Author: Michael Scholz-Hänsel
Publisher: Konemann
ISBN:
Category : Art
Languages : en
Pages : 156
Book Description
An illustrated study of Spanish painter Jusepe de Ribera.
Jusepe de Ribera, 1591-1652
Author: Michael Scholz-Hänsel
Publisher: Konemann
ISBN:
Category : Art
Languages : en
Pages : 156
Book Description
An illustrated study of Spanish painter Jusepe de Ribera.
Publisher: Konemann
ISBN:
Category : Art
Languages : en
Pages : 156
Book Description
An illustrated study of Spanish painter Jusepe de Ribera.
Jusepe de Ribera 1591-1652
Author: Alfonso E. Pérez Sánchez
Publisher: Metropolitan Museum of Art
ISBN: 0870996479
Category : Ribera
Languages : en
Pages : 306
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870996479
Category : Ribera
Languages : en
Pages : 306
Book Description
Ribera’s Repetitions
Author: Todd P. Olson
Publisher: Penn State Press
ISBN: 0271098015
Category : Art
Languages : en
Pages : 265
Book Description
The seventeenth-century Valencian artist Jusepe de Ribera spent most of his career in Spanish Viceregal Naples, where he was known as “Lo Spagnoletto,” or “the Little Spaniard.” Working under the patronage of Spanish viceroys, Ribera held a special position bridging two worlds. In Ribera’s Repetitions, art historian Todd P. Olson sheds new light on the complexity of Ribera’s artwork and artistic methods and their connections to the Spanish imperial project. Drawing from a diverse range of sources, including poetry, literature, natural history, philosophy, and political history, Olson presents Ribera’s work in a broad context. He examines how Ribera’s techniques, including rotation, material decay (through etching), and repetition, influenced the artist’s drawings and paintings. Many of Ribera’s works featured scenes of physical suffering—from Saint Jerome’s corroded skin and the flayed bodies of Saint Bartholomew and Marsyas to the ragged beggar-philosophers and the eviscerated Tityus. But far from being the result of an individual sadistic predilection, Olson argues, Ribera’s art was inflected by the legacies of the Reconquest of Spain and Neapolitan coloniality. Ribera’s material processes and themes were not hermetically sealed in the studio; rather, they were engaged in the global Spanish Empire. Pathbreaking and deeply interdisciplinary, this copiously illustrated book offers art history students and scholars a means to see Ribera’s art anew.
Publisher: Penn State Press
ISBN: 0271098015
Category : Art
Languages : en
Pages : 265
Book Description
The seventeenth-century Valencian artist Jusepe de Ribera spent most of his career in Spanish Viceregal Naples, where he was known as “Lo Spagnoletto,” or “the Little Spaniard.” Working under the patronage of Spanish viceroys, Ribera held a special position bridging two worlds. In Ribera’s Repetitions, art historian Todd P. Olson sheds new light on the complexity of Ribera’s artwork and artistic methods and their connections to the Spanish imperial project. Drawing from a diverse range of sources, including poetry, literature, natural history, philosophy, and political history, Olson presents Ribera’s work in a broad context. He examines how Ribera’s techniques, including rotation, material decay (through etching), and repetition, influenced the artist’s drawings and paintings. Many of Ribera’s works featured scenes of physical suffering—from Saint Jerome’s corroded skin and the flayed bodies of Saint Bartholomew and Marsyas to the ragged beggar-philosophers and the eviscerated Tityus. But far from being the result of an individual sadistic predilection, Olson argues, Ribera’s art was inflected by the legacies of the Reconquest of Spain and Neapolitan coloniality. Ribera’s material processes and themes were not hermetically sealed in the studio; rather, they were engaged in the global Spanish Empire. Pathbreaking and deeply interdisciplinary, this copiously illustrated book offers art history students and scholars a means to see Ribera’s art anew.
Ribera in the Collection of the Hispanic Society of America
Author: Hispanic Society of America
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
British Museum Catalogue of printed Books
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
Book Description
The Prado
Author: Albert Frederick Calvert
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
Book Description
Ribera
Author: Elizabeth du Gué Trapier
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 334
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 334
Book Description
A Study of the Iconography of Jusepe de Ribera's Madonna with Child and Saint Bruno
Author: Cynthia O. Perkins
Publisher: Institut Fur Ethik Und Sozialwissenschaften
ISBN:
Category :
Languages : en
Pages : 92
Book Description
Publisher: Institut Fur Ethik Und Sozialwissenschaften
ISBN:
Category :
Languages : en
Pages : 92
Book Description
The Philippine Islands, 1493-1803
Author: James Alexander Robertson
Publisher:
ISBN:
Category : Philippines
Languages : en
Pages : 494
Book Description
Publisher:
ISBN:
Category : Philippines
Languages : en
Pages : 494
Book Description
Between Christians and Moriscos
Author: Benjamin Ehlers
Publisher: JHU Press
ISBN: 9780801883224
Category : History
Languages : en
Pages : 284
Book Description
In early modern Spain the monarchy's universal policy to convert all of its subjects to Christianity did not end distinctions among ethnic religious groups, but rather made relations between them more contentious. Old Christians, those whose families had always been Christian, defined themselves in opposition to forcibly baptized Muslims (moriscos) and Jews (conversos). Here historian Benjamin Ehlers studies the relations between Christians and moriscos in Valencia by analyzing the ideas and policies of archbishop Juan de Ribera. Juan de Ribera, a young reformer appointed to the diocese of Valencia in 1568, arrived at his new post to find a congregation deeply divided between Christians and moriscos. He gradually overcame the distrust of his Christian parishioners by intertwining Tridentine themes such as the Eucharist with local devotions and holy figures. Over time Ribera came to identify closely with the interests of his Christian flock, and his hagiographers subsequently celebrated him as a Valencian saint. Ribera did not engage in a similarly reciprocal exchange with the moriscos; after failing to effect their true conversion through preaching and parish reform, he devised a covert campaign to persuade the king to banish them. His portrayal of the moriscos as traitors and heretics ultimately justified the Expulsion of 1609–1614, which Ribera considered the triumphant culmination of the Reconquest. Ehler's sophisticated yet accessible study of the pluralist diocese of Valencia is a valuable contribution to the study of Catholic reform, moriscos, Christian-Muslim relations in early modern Spain, and early modern Europe.
Publisher: JHU Press
ISBN: 9780801883224
Category : History
Languages : en
Pages : 284
Book Description
In early modern Spain the monarchy's universal policy to convert all of its subjects to Christianity did not end distinctions among ethnic religious groups, but rather made relations between them more contentious. Old Christians, those whose families had always been Christian, defined themselves in opposition to forcibly baptized Muslims (moriscos) and Jews (conversos). Here historian Benjamin Ehlers studies the relations between Christians and moriscos in Valencia by analyzing the ideas and policies of archbishop Juan de Ribera. Juan de Ribera, a young reformer appointed to the diocese of Valencia in 1568, arrived at his new post to find a congregation deeply divided between Christians and moriscos. He gradually overcame the distrust of his Christian parishioners by intertwining Tridentine themes such as the Eucharist with local devotions and holy figures. Over time Ribera came to identify closely with the interests of his Christian flock, and his hagiographers subsequently celebrated him as a Valencian saint. Ribera did not engage in a similarly reciprocal exchange with the moriscos; after failing to effect their true conversion through preaching and parish reform, he devised a covert campaign to persuade the king to banish them. His portrayal of the moriscos as traitors and heretics ultimately justified the Expulsion of 1609–1614, which Ribera considered the triumphant culmination of the Reconquest. Ehler's sophisticated yet accessible study of the pluralist diocese of Valencia is a valuable contribution to the study of Catholic reform, moriscos, Christian-Muslim relations in early modern Spain, and early modern Europe.