary and critical theory, and practical investigations, Thompson outlines the effect of the anti-globalization movement on the white, middle-class kids who were swept up in it, and he considers how and why violence must once again become a central category of activist politics. AK Thompson is a writer and activist living and working in Toronto, Canada. Currently completing his PhD in sociology at York University, Thompson teaches social theory and serves on the editorial committee of Upping the Anti: A Journal of Theory and Action. His publications include Sociology for Changing the World: Social Movements/Social Research (Fernwood Publishing, 2006).
Author: Ross Barrett
Publisher: Univ of California Press
ISBN: 0520282892
Category : Art
Languages : en
Pages : 228
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Book Description
Rendering Violence explores the problems and possibilities that the subject of political violence presented to American painters working between 1830 and 1890, a turbulent period during which common citizens frequently abandoned orderly forms of democratic expression to riot, strike, and protest violently. Examining a range of critical texts, this book shows for the first time that nineteenth-century American aesthetic theory defined painting as a privileged vehicle for the representation of political order and the stabilization of liberal-democratic life. Analyzing seven paintings by Thomas Cole, John Quidor, Nathaniel Jocelyn, George Henry Hall, Thomas Nast, Martin Leisser, and Robert Koehler, Ross Barrett reconstructs the strategies that American artists developed to explore the symbolic power of violence in a medium aligned ideologically with lawful democracy. He argues that American paintings of upheaval ÒrenderÓ their subjects in divergent ways. By exploring the inner conflicts that structure these painterly projects, Barrett sheds new light on the politicized pressures that shaped visual representation in the nineteenth century and on the anxieties and ambivalences that have long defined American responses to political turmoil.
Author: Ashley Marshall
Publisher: Rowman & Littlefield
ISBN: 1611495350
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
The chapters constituting this book are different in subject and method, striking testimony to the range of Paulson’s interests and the versatility of his critical powers. In his prolific career he has produced extensive analysis of art, poetry, fiction, and aesthetics produced in England between 1650 and 1830. Paulson’s unique contribution has to do with his understanding of “seeing” and “reading” as closely related enterprises, and “popular” forms in art and literature as intimately connected—connections illustrated by literary critics and art historians here. Every essay shares some of the concerns and methods that characterize Paulson’s wonderfully idiosyncratic thought—except for the final essay, an attempt systematically to analyze Paulson’s critical principles and methods. Recurrent themes are a concern with satire in the eighteenth century; a connection between verbal and visual reading; an insistence on the importance of individual artistic choices to the history of culture; an attention to the aims and motives of individual makers of art; and a sensitivity to the crucial links between high and low art. This volume offers rich explorations of a range of subjects: Swift’s relationship to Congreve; Zoffany’s condemnation of Gillray and Hogarth, and broader implications for the role of art in public discourse; the presentation of mourning in the work of the Welsh artist and writer Edward Pugh; G. M. Woodward’s “Coffee-House Characters,” representing a turn from satire on morals towards satire on manners; Adam Smith’s evolving aesthetic program; Samuel Richardson’s notions of social reading. The discussions represent a variety of exemplifications of the Paulsonesque, showing a concern with satiric representation in mixed media, with different forms of heterodoxy and iconoclasm, and with the values of producers of popular and polite culture in this period.
