Author: Eugene Robert Cunnar
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 762
Book Description
Richard Crashaw and the Hymn Tradition
New Perspectives on the Life and Art of Richard Crashaw
Author: John Richard Roberts
Publisher: University of Missouri Press
ISBN: 9780826207395
Category : Biography & Autobiography
Languages : en
Pages : 258
Book Description
A collection of ten original critical and historical essays on the life and art of Crashaw (1612/13-1649), one of the most neglected, misunderstood and unappreciated of the major metaphysical poets. The introduction surveys the history of Crashavian criticism and signals new directions for future scholarship. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: University of Missouri Press
ISBN: 9780826207395
Category : Biography & Autobiography
Languages : en
Pages : 258
Book Description
A collection of ten original critical and historical essays on the life and art of Crashaw (1612/13-1649), one of the most neglected, misunderstood and unappreciated of the major metaphysical poets. The introduction surveys the history of Crashavian criticism and signals new directions for future scholarship. Annotation copyrighted by Book News, Inc., Portland, OR
Richard Crashaw
Author: Thomas F. Healy
Publisher: BRILL
ISBN: 9004610839
Category : History
Languages : en
Pages : 171
Book Description
Publisher: BRILL
ISBN: 9004610839
Category : History
Languages : en
Pages : 171
Book Description
Richard Crashaw
Author: John Richard Roberts
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 496
Book Description
Roberts provides a "fully annotated, comprehensive enumerative bibliography of the criticism on Richard Crashaw that contains, in addition to editions of his poetry, all books; parts of book-length studies; monographs; and critical, biographical, and bibliographical essays on the poet."--
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 496
Book Description
Roberts provides a "fully annotated, comprehensive enumerative bibliography of the criticism on Richard Crashaw that contains, in addition to editions of his poetry, all books; parts of book-length studies; monographs; and critical, biographical, and bibliographical essays on the poet."--
A Dictionary of Biblical Tradition in English Literature
Author: David Lyle Jeffrey
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802836342
Category : Literary Criticism
Languages : en
Pages : 1000
Book Description
Over 15 years in the making, an unprecedented one-volume reference work. Many of today's students and teachers of literature, lacking a familiarity with the Bible, are largely ignorant of how Biblical tradition has influenced and infused English literature through the centuries. An invaluable research tool. Contains nearly 800 encyclopedic articles written by a distinguished international roster of 190 contributors. Three detailed annotated bibliographies. Cross-references throughout.
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802836342
Category : Literary Criticism
Languages : en
Pages : 1000
Book Description
Over 15 years in the making, an unprecedented one-volume reference work. Many of today's students and teachers of literature, lacking a familiarity with the Bible, are largely ignorant of how Biblical tradition has influenced and infused English literature through the centuries. An invaluable research tool. Contains nearly 800 encyclopedic articles written by a distinguished international roster of 190 contributors. Three detailed annotated bibliographies. Cross-references throughout.
Richard Crashaw
Author: Paul A. Parrish
Publisher: Macmillan Reference USA
ISBN:
Category : Poetry
Languages : en
Pages : 200
Book Description
Publisher: Macmillan Reference USA
ISBN:
Category : Poetry
Languages : en
Pages : 200
Book Description
Richard Crashaw
Author: Ruth C. Wallerstein
Publisher: Wipf and Stock Publishers
ISBN: 1666744239
Category : Poetry
Languages : en
Pages : 160
Book Description
Publisher: Wipf and Stock Publishers
ISBN: 1666744239
Category : Poetry
Languages : en
Pages : 160
Book Description
All Wonders in One Sight
Author: Theresa M. Kenney
Publisher: University of Toronto Press
ISBN: 1487509065
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
All Wonders in One Sight compares the portrayals of the Christ Child in the Nativity poems of the greatest names in seventeenth-century English lyric.
