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Author: Johann Jacob Froberger
Publisher: Courier Corporation
ISBN: 0486280934
Category : Music
Languages : en
Pages : 225
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Book Description
This volume contains all 71 of the German composer's works for organ, including 25 toccatas, 8 fantasias, 6 canzonas, 18 capriccios, and 14 ricercares. The music recalls Froberger's teacher, the Italian composer Girolamo Frescobaldi, offering grand visions of the late Baroque. Since the scores do not include pedal indications, they are also appropriate for the piano or harpsichord.
Author: Johann Jacob Froberger
Publisher: Courier Corporation
ISBN: 0486280934
Category : Music
Languages : en
Pages : 225
Get Book Here
Book Description
This volume contains all 71 of the German composer's works for organ, including 25 toccatas, 8 fantasias, 6 canzonas, 18 capriccios, and 14 ricercares. The music recalls Froberger's teacher, the Italian composer Girolamo Frescobaldi, offering grand visions of the late Baroque. Since the scores do not include pedal indications, they are also appropriate for the piano or harpsichord.
Author: Evan Jones
Publisher: Routledge
ISBN: 1317518772
Category : Music
Languages : en
Pages : 283
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Book Description
The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.
Author: Gordon Alexander Sutherland
Publisher:
ISBN:
Category : Fugue
Languages : en
Pages : 544
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Book Description
Author: Andrew Woolley
Publisher: Routledge
ISBN: 1317113551
Category : Music
Languages : en
Pages : 334
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Book Description
Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Author: Corliss Richard Arnold
Publisher: Scarecrow Press
ISBN: 146167025X
Category : Music
Languages : en
Pages : 924
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Book Description
This third edition is a basic textbook on the development of pipe organ composition in geographically diverse schools. Its nineteen chapters include charts of organ composers and a historical background of contemporary events and figures for each organ composition school. Chapter bibliographies cover readings published in the seventies, eighties, and early nineties. A listing of Bach organ compositions with pagination of various editions is also included.
Author: Johann Jacob Froberger
Publisher:
ISBN:
Category : Keyboard instrument music
Languages : en
Pages : 150
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Book Description
Author: Stewart Carter
Publisher: Indiana University Press
ISBN: 0253005280
Category : Music
Languages : en
Pages : 558
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Book Description
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Author: David Kidger
Publisher: Routledge
ISBN: 1135575762
Category : Music
Languages : en
Pages : 463
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Book Description
This key text will be the first full-length research tool on Adrian Willaert, the Renaissance composer of motets and madrigals who came to prominence in the first part of the sixteenth century, and should prove invaluable to researchers and students.
Author: F. Altieri
Publisher:
ISBN:
Category :
Languages : en
Pages : 714
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Book Description
Author: Dr Andrew Woolley
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409464288
Category : Music
Languages : en
Pages : 464
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Book Description
Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ‘workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
