Author: Diane Long Hoeveler
Publisher:
ISBN: 9780814211311
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
""In Gothic Riffs, Diane Long Hoeveler inverts the traditional interpretation of the rise of the Gothic. Hers is a new, and significant, argument. She shows, with great effectiveness and originality, the ubiquity of Gothic in popular and high art forms alike, from opera, to ballads, to chapbooks, as trans-European phenomena. I know of no modern work that aims to bring all of these different fields together in one impressively extensive book."--Robert Miles, professor and chair, Department of English, the University of Victoria" ""Diane Long Hoeveler's Gothic Riffs is genuinely innovative, informative, and insightful within the fields of both Gothic and Romantic literary studies. Indeed, this book should come to occupy a special niche of its own in the proliferating explosion of scholarship on the many kinds of Gothic that have continued to grow since the 1980s."--Jerrold E. Hogle, University Distinguished Professor, The University of Arizona".
Gothic Riffs
Author: Diane Long Hoeveler
Publisher:
ISBN: 9780814211311
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
""In Gothic Riffs, Diane Long Hoeveler inverts the traditional interpretation of the rise of the Gothic. Hers is a new, and significant, argument. She shows, with great effectiveness and originality, the ubiquity of Gothic in popular and high art forms alike, from opera, to ballads, to chapbooks, as trans-European phenomena. I know of no modern work that aims to bring all of these different fields together in one impressively extensive book."--Robert Miles, professor and chair, Department of English, the University of Victoria" ""Diane Long Hoeveler's Gothic Riffs is genuinely innovative, informative, and insightful within the fields of both Gothic and Romantic literary studies. Indeed, this book should come to occupy a special niche of its own in the proliferating explosion of scholarship on the many kinds of Gothic that have continued to grow since the 1980s."--Jerrold E. Hogle, University Distinguished Professor, The University of Arizona".
Publisher:
ISBN: 9780814211311
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
""In Gothic Riffs, Diane Long Hoeveler inverts the traditional interpretation of the rise of the Gothic. Hers is a new, and significant, argument. She shows, with great effectiveness and originality, the ubiquity of Gothic in popular and high art forms alike, from opera, to ballads, to chapbooks, as trans-European phenomena. I know of no modern work that aims to bring all of these different fields together in one impressively extensive book."--Robert Miles, professor and chair, Department of English, the University of Victoria" ""Diane Long Hoeveler's Gothic Riffs is genuinely innovative, informative, and insightful within the fields of both Gothic and Romantic literary studies. Indeed, this book should come to occupy a special niche of its own in the proliferating explosion of scholarship on the many kinds of Gothic that have continued to grow since the 1980s."--Jerrold E. Hogle, University Distinguished Professor, The University of Arizona".
Riffs
Author: Rikky Rooksby
Publisher: Backbeat Books
ISBN: 1476855471
Category : Music
Languages : en
Pages : 262
Book Description
(Book). Rikky Rooksby's revised and updated bestseller explores more than 200 classic riffs, from Cream and Led Zeppelin, through Nirvana and Soundgarden, to Metallica, U2, and the White Stripes. The first half of the book analyzes classic rock riffs and reveals the stories behind their creation. Easy-to-read text describes and explains each riff, supported by illustrations and audio examples. The book's second section shows how to construct great riffs and why they work. Readers learn how to shape a melody, integrate a guitar riff with the rest of a song, enhance a riff with effects, and work with intervals and scales to build riffs.
Publisher: Backbeat Books
ISBN: 1476855471
Category : Music
Languages : en
Pages : 262
Book Description
(Book). Rikky Rooksby's revised and updated bestseller explores more than 200 classic riffs, from Cream and Led Zeppelin, through Nirvana and Soundgarden, to Metallica, U2, and the White Stripes. The first half of the book analyzes classic rock riffs and reveals the stories behind their creation. Easy-to-read text describes and explains each riff, supported by illustrations and audio examples. The book's second section shows how to construct great riffs and why they work. Readers learn how to shape a melody, integrate a guitar riff with the rest of a song, enhance a riff with effects, and work with intervals and scales to build riffs.