Publisher: University of Toronto Press
ISBN: 1487509065
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
All Wonders in One Sight compares the portrayals of the Christ Child in the Nativity poems of the greatest names in seventeenth-century English lyric.
The Catholic Tradition in English Literature
Author: George Carver
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 496
Book Description
An anthology of Catholic literature in English, from Chaucer to Joyce Kilmer. Much of it is poetry. Also includes drama, biography and autobiography, treatises, fiction, and essays.
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 496
Book Description
An anthology of Catholic literature in English, from Chaucer to Joyce Kilmer. Much of it is poetry. Also includes drama, biography and autobiography, treatises, fiction, and essays.
Frank O'Hara's New York School and Mid-Century Mannerism
Author: Sam Ladkin
Publisher: Oxford University Press
ISBN: 0192866729
Category : Literary Criticism
Languages : en
Pages : 377
Book Description
Frank O'Hara's New York School & Mid-Century Mannerism offers a ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School. Fresh accounts of canonical figures (Jackson Pollock, Willem de Kooning, George Balanchine, Fred Astaire) and original work on those too little discussed (Edwin Denby, Elaine de Kooning) resound with analysis of queer iconology from Michelangelo's David to James Dean. Sam Ladkin argues that O'Hara and the New York School revive Mannerism. Turning away from interpretations of O'Hara's Transcendentalism, Romanticism, or pastoralism, 'mid-century Mannerism' helps explain O'Hara's self-conscious style, its play with sweet and grand grace, contortion of conventional measure, risks with affectation, conceits, nonchalance, and scrambling of high/low culture. Mannerism clarifies the sociability implicit in the formal innovations of the New York School. The work also studies the kinship between art mediums by retooling rhetoric and recovering a perennial manneristic tendency beyond period style. Genealogies of grace, the figura serpentinata, sprezzatura, ornatus, and the marvellous exemplify qualities exhibited by O'Hara's New York School. Ladkin relates the essential role of dance in the New York School. O'Hara's reception has been tied to painting, predominantly Abstract Expressionism. He was also, however, a balletomane, a fan, for whom ballet was 'made up exclusively of qualities which other arts only aspire to in order to be truly modern.' Relaying ballet's Mannerist origins and aesthetics, and demonstrating its influence alongside Broadway and Hollywood musical-dance on art and poetry, completes the portrait of mid-century modernity.
Publisher: Oxford University Press
ISBN: 0192866729
Category : Literary Criticism
Languages : en
Pages : 377
Book Description
Frank O'Hara's New York School & Mid-Century Mannerism offers a ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School. Fresh accounts of canonical figures (Jackson Pollock, Willem de Kooning, George Balanchine, Fred Astaire) and original work on those too little discussed (Edwin Denby, Elaine de Kooning) resound with analysis of queer iconology from Michelangelo's David to James Dean. Sam Ladkin argues that O'Hara and the New York School revive Mannerism. Turning away from interpretations of O'Hara's Transcendentalism, Romanticism, or pastoralism, 'mid-century Mannerism' helps explain O'Hara's self-conscious style, its play with sweet and grand grace, contortion of conventional measure, risks with affectation, conceits, nonchalance, and scrambling of high/low culture. Mannerism clarifies the sociability implicit in the formal innovations of the New York School. The work also studies the kinship between art mediums by retooling rhetoric and recovering a perennial manneristic tendency beyond period style. Genealogies of grace, the figura serpentinata, sprezzatura, ornatus, and the marvellous exemplify qualities exhibited by O'Hara's New York School. Ladkin relates the essential role of dance in the New York School. O'Hara's reception has been tied to painting, predominantly Abstract Expressionism. He was also, however, a balletomane, a fan, for whom ballet was 'made up exclusively of qualities which other arts only aspire to in order to be truly modern.' Relaying ballet's Mannerist origins and aesthetics, and demonstrating its influence alongside Broadway and Hollywood musical-dance on art and poetry, completes the portrait of mid-century modernity.