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Author: Arie Hartog
Publisher:
ISBN: 9789089319968
Category :
Languages : de
Pages : 168
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Book Description
Ricardo Brey was born in Havana, Cuba in 1955 and has lived and worked in Ghent, Belgium since 1990. From the late 1970s onward, Brey's practice, which spans drawing, sculpture, and installation, has focused on his research into the origins of humanity and humankind's place in the world. A child during the Cuban Revolution, Brey was educated at the Escuela de Artes Plásticas San Alejandro (1970-1974) and the Escuela Nacional de Arte in Havana (1974-1978), at the time the best art school in Cuba. After graduating, he joined a dynamic artistic scene in Havana that included Cuban and international artists who were committed to advancing artistic practice in Cuba. Brey worked briefly as an illustrator and graphic designer before exhibiting in the landmark 1981 group show Volumen I at the Centro de Arte Internacional in Havana. In the 1970s and 1980s he became an active member of the group Volumen I, today synonym for the emergence of a new generation of avant-garde artists in Cuba after the revolution of 1959. The invitation to participate in Documenta IX in Kassel was the starting point for Brey to move to Belgium, were he lives since 1990.00Exhibition: De Domijnen, Sittard, The Netherlands (10.02.-10.06.2019).
Author: Arie Hartog
Publisher:
ISBN: 9789089319968
Category :
Languages : de
Pages : 168
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Book Description
Ricardo Brey was born in Havana, Cuba in 1955 and has lived and worked in Ghent, Belgium since 1990. From the late 1970s onward, Brey's practice, which spans drawing, sculpture, and installation, has focused on his research into the origins of humanity and humankind's place in the world. A child during the Cuban Revolution, Brey was educated at the Escuela de Artes Plásticas San Alejandro (1970-1974) and the Escuela Nacional de Arte in Havana (1974-1978), at the time the best art school in Cuba. After graduating, he joined a dynamic artistic scene in Havana that included Cuban and international artists who were committed to advancing artistic practice in Cuba. Brey worked briefly as an illustrator and graphic designer before exhibiting in the landmark 1981 group show Volumen I at the Centro de Arte Internacional in Havana. In the 1970s and 1980s he became an active member of the group Volumen I, today synonym for the emergence of a new generation of avant-garde artists in Cuba after the revolution of 1959. The invitation to participate in Documenta IX in Kassel was the starting point for Brey to move to Belgium, were he lives since 1990.00Exhibition: De Domijnen, Sittard, The Netherlands (10.02.-10.06.2019).
Author: Ricardo Rodríguez Brey
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 208
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Book Description
Monografie van de Cubaanse beeldend kunstenaar (1955).
Author: Lorenzo Benedetti
Publisher:
ISBN: 9789491775444
Category : Artists' books
Languages : en
Pages : 0
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Book Description
This publication by De Vleeshal and MER. Paper Kunsthalle is realised in the framework of the past exhibition "Published by MER. Paper Kunsthalle" held at De Kabinetten van de Vleeshal, the Netherlands (October - December 2013). It features talks between Lorenzo Benedetti (then curator of De Vleeshal) and Luc Derycke (publisher) about art, books and artists' books.0.
Author: Maria Magdalena Campos-Pons
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 192
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Book Description
A stunning mid-career retrospective of an important and influential contemporary Afro-Cuban artist With a diverse oeuvre ranging from painting to mixed-media installations to performance, video, and photography, María Magdalena Campos-Pons is one of the most significant artists to emerge from post-Revolutionary Cuba. Her evocative works probe questions of race, class, cultural hybridism, and national identities in African diasporic communities. María Magdalena Campos-Pons: Everything Is Separated by Water is the first full-scale survey of the artist's career. The title, borrowed from one of her works, evokes at once the dangerous sea crossings faced by her enslaved ancestors from Africa and her Cuban contemporaries seeking greater freedom in America, and the sense of dislocation felt when physical and geopolitical barriers divide family and friends, past and future. Lisa D. Freiman considers how Campos-Pons's practice, which is predicated on concepts of separation, memory, and fragmentation, developed and transformed from her artistic training and early production in Cuba in the 1980s through her move to the United States in 1991 and her subsequent recognition as a major figure in the international art world. Okwui Enwezor interprets Campos-Pons's expressive materials--reassembled fragments of lost traditions and symbols, and memories of personal and collective history, religion, and mythology--within the context of post-colonial theory. Handsomely designed and produced, this book offers an unprecedented opportunity to assess the significance and import of this challenging artist's work. Published in association with the Indianapolis Museum of Art Exhibition Schedule: Indianapolis Museum of Art (February 25 - June 3, 2007) Bass Museum of Art, Miami Beach (September 21 - November 12, 2007)
Author: Gloria Groom
Publisher: Getty Publications
ISBN: 1606066048
Category : Art
Languages : en
Pages : 404
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Book Description
This stunning examination of the last years of Édouard Manet's life and career is the first book to explore the transformation of his style and subject matter in the 1870s and early 1880s. The name Manet often evokes the provocative, heroically scaled pictures he painted in the 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolors, and impressionistic scenes of suburban gardens and Parisian cafés. Often dismissed as too pretty and superficial by critics, these later works reflect Manet’s elegant social world, propose a radical new alignment of modern art with fashionable femininity, and record the artist’s unapologetic embrace of beauty and visual pleasure in the face of death. Featuring nearly three hundred illustrations and nine fascinating essays by established and emerging Manet specialists, a technical analysis of the late Salon painting Jeanne (Spring), a selection of the artist’s correspondence, a chronology, and more, Manet and Modern Beauty brings a diverse range of approaches to bear on a little-studied area of this major artist’s oeuvre.
Author: Ricardo Brey
Publisher:
ISBN: 9789491775352
Category : Art objects
Languages : es
Pages : 0
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Book Description
This book can be seen as the core - or at least a main synthesis - of the overall aspiration of Ricardo Brey for his upcoming project in Cuba. It has therefore been developed as a separate undertaking. While it is not an artist book in the traditional sense, it is definitively a project by an artist. Its ambition is to create a sense of the artistic space that Brey wants to offer, with a polyphony of voices and an immersive sphere in which a quality of behavior is of prime importance. It will offer an integral view of his oeuvre, in which the historical is integrated but the focus is on present validity.0Exhibition: Museo Nacional de Bellas Artes, Havana, Cuba (April 2014).
Author: Mary Jane Jacob
Publisher: University of Chicago Press
ISBN: 022658044X
Category : Art
Languages : en
Pages : 190
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Book Description
John Dewey is known as a pragmatic philosopher and progressive architect of American educational reform, but some of his most important contributions came in his thinking about art. Dewey argued that there is strong social value to be found in art, and it is artists who often most challenge our preconceived notions. Dewey for Artists shows us how Dewey advocated for an “art of democracy.” Identifying the audience as co-creator of a work of art by virtue of their experience, he made space for public participation. Moreover, he believed that societies only become—and remain—truly democratic if its citizens embrace democracy itself as a creative act, and in this he advocated for the social participation of artists. Throughout the book, Mary Jane Jacob draws on the experiences of contemporary artists who have modeled Dewey’s principles within their practices. We see how their work springs from deeply held values. We see, too, how carefully considered curatorial practice can address the manifold ways in which aesthetic experience happens and, thus, enable viewers to find greater meaning and purpose. And it is this potential of art for self and social realization, Jacob helps us understand, that further ensures Dewey’s legacy—and the culture we live in.