How to Write Guitar Riffs
Author: Rikky Rooksby
Publisher: Rowman & Littlefield
ISBN: 1493061100
Category : Music
Languages : en
Pages : 273
Book Description
Countless great songs are based on riffs—catchy guitar phrases that repeat until they’re seared into your brain forever—or snappy chord sequences as memorable as any melody. Riffs get people excited, whether they are musicians or listeners. Advertising agencies use riffs on television, internet videos, and cinema trailers. Riffs sell concert tickets, guitars, and downloads. Youtube is full of guitarists playing riffs. This book now in its third and updated edition digs deep into the world of the guitar riff, identifying 30 distinct types and illustrating them with reference to 150 examples: from Howlin Wolf to Black Rebel Motorcycle Club, Chuck Berry to Limp Bizkit, the Kinks to the Strokes, Black Sabbath to the White Stripes, Coldplay and Kings of Leon. The book includes 56 tracks of audio, illustrating all types of riffs covered, plus notation and TAB for 40 original example riffs composed by the author. In the book you can trace the connections between riff types and the scales, modes, or chords from which they’re drawn learn the guitar tips and arranging techniques to get the best from your riffs read an exclusive interview with Led Zeppelin and Them Crooked Vultures bassist John Paul Jones, a multi-instrumentalist, writer, and arranger with 50 years experience in riff-based music.
Publisher: Rowman & Littlefield
ISBN: 1493061100
Category : Music
Languages : en
Pages : 273
Book Description
Countless great songs are based on riffs—catchy guitar phrases that repeat until they’re seared into your brain forever—or snappy chord sequences as memorable as any melody. Riffs get people excited, whether they are musicians or listeners. Advertising agencies use riffs on television, internet videos, and cinema trailers. Riffs sell concert tickets, guitars, and downloads. Youtube is full of guitarists playing riffs. This book now in its third and updated edition digs deep into the world of the guitar riff, identifying 30 distinct types and illustrating them with reference to 150 examples: from Howlin Wolf to Black Rebel Motorcycle Club, Chuck Berry to Limp Bizkit, the Kinks to the Strokes, Black Sabbath to the White Stripes, Coldplay and Kings of Leon. The book includes 56 tracks of audio, illustrating all types of riffs covered, plus notation and TAB for 40 original example riffs composed by the author. In the book you can trace the connections between riff types and the scales, modes, or chords from which they’re drawn learn the guitar tips and arranging techniques to get the best from your riffs read an exclusive interview with Led Zeppelin and Them Crooked Vultures bassist John Paul Jones, a multi-instrumentalist, writer, and arranger with 50 years experience in riff-based music.
Thriving on a Riff
Author: William G. Carter
Publisher: Broadleaf Books
ISBN: 1506498051
Category : Music
Languages : en
Pages : 241
Book Description
What does jazz have to do with human spirituality? In Thriving on a Riff, Presbyterian minister and jazz pianist Bill Carter shows us how jazz, in its quest for transcendence, bridges the gap between the secular and the sacred and, further, that these two worlds are not mutually exclusive--jazz is spiritual. Carter traces jazz from its origins in the twilight of American slavery, to its evolution from dance music to serious art form during the American civil rights movement, and its eventual introduction into the church as a legitimate expression of praise and lament. Along the way, he explores the spiritual dimensions of jazz, with its blend of passion and intellect, its ability to awaken us to something in and beyond ourselves. From King David to Dave Brubeck, from the Psalms of Israel to John Coltrane's A Love Supreme, musicians help us glimpse the experience of music as communion with the Divine. And true to jazz sensibilities, brief "Improvisation" sections add to the gravitas and delight, expounding on the chapter's theme in the form of a poetic extension without breaking rhythm. Weaving together stories from the history of American music with his personal experiences as a working musician, Carter invites us to meet a God who not only embraces syncopation but blesses the swing.
