Richard Wagner and the Art of the Avant-Garde, 1860-1910

Richard Wagner and the Art of the Avant-Garde, 1860-1910 PDF Author: Donald A. Rosenthal
Publisher: Rowman & Littlefield
ISBN: 1538180006
Category : Art
Languages : en
Pages : 213

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Book Description
This book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century. The term avant-garde represents a twenty-first century evaluation of certain nineteenth-century artists working in a variety of advanced styles, rather than a phrase the artists applied to themselves. Chapters are on individual artists or groups, rather than an attempt to survey all of nineteenth-century Wagnerian visual art. They deal with paintings and drawings inspired by Wagner and his operas, not with the composer’s larger cultural influence through his writings and personal example. Thus artists such as Vincent Van Gogh and Paul Gauguin, who knew of Wagner’s music and writings but did not depict scenes from his operas, are not discussed in detail. The emphasis is on the diverse effects Wagner had on the works of leading avant-garde artists, varying according to their personalities and stylistic interests. The period beginning in the 1880s, often associated with post-Impressionism, was characterized by a movement away from realist subject matter to more personal or imaginary themes, a general intellectual trend of the fin-de-siècle. Wagner’s remote quasi-historical or mythological subjects fit well with this escapist tendency in the art and culture of the time, in part a return to the Romantic sensibility that was dominant in Wagner’s youth. Wagner’s influence peaked in the period between his death in 1883 and 1900, though a few long-lived artists continued their Wagnerian explorations from this era well into the early twentieth century. There is no “Wagner style” in art, yet Wagner’s pervasive influence is immediately evident in these works. Artists whose works are discussed include Eugène Delacroix, Henri Fantin-Latour, Odilon Redon, Max Klinger, James Ensor, Fernand Khnopff, John Singer Sargent and Aubrey Beardsley, among others. The book features 60 art reproductions, half of them in color.

Richard Wagner and the Art of the Avant-Garde, 1860-1910

Richard Wagner and the Art of the Avant-Garde, 1860-1910 PDF Author: Donald A. Rosenthal
Publisher: Rowman & Littlefield
ISBN: 1538180006
Category : Art
Languages : en
Pages : 213

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Book Description
This book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century. The term avant-garde represents a twenty-first century evaluation of certain nineteenth-century artists working in a variety of advanced styles, rather than a phrase the artists applied to themselves. Chapters are on individual artists or groups, rather than an attempt to survey all of nineteenth-century Wagnerian visual art. They deal with paintings and drawings inspired by Wagner and his operas, not with the composer’s larger cultural influence through his writings and personal example. Thus artists such as Vincent Van Gogh and Paul Gauguin, who knew of Wagner’s music and writings but did not depict scenes from his operas, are not discussed in detail. The emphasis is on the diverse effects Wagner had on the works of leading avant-garde artists, varying according to their personalities and stylistic interests. The period beginning in the 1880s, often associated with post-Impressionism, was characterized by a movement away from realist subject matter to more personal or imaginary themes, a general intellectual trend of the fin-de-siècle. Wagner’s remote quasi-historical or mythological subjects fit well with this escapist tendency in the art and culture of the time, in part a return to the Romantic sensibility that was dominant in Wagner’s youth. Wagner’s influence peaked in the period between his death in 1883 and 1900, though a few long-lived artists continued their Wagnerian explorations from this era well into the early twentieth century. There is no “Wagner style” in art, yet Wagner’s pervasive influence is immediately evident in these works. Artists whose works are discussed include Eugène Delacroix, Henri Fantin-Latour, Odilon Redon, Max Klinger, James Ensor, Fernand Khnopff, John Singer Sargent and Aubrey Beardsley, among others. The book features 60 art reproductions, half of them in color.

The Art-Work of the Future and Other Works

The Art-Work of the Future and Other Works PDF Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297524
Category : Art
Languages : en
Pages : 440

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Book Description
Poor, frustrated, and angered by the ?fashion-mongers and mode-purveyors? of art, Richard Wagner published The Art-Work of the Future in 1849. It marked a turning point in his life: an appraisal of the revolutionary passions of mid-century Europe, his farewell to symphonic music, and his vision of the music to come. ø Beethoven?s Ninth Symphony was unsurpassable, he wrote. Henceforth "The Folk must of necessity be the Artist of the Future," and only artists who were in harmony with the Folk could know what harmony was for. The essay became a touchstone for Wagner, his family, friends, and followers, as he sought to produce works that thoroughly combined music, dance, drama, and national saga. ø In addition to Wagner?s epoch-defining essay, this volume includes his "Autobiographical Sketch," "Art and Climate"; his libretto for an opera, "Wieland the Smith"; and his notorious "Art and Revolution." The concluding piece, "A Communication to My Friends (1851), explains his views on his first successes?The Flying Dutchman, Lohengrin, and TannhÜuser?and defines his agenda for later works. ø As spokesman for the future, Wagner spoke most of himself. In these works he set forth his ambitions, identified his enemies, and began a campaign for public attention that made him a legend in his own time and in ours.