Author: Blake Stimson
Publisher: U of Minnesota Press
ISBN: 1452909202
Category :
Languages : en
Pages : 332
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Book Description
“Don’t start an art collective until you read this book.” —Guerrilla Girls “Ever since Web 2.0 with its wikis, blogs and social networks the art of collaboration is back on the agenda. Collectivism after Modernism convincingly proves that art collectives did not stop after the proclaimed death of the historical avant-gardes. Like never before technology reinvents the social and artists claim the steering wheel!” —Geert Lovink, Institute of Network Cultures, Amsterdam “This examination of the succession of post-war avant-gardes and collectives is new, important, and engaged.” — Stephen F. Eisenman, author of The Abu Ghraib Effect “Collectivism after Modernism crucially helps us understand what artists and others can do in mushy, stinky times like ours. What can the seemingly powerless do in the face of mighty forces that seem to have their act really together? Here, Stimson and Sholette put forth many good answers.” —Yes Men Spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism explores the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. Together, these essays demonstrate that collectivism survives as an influential artistic practice despite the art world’s star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, Jesse Drew, Okwui Enwezor, Rubn Gallo, Chris Gilbert, Brian Holmes, Alan Moore, Jelena Stojanovi´c, Reiko Tomii, Rachel Weiss. Blake Stimson is associate professor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory Sholette is an artist, writer, and cofounder of collectives Political Art Documentation/Distribution and REPOhistory. He is coeditor of The Interventionists: Users’ Manual for the Creative Disruption of Everyday Life. “To understand the various forms of postwar collectivism as historically determined phenomena and to articulate the possibilities for contemporary collectivist art production is the aim of Collectivism after Modernism. The essays assembled in this anthology argue that to make truly collective art means to reconsider the relation between art and public; examples from the Situationist International and Group Material to Paper Tiger Television and the Congolese collective Le Groupe Amos make the point. To construct an art of shared experience means to go beyond projecting what Blake Stimson and Gregory Sholette call the “imagined community”: a collective has to be more than an ideal, and more than communal craft; it has to be a truly social enterprise. Not only does it use unconventional forms and media to communicate the issues and experiences usually excluded from artistic representation, but it gives voice to a multiplicity of perspectives. At its best it relies on the participation of the audience to actively contribute to the work, carrying forth the dialogue it inspires.” —BOMB
Author: Eugene Levner
Publisher: Springer Science & Business Media
ISBN: 140203198X
Category : Science
Languages : en
Pages : 301
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Book Description
The demand for advanced management methods and tools for marine ecosystems is increasing worldwide. Today, many marine ecosystems are significantly affected by disastrous pollution from industrial, agricultural, municipal, transportational, and other anthropogenic sources. The issues of environmental integrity are especially acute in the Mediterranean and Red Sea basins, the cradle of modern civilization. The drying of the Dead Sea is one of the most vivid examples of environmental disintegration with severe negative consequences on the ecology, industry, and wildlife in the area. Strategic management and coordination of international remedial and restoration efforts is required to improve environmental conditions of marine ecosystems in the Middle East as well as in other areas. The NATO Advanced Study Institute (ASI) held in Nice in October 2003 was designed to: (1) provide a discussion forum for the latest developments in the field of environmentally-conscious strategic management of marine environments, and (2) integrate expertise of ecologists, biologists, economists, and managers from European, American, Canadian, Russian, and Israeli organizations in developing a framework for strategic management of marine ecosystems. The ASI addressed the following issues: Key environmental management problems in exploited marine ecosystems; Measuring and monitoring of municipal, industrial, and agricultural effluents; Global contamination of seawaters and required remedial efforts; Supply Chain Management approach for strategic coastal zones management and planning; Development of environmentally friendly technologies for coastal zone development; Modeling for sustainable aquaculture; and Social, political, and economic challenges in marine ecosystem management.
Author: George A. Katchmer
Publisher: McFarland
ISBN: 1476609055
Category : Performing Arts
Languages : en
Pages : 489
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Book Description
Long before sound became an essential part of motion pictures, Westerns were an established genre. The men and women who brought to life cowboys, cowgirls, villains, sidekicks, distressed damsels and outraged townspeople often continued with their film careers, finding success and fame well into the sound era--always knowing that it was in silent Westerns that their careers began. More than a thousand of these once-silent Western players are featured in this fully indexed encyclopedic work. Each entry includes a detailed biography, covering both personal and professional milestones and a complete Western filmography. A foreword is supplied by Diana Serra Cary (formerly the child star "Baby Peggy"), who performed with many of the actors herein.