Publisher: Broadleaf Books
ISBN: 1506498051
Category : Music
Languages : en
Pages : 241
Book Description
What does jazz have to do with human spirituality? In Thriving on a Riff, Presbyterian minister and jazz pianist Bill Carter shows us how jazz, in its quest for transcendence, bridges the gap between the secular and the sacred and, further, that these two worlds are not mutually exclusive--jazz is spiritual. Carter traces jazz from its origins in the twilight of American slavery, to its evolution from dance music to serious art form during the American civil rights movement, and its eventual introduction into the church as a legitimate expression of praise and lament. Along the way, he explores the spiritual dimensions of jazz, with its blend of passion and intellect, its ability to awaken us to something in and beyond ourselves. From King David to Dave Brubeck, from the Psalms of Israel to John Coltrane's A Love Supreme, musicians help us glimpse the experience of music as communion with the Divine. And true to jazz sensibilities, brief "Improvisation" sections add to the gravitas and delight, expounding on the chapter's theme in the form of a poetic extension without breaking rhythm. Weaving together stories from the history of American music with his personal experiences as a working musician, Carter invites us to meet a God who not only embraces syncopation but blesses the swing.
Lit Riffs
Author: Jonathan Lethem
Publisher: Simon and Schuster
ISBN: 1416586458
Category : Fiction
Languages : en
Pages : 437
Book Description
Following in the footsteps of the late great Lester Bangs -- the most revered and irreverent of rock 'n' roll critics -- twenty-four celebrated writers have penned stories inspired by great songs. Just as Bangs cast new light on a Rod Stewart classic with his story "Maggie May," about a wholly unexpected connection between an impressionable young man and an aging, alcoholic hooker, the diverse, electrifying stories here use songs as a springboard for a form dubbed the lit riff. Alongside Bangs's classic work, you'll find stories by J.T. LeRoy, who puts a recovering teenage drug abuser in a dentist's chair with nothing but the Foo Fighters's "Everlong" -- blaring through the P.A. -- to fight the pain; Jonathan Lethem, whose narrator looks back on his lost innocence just as an extramarital affair careens to an end -- this to the tune "Speeding Motorcycle" as recorded by Yo La Tengo; and Jennifer Belle, who envisions a prequel to Paul Simon's "Graceland" -- one that takes place at a children's birthday party replete with a real live kangaroo. With original contributions from Tom Perrotta, Nelson George, Amanda Davis, Lisa Tucker, Aimee Bender, Darin Strauss, and many more -- riffing on everyone from Tom Waits and Bruce Springsteen to the White Stripes, Cat Power, and Bob Marley -- this is both an astounding collection of short stories and an extraordinary experiment in words and music. Soundtrack available from Saturation Acres Music & Recording Co.
Publisher: Simon and Schuster
ISBN: 1416586458
Category : Fiction
Languages : en
Pages : 437
Book Description
Following in the footsteps of the late great Lester Bangs -- the most revered and irreverent of rock 'n' roll critics -- twenty-four celebrated writers have penned stories inspired by great songs. Just as Bangs cast new light on a Rod Stewart classic with his story "Maggie May," about a wholly unexpected connection between an impressionable young man and an aging, alcoholic hooker, the diverse, electrifying stories here use songs as a springboard for a form dubbed the lit riff. Alongside Bangs's classic work, you'll find stories by J.T. LeRoy, who puts a recovering teenage drug abuser in a dentist's chair with nothing but the Foo Fighters's "Everlong" -- blaring through the P.A. -- to fight the pain; Jonathan Lethem, whose narrator looks back on his lost innocence just as an extramarital affair careens to an end -- this to the tune "Speeding Motorcycle" as recorded by Yo La Tengo; and Jennifer Belle, who envisions a prequel to Paul Simon's "Graceland" -- one that takes place at a children's birthday party replete with a real live kangaroo. With original contributions from Tom Perrotta, Nelson George, Amanda Davis, Lisa Tucker, Aimee Bender, Darin Strauss, and many more -- riffing on everyone from Tom Waits and Bruce Springsteen to the White Stripes, Cat Power, and Bob Marley -- this is both an astounding collection of short stories and an extraordinary experiment in words and music. Soundtrack available from Saturation Acres Music & Recording Co.
Field Study
Author: Chet'la Sebree
Publisher: FSG Originals
ISBN: 0374722641
Category : Poetry
Languages : en
Pages : 112
Book Description
Winner of the 2020 James Laughlin Award from the Academy of American Poets "Layered, complex, and infinitely compelling, Chet’la Sebree’s Field Study is a daring exploration of the self and our interactions with others—a meditation on desire, race, loss and survival." --Natasha Trethewey, Pulitzer Prize-winning author of Memorial Drive Chet’la Sebree’s Field Study is a genre-bending exploration of black womanhood and desire, written as a lyrical, surprisingly humorous, and startlingly vulnerable prose poem I am society’s eraser shards—bits used to fix other people’s sh*t, then discarded. Somehow still a wet nurse, from actual babes to Alabama special elections. Seeking to understand the fallout of her relationship with a white man, the poet Chet’la Sebree attempts a field study of herself. Scientifically, field studies are objective collections of raw data, devoid of emotion. But during the course of a stunning lyric poem, Sebree’s control over her own field study unravels as she attempts to understand the depth of her feelings in response to the data of her life. The result is a singular and provocative piece of writing, one that is formally inventive, playfully candid, and soul-piercingly sharp. Interspersing her reflections with Tweets, quips from TV characters, and excerpts from the Black thinkers—Audre Lorde, Maya Angelou, Tressie McMillan Cottom—that inspire her, Sebree analyzes herself through the lens of a society that seems uneasy, at best, with her very presence. She grapples with her attraction to, and rejection of, whiteness and white men; probes the malicious manifestation of colorism and misogynoir throughout American history and media; and struggles with, judges, and forgives herself when she has more questions than answers. “Even as I accrue these notes,” Sebree writes, “I’m still not sure I’ve found the pulse.” A poem of love, heartbreak, womanhood, art, sex, Blackness, and America—sometimes all at once—Field Study throbs with feeling, searing and tender. With uncommon sensitivity and precise storytelling, Sebree makes meaning out of messiness and malaise, breathing life into a scientific study like no other.
Publisher: FSG Originals
ISBN: 0374722641
Category : Poetry
Languages : en
Pages : 112
Book Description
Winner of the 2020 James Laughlin Award from the Academy of American Poets "Layered, complex, and infinitely compelling, Chet’la Sebree’s Field Study is a daring exploration of the self and our interactions with others—a meditation on desire, race, loss and survival." --Natasha Trethewey, Pulitzer Prize-winning author of Memorial Drive Chet’la Sebree’s Field Study is a genre-bending exploration of black womanhood and desire, written as a lyrical, surprisingly humorous, and startlingly vulnerable prose poem I am society’s eraser shards—bits used to fix other people’s sh*t, then discarded. Somehow still a wet nurse, from actual babes to Alabama special elections. Seeking to understand the fallout of her relationship with a white man, the poet Chet’la Sebree attempts a field study of herself. Scientifically, field studies are objective collections of raw data, devoid of emotion. But during the course of a stunning lyric poem, Sebree’s control over her own field study unravels as she attempts to understand the depth of her feelings in response to the data of her life. The result is a singular and provocative piece of writing, one that is formally inventive, playfully candid, and soul-piercingly sharp. Interspersing her reflections with Tweets, quips from TV characters, and excerpts from the Black thinkers—Audre Lorde, Maya Angelou, Tressie McMillan Cottom—that inspire her, Sebree analyzes herself through the lens of a society that seems uneasy, at best, with her very presence. She grapples with her attraction to, and rejection of, whiteness and white men; probes the malicious manifestation of colorism and misogynoir throughout American history and media; and struggles with, judges, and forgives herself when she has more questions than answers. “Even as I accrue these notes,” Sebree writes, “I’m still not sure I’ve found the pulse.” A poem of love, heartbreak, womanhood, art, sex, Blackness, and America—sometimes all at once—Field Study throbs with feeling, searing and tender. With uncommon sensitivity and precise storytelling, Sebree makes meaning out of messiness and malaise, breathing life into a scientific study like no other.
