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Author: Hemanth Fernando
Publisher: OrangeBooks Publication
ISBN:
Category : Poetry
Languages : en
Pages : 140
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Book Description
“Let your souls listen to the voice of the voiceless. . .” The anthology, Rhythmic Shades is a collection of soulful musings of an old-odd soul wandering in the mazed phases, exploring the scarrusts and the stardusts. With voices unheard and choices unfeared; with dreams shattered and screams shuttered, the soul bleeds in agony, loves in fantasy seeking ecstasy. Little does it know, all it needs is an eternal harmony. “ Explore with the soul, the ecstasy of fantasy and the insanity of reality. ”
Author: Hemanth Fernando
Publisher: OrangeBooks Publication
ISBN:
Category : Poetry
Languages : en
Pages : 140
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Book Description
“Let your souls listen to the voice of the voiceless. . .” The anthology, Rhythmic Shades is a collection of soulful musings of an old-odd soul wandering in the mazed phases, exploring the scarrusts and the stardusts. With voices unheard and choices unfeared; with dreams shattered and screams shuttered, the soul bleeds in agony, loves in fantasy seeking ecstasy. Little does it know, all it needs is an eternal harmony. “ Explore with the soul, the ecstasy of fantasy and the insanity of reality. ”
Author: Various
Publisher: DigiCat
ISBN:
Category : Literary Collections
Languages : en
Pages : 6887
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Book Description
German Classics of the Nineteenth and Twentieth Centuries is a collection of carefully selected masterpieces of German literature in last two centuries. The most representative German writers of each period are brought together and represented by their best and finest works from the great epoch of Classicism and Romanticism to early modern literature of twentieth century: Vol. I & II: Johann Wolfgang von Goethe Vol. III: Friedrich von Schiller Vol. IV: Jean Paul; Wilhelm von Humboldt; August Wilhelm Schlegel; Friedrich Schlegel; Novalis; Friedrich Hölderlin; Ludwig Tieck; Heinrich von Kleist Vol. V: Friedrich Schleiermacher; Johann Gottlieb Fichte; Friedrich Wilhem Joseph von Schelling; Ludgwig Achim von Arnim and Clemens Brentano; Jacob and Wilhelm Grimm; Ernst Moritz Arndt; Theodor Kürner; Maximilian Gottfried von Schenkendorf; Ludwig Uhland; Joseph von Eichendorff; Adalbert von Chamisso; Ernst Theodor Amadeus Hoffmann; Friedrich Baron de la Motte-Fouqué; Wilhelm Hauff; Friedrich Rükert; August von Platen-Hallermund Vol. VI: Heinrich Heine; Franz Grillparzer; Ludwig van Beethoven Vol. VII: Georg Wilhelm Friedrich Hegel; Bettina von Arnim; Karl Lebrecht Immermann; Karl Ferdinand Gutzkow; Anastasius Grün, Nikolaus Lenau; Eduard Mörike; Annette Elizabeth von Droste-Hülshoff; Ferdinand Freiligrath; Moritz Graf von Strachwitz; Georg Herwegh; Emanual Geigel Vol. VIII: Berthold Auerbach; Jeremias Gotthelf; Fritz Reuter; Adalbert Stifter; Wilhelm Heinrich Riehl Vol. IX: Friedrich Hebbel; Otto Ludwig Vol. X: Prince Otto von Bismarck; Count Helmuth von Moltke; Ferdinand Lassalle Vol. XI: Friedrich Spielhagen; Theodor Storm; Wilhelm Raabe Vol. XII: Gustav Freytag; Theodor Fontane Vol. XII: Helene Böhlau; Clara Viebig; Eduard von Keyserling; Thomas Mann; Ludwig Thoma; Rudolf Hans Bartsch; Emil Strauss; Hermann Hesse; Ernst Zahn; Jakob Schaffner Vol. XIV: Jakob Wassermann; Bernhard Kellermann; Max Halbe; Hugo von Hofmannsthal; Arthur Schnitzler; Frank Wedekind; Ernst Hardt
Author: S. Palestrant
Publisher: Read Books Ltd
ISBN: 1447492803
Category : Crafts & Hobbies
Languages : en
Pages : 232
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Book Description
This classic guidebook instructs the reader on how to make and utilise lampshades and lighting. Extensively illustrated with useful diagrams, it explains the different types of lamps, typical materials, components and processes involved in lamp making and illumination, and remains an interesting text for anyone interested in design or the handicraft of lamp making today. Contents include: foreword; introduction; Part One - Basic Illumination; Part Two – The Lamp Base; Part Three – Lampshades; Part Four – Lamps and Lampshades; Conclusion. We are republishing this vintage text in a high quality, modern and affordable edition. It comes complete with a new introduction and features reproductions of the original artwork.