Art Life and Theories of Richard Wagner

Art Life and Theories of Richard Wagner PDF Author: Richard Wagner
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 348

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Book Description


Art and Politics

Art and Politics PDF Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297746
Category : Art
Languages : en
Pages : 444

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Book Description
A master of mystery and paradox, Wagner spent his life composing himself while composing music. Written between 1864 and 1878, the essays in Art and Politics converge upon Wagner?s desire to define and reform German culture. He was deeply annoyed that Germany seemed to satisfy itself with cheap theater, vulgar songs, and clumsy imitations of French art. In ?What Is German?? he declared that German culture must rise above the common ruck. Citing ?Music?s wonderman? Johann Sebastian Bach as his precursor, Wagner fought to persuade his readers that German culture had a historic destiny, and that destiny was shaped first and foremost by music. ø As usual, embroiled in the defense of his operas and his person, Wagner recognized that his rescue from attack and poverty could not be expected from ?Franco-Judaico-German democracy.? He instead fixed his hopes elsewhere: ?the embodied voucher? for fundamental law, the Monarch. He found himself at a turning point in his career. In 1864 King Ludwig II of Bavaria befriended Wagner and gave him badly needed financial support. This alliance aroused Wagner?s enemies into further fits of jealousy. Yet, amid the public scorn, he worked on the production of Tristan und Isolde, drafted the libretto for Parsifal, and composed sections of Siegfried and Die Meistersinger. ø In these essays Wagner resumes his considerations of the close ties between religion and art. He calls art ?the kindly Life-saviour who does not really and wholly lead us out beyond this life, but, within it, lifts us up above it and shews it as itself a game of play.? These essays express his artistic credo and the knowledge of German literature that underpinned his claims for German genius. Following his ideals, he proclaimed his intention to raise the quality of German opera, by himself if necessary. ø This edition includes the full text of volume 4 of the translation of Wagner?s works commissioned in 1895 by the London Wagner Society.

Art Life and Theorie of Richard Wagner

Art Life and Theorie of Richard Wagner PDF Author: E. L. B.
Publisher: BoD – Books on Demand
ISBN: 3385203945
Category : Fiction
Languages : en
Pages : 330

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Book Description
Reprint of the original, first published in 1875.

Richard Wagner's Prose Works: The art-work of the future

Richard Wagner's Prose Works: The art-work of the future PDF Author: Richard Wagner
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 450

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The art-work of the future

The art-work of the future PDF Author: Richard Wagner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 456

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Book Description


Revival: Life of Richard Wagner, Vol. I (1900)

Revival: Life of Richard Wagner, Vol. I (1900) PDF Author: Carl Friedrich Glasenapp
Publisher: Routledge
ISBN: 1351342398
Category : Art
Languages : en
Pages : 504

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Book Description
This volume brings our story down to 1843, an important era in Richard Wagner’s Life, with his entry, as composer, of two successful operas, upon a so-called "practical" career at one of the principal German theatres.

Art Life and Theories of Richard Wagner

Art Life and Theories of Richard Wagner PDF Author: Edward L. Burlingame
Publisher: BoD – Books on Demand
ISBN: 3385220467
Category : Fiction
Languages : en
Pages : 334

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Book Description
Reprint of the original, first published in 1875.

Richard Wagner

Richard Wagner PDF Author: Ronald Taylor
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 312

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Book Description
"Ronald Taylor has set out to provide in a single volume a substantial all-round life-and-work to place alongside the many specialist and partial studies of Wagner. He essays to cover all main aspects of Wagner within a coherent biographical framework, basing his account on primary sources such as Wagner's autobiographical writings and letters, the reminiscences of Liszt, Nietzsche and other friends and associates, and the complete diary of Cosima, first published in 1977. The restless existence that Wagner led from his schooldays to the end of his life, his revolutionary activity, his love affairs, his pursuit of luxury and his perpetual debts, his extraordinary self-centredness and manipulation of others, the famous men and women around him, the heaven-sent patronage of the lonely and eccentric arch-romantic King Ludwig II of Bavaria, the building of his personal temple, the Festival Theatre in Bayreuth--this is the stuff of absorbing biography. And there can be scarcely any other composer whose life was so bound up with the events of his time, and so compellingly illustrative of them, as Wagner's. The 1830 Revolution in France and the European revolutions of 1848 and 1849, the heady radical and hedonistic notions of the Young German movement, the philosophy of Schopenhauer, the urge towards German political unification--these played crucial parts in moulding his mind. Ronald Taylor not only discusses Wagner's compositions as works of art, but shows how each of them, from Die Feen to Parsifal, is grounded in its creator's intellectual and spiritual development. He considers, for example, the allegorical significance of The Ring in terms of Wagner's views on society and human relationships, the indelible mark left by the experience of being spurned by the bourgeois taste of 1830s Paris, and demonstrates how a work which contains such nationalistic elements can at the same time be one of the overwhelming achievements in European culture. The elaborate structure of ideas and theories that surrounds Wagner's music is further revealed by succinct accounts of his political, social, and musical thinking at all periods of his career as expressed in his key writings on culture and society, the role of the artist in the community, the musical scene in nineteenth-century Europe, and many other subjects. In a postscript the main lines of the controversies--musical, philosophical and psychological--that have raged over Wagner from his lifetime onwards are shown in a balanced selection of statements by prominent, and diverse, figures such as Nietzsche, Tolstoy, Debussy, Stravinsky, Thomas Mann, George Bernard Shaw, Bruno Walter, Adorno and Boulez." --Jacket.