The Muse is Music
Author: Meta DuEwa Jones
Publisher: University of Illinois Press
ISBN: 0252036212
Category : Language Arts & Disciplines
Languages : en
Pages : 306
Book Description
This wide-ranging, ambitiously interdisciplinary study traces jazz's influence on African American poetry from the Harlem Renaissance to contemporary spoken word poetry. Examining established poets such as Langston Hughes, Ntozake Shange, and Nathaniel Mackey as well as a generation of up-and-coming contemporary writers and performers, Meta DuEwa Jones highlights the intersections of race, gender, and sexuality within the jazz tradition and its representation in poetry. Applying prosodic analysis to emphasize the musicality of African American poetic performance, she examines the gendered meanings evident in collaborative performances and in the criticism, images, and sounds circulating within jazz cultures. Jones also considers poets who participated in contemporary venues for black writing such as the Dark Room Collective and the Cave Canem Foundation, including Harryette Mullen, Elizabeth Alexander, and Carl Phillips. Incorporating a finely honed discussion of the Black Arts Movement, the poetry-jazz fusion of the late 1950s, and slam and spoken word performance milieus such as Def Poetry Jam, she focuses on jazz and hip hop-influenced performance artists including Tracie Morris, Saul Williams, and Jessica Care Moore. Through attention to cadence, rhythm, and structure, The Muse is Music fills a gap in literary scholarship by attending to issues of gender in jazz and poetry and by analyzing recordings of poets both with and without musical accompaniment. Applying the methodology of textual close reading to a critical "close listening" of American poetry's resonant soundscape, Jones's analyses include exploring the formal innovation and queer performance of Langston Hughes's recorded collaboration with jazz musicians, delineating the relationship between punctuation and performance in the post-soul John Coltrane poem, and closely examining jazz improvisation and hip-hop stylization. An elaborate articulation of the connections between jazz, poetry and spoken word, and gender, The Muse Is Music offers valuable criticism of specific texts and performances and a convincing argument about the shape of jazz and African-American poetic performance in the contemporary era.
Publisher: University of Illinois Press
ISBN: 0252036212
Category : Language Arts & Disciplines
Languages : en
Pages : 306
Book Description
This wide-ranging, ambitiously interdisciplinary study traces jazz's influence on African American poetry from the Harlem Renaissance to contemporary spoken word poetry. Examining established poets such as Langston Hughes, Ntozake Shange, and Nathaniel Mackey as well as a generation of up-and-coming contemporary writers and performers, Meta DuEwa Jones highlights the intersections of race, gender, and sexuality within the jazz tradition and its representation in poetry. Applying prosodic analysis to emphasize the musicality of African American poetic performance, she examines the gendered meanings evident in collaborative performances and in the criticism, images, and sounds circulating within jazz cultures. Jones also considers poets who participated in contemporary venues for black writing such as the Dark Room Collective and the Cave Canem Foundation, including Harryette Mullen, Elizabeth Alexander, and Carl Phillips. Incorporating a finely honed discussion of the Black Arts Movement, the poetry-jazz fusion of the late 1950s, and slam and spoken word performance milieus such as Def Poetry Jam, she focuses on jazz and hip hop-influenced performance artists including Tracie Morris, Saul Williams, and Jessica Care Moore. Through attention to cadence, rhythm, and structure, The Muse is Music fills a gap in literary scholarship by attending to issues of gender in jazz and poetry and by analyzing recordings of poets both with and without musical accompaniment. Applying the methodology of textual close reading to a critical "close listening" of American poetry's resonant soundscape, Jones's analyses include exploring the formal innovation and queer performance of Langston Hughes's recorded collaboration with jazz musicians, delineating the relationship between punctuation and performance in the post-soul John Coltrane poem, and closely examining jazz improvisation and hip-hop stylization. An elaborate articulation of the connections between jazz, poetry and spoken word, and gender, The Muse Is Music offers valuable criticism of specific texts and performances and a convincing argument about the shape of jazz and African-American poetic performance in the contemporary era.
Embodied Expression in Popular Music
Author: Timothy Koozin
Publisher: Oxford University Press
ISBN: 0197692982
Category : Music
Languages : en
Pages : 305
Book Description
This book explores the intimate connection between body and instrument in popular music, explaining chords, melodies, riffs, and grooves in terms of embodied movement, which in turn informs the imagination in constructing meaning in songs. Tracing connections from foundational blues, gospel, and rock musicians to current rap artists, author Timothy Koozin demonstrates how a focus on body-instrument interaction can illuminate creative strategies while leveling implied hierarchies of cultural value, revealing how artists represent subjectivities of gender, race, and social class in shaping songs and whole albums.
Publisher: Oxford University Press
ISBN: 0197692982
Category : Music
Languages : en
Pages : 305
Book Description
This book explores the intimate connection between body and instrument in popular music, explaining chords, melodies, riffs, and grooves in terms of embodied movement, which in turn informs the imagination in constructing meaning in songs. Tracing connections from foundational blues, gospel, and rock musicians to current rap artists, author Timothy Koozin demonstrates how a focus on body-instrument interaction can illuminate creative strategies while leveling implied hierarchies of cultural value, revealing how artists represent subjectivities of gender, race, and social class in shaping songs and whole albums.
Muse
Author: Jonathan Galassi
Publisher: Vintage
ISBN: 0385353359
Category : Fiction
Languages : en
Pages : 176
Book Description
From the publisher of Farrar, Straus and Giroux: a first novel, at once hilarious and tender, about the decades-long rivalry between two publishing lions, and the iconic, alluring writer who has obsessed them both. Paul Dukach is heir apparent at Purcell & Stern, one of the last independent publishing houses in New York, whose shabby offices on Union Square belie the treasures on its list. Working with his boss, the flamboyant Homer Stern, Paul learns the ins and outs of the book trade—how to work an agent over lunch; how to swim with the literary sharks at the Frankfurt Book Fair; and, most important, how to nurse the fragile egos of the dazzling, volatile authors he adores. But Paul’s deepest admiration has always been reserved for one writer: poet Ida Perkins, whose audacious verse and notorious private life have shaped America’s contemporary literary landscape, and whose longtime publisher—also her cousin and erstwhile lover—happens to be Homer’s biggest rival. And when Paul at last has the chance to meet Ida at her Venetian palazzo, she entrusts him with her greatest secret—one that will change all of their lives forever. Studded with juicy details only a quintessential insider could know, written with both satiric verve and openhearted nostalgia, Muse is a brilliant, haunting book about the beguiling interplay between life and art, and the eternal romance of literature.
Publisher: Vintage
ISBN: 0385353359
Category : Fiction
Languages : en
Pages : 176
Book Description
From the publisher of Farrar, Straus and Giroux: a first novel, at once hilarious and tender, about the decades-long rivalry between two publishing lions, and the iconic, alluring writer who has obsessed them both. Paul Dukach is heir apparent at Purcell & Stern, one of the last independent publishing houses in New York, whose shabby offices on Union Square belie the treasures on its list. Working with his boss, the flamboyant Homer Stern, Paul learns the ins and outs of the book trade—how to work an agent over lunch; how to swim with the literary sharks at the Frankfurt Book Fair; and, most important, how to nurse the fragile egos of the dazzling, volatile authors he adores. But Paul’s deepest admiration has always been reserved for one writer: poet Ida Perkins, whose audacious verse and notorious private life have shaped America’s contemporary literary landscape, and whose longtime publisher—also her cousin and erstwhile lover—happens to be Homer’s biggest rival. And when Paul at last has the chance to meet Ida at her Venetian palazzo, she entrusts him with her greatest secret—one that will change all of their lives forever. Studded with juicy details only a quintessential insider could know, written with both satiric verve and openhearted nostalgia, Muse is a brilliant, haunting book about the beguiling interplay between life and art, and the eternal romance of literature.
Killer Riff
Author: Sheryl J. Anderson
Publisher: Ignition Books®
ISBN: 1937868559
Category : Fiction
Languages : en
Pages : 313
Book Description
Publisher: Ignition Books®
ISBN: 1937868559
Category : Fiction
Languages : en
Pages : 313
Book Description