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Author: Judith Karp Kurnick
Publisher: University of Pennsylvania Press
ISBN: 9780812214451
Category : Biography & Autobiography
Languages : en
Pages : 132
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Book Description
Riccardo Muti's tenure with the Philadelphia Orchestra constituted a virtuoso partnership acclaimed around the world. This book documents and highlights the achievements of the maestro's career.
Author: Judith Karp Kurnick
Publisher: University of Pennsylvania Press
ISBN: 9780812214451
Category : Biography & Autobiography
Languages : en
Pages : 132
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Book Description
Riccardo Muti's tenure with the Philadelphia Orchestra constituted a virtuoso partnership acclaimed around the world. This book documents and highlights the achievements of the maestro's career.
Author: Riccardo Muti
Publisher: Rizzoli Publications
ISBN: 0847837459
Category : Music
Languages : en
Pages : 186
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Book Description
“A vivid portrait of life at the top of a podium heap…[a] fascinating memoir – a must-read for all who would gain insights into what makes a dedicated and complicated man of music tick.”--Chicago Tribune From a small town in the south of Italy to the pinnacle of the classical music world, Riccardo Muti has enthralled audiences across the globe as conductor of the world’s most prestigious orchestras and opera houses. Now, after fifty years on the podium, he reflects on an extraordinary career, working with the great artists of his generation. Here, for the first time, he shares the personal anecdotes and revelations of a remarkable life in music.
Author: Riccardo Muti
Publisher: National Geographic Books
ISBN: 0847837246
Category : Music
Languages : en
Pages : 0
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Book Description
“A vivid portrait of life at the top of a podium heap…[a] fascinating memoir – a must-read for all who would gain insights into what makes a dedicated and complicated man of music tick.” ~Chicago Tribune From a small town in the south of Italy to the pinnacle of the classical music world, Riccardo Muti has enthralled audiences across the globe as conductor of the world’s most prestigious orchestras and opera houses. Now, after fifty years on the podium, he reflects on an extraordinary career, working with the great artists of his generation. Here, for the first time, he shares the personal anecdotes and revelations of a remarkable life in music.
Author: Andrew Patner
Publisher: University of Chicago Press
ISBN: 022660991X
Category : Music
Languages : en
Pages : 272
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Book Description
“Playing in an orchestra in an intelligent way is the best school for democracy.”—Daniel Barenboim The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Riccardo Muti, Andrew Patner was right there. As a classical music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSO’s changing repertories, all while cultivating a deep rapport with its four principal conductors. This book assembles Patner’s reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patner’s “driving survey” that playfully ranks the Maestri he knew on a scale of “total comfort” to “fright level five,” and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulez’s and Haitink’s heartbreaking experiences of Nazi occupation in their native countries as children. Throughout, these reviews and interviews are threaded together with insights about the power of music and the techniques behind it—from the conductors’ varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. Featuring a foreword by fellow critic Alex Ross on the ethos and humor that informed Patner’s writing, as well as an introduction and extensive historical commentary by musicologist Douglas W. Shadle, this book offers a rich portrait of the musical life of Chicago through the eyes and ears of one of its most beloved critics.
Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 0393881253
Category : Music
Languages : en
Pages : 256
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Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Author: Antonín Dvořák
Publisher: Eulenburg
ISBN: 3795714273
Category : Music
Languages : en
Pages : 137
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Book Description
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author: Patrick Lo
Publisher: Emerald Group Publishing
ISBN: 180117654X
Category : Language Arts & Disciplines
Languages : en
Pages : 332
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Book Description
This volume contains two Open Access Chapters This collection explores the current trends and practices in the field of music performance librarianship. A helpful resource to librarians, and archivists in a variety of situations in the world of performing arts.
Author: Patrick Lo
Publisher: Emerald Group Publishing
ISBN: 180262659X
Category : Language Arts & Disciplines
Languages : en
Pages : 344
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Book Description
The collection Stories and Lessons from the World’s Leading Opera, Orchestra Librarians, and Music Archivists, explores the current trends and practices in the field of music performance librarianship. A helpful resource to librarians, and archivists in a variety of situations in the world of performing arts.
Author: Jan Caeyers
Publisher: Univ of California Press
ISBN: 0520390210
Category : Biography & Autobiography
Languages : en
Pages : 656
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Book Description
"With unprecedented access to the archives at the Beethoven House in Bonn, ... Beethoven conductor and scholar Jan Caeyers ... weaves together a deeply human and complex image of Beethoven--his troubled youth, his unpredictable mood swings, his desires, relationships, and conflicts with family and friends, the mysteries surrounding his affair with the 'immortal beloved, ' and the dramatic tale of his deafness. Caeyers also offers new insights into Beethoven's music and its gradual transformation from the work of a skilled craftsman into that of a consummate artist"--Publisher marketing.
Author: Brendan Slocumb
Publisher: Anchor
ISBN: 059331543X
Category : Fiction
Languages : en
Pages : 353
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Book Description
GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.