Author: Edith Anderson Feisner
Publisher: Bloomsbury Publishing USA
ISBN: 1609018591
Category : Design
Languages : en
Pages : 296
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Book Description
The 3rd edition of Color Studies introduces students from all concentrations of visual arts to color theory, the physiology and psychology of color perception, and the physics of color. This text discusses in detail the four dimensions of color - hue, value, intensity and temperature - with tips for putting knowledge into practice in a variety of disciplines, from painting and other fine arts to interior design, architecture, fashion design, textile design, and graphic design. Feisner and Reed provide an up-to-date discussion of sustainable color applications and green materials as the underlying component of colorants, dyes, and inks in textiles, printmaking and paints. A new chapter on color and digital technology discusses illuminating with color (LED), color tools and management (Pantone), as well as color consulting and marketing. Taking a multidisciplinary approach, this lavishly illustrated edition balances traditional and modern perspectives and examples in all areas of fine art and design.
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 688
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Book Description
Author: Émile Jaques-Dalcroze
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 406
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Book Description
Author: Edith Anderson Feisner
Publisher: Laurence King Publishing
ISBN: 9781856694414
Category : Art
Languages : en
Pages : 196
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Book Description
Beginning with an account of colour fundamentals and a history of colour theory, the author explores the four dimensions of colour and their application to compositions in various media. This book serves as a useful resource for painters, photographers, interior designers and craftspeople.
Author: Akwasi Aidoo
Publisher: Amalion Publishing
ISBN: 2359261010
Category : Poetry
Languages : en
Pages : 148
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Book Description
“Akwasi Aidoo’s Rhythms of Dignity is a remarkable, bold first collection. There is a rich diversity in range of form, expressiveness, experience, and passion. Reading through this work is a journey through the undercurrents of experience that reflect on living through the charged realities of the ‘post-colonial’ decades of our modern African not only with an intimate Pan-African awareness of history but also with a poignant sensibility of brotherhood, sisterhood and belonging. Clearly evocative of the age the poet has lived through, these poems have both a sharp clear eye on history, and an abiding tender trust in human relationships.” – Abena P.A. Busia, professor of literature, poet, and Ghanaian ambassador to Brazil. “Akwasi Aidoo weaves together in warm and passionate verses our timeless dreams of freedom, dignity and humanity which shall neither be deferred nor deterred regardless of what they say and what their SAPs (‘sanitize African passion’!) and Davos prescribe. Enjoy the dreams of ‘life and joy’ that is the Rhythms of Dignity. Akwasi is one of Africa’s foremost poets. Akwasi, you make us proud as Africans and as a part of humanity in what you sing and what you pen. May your Rhythms continue to inspire us and light the road to freedom.” – Issa Shivji, Emeritus Professor, University of Dar es Salaam, Tanzania. “In this collection of poems covering Africa, meditation and memory and everything in between, we hear Akwasi Aidoo’s voice mingled with the voices of our ancestors, our past and our future, calling to us to reflect as ‘life streaming hurriedly to us’. Woven within the lyricism of the words, the poems are a political and social commentary on life that evoke Langston Hughes and reminds us of the stories we tell and are told about us. Buy it, read it and be discomfited and comforted in turn.” – Ayisha Osori, author of Love Does Not Win Elections.
Author: Michael Golston
Publisher: Columbia University Press
ISBN: 9780231512336
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and situates it in the society, politics, and culture of the Modernist period. He then filters selected Modernist poems through this archive to demonstrate that innovations in prosody, form, and subject matter are based on a largely forgotten ideology of rhythm and that beneath Modernist prosody is a science and an accompanying technology. In his analysis, Golston first examines psychological and physiological experiments that purportedly proved that races responded differently to rhythmic stimuli. He then demonstrates how poets like Ezra Pound, W. B. Yeats, Mina Loy, and William Carlos Williams either absorbed or echoed the information in these studies, using it to hone the innovative edge of Modernist practice and fundamentally alter the way poetry was written. Golston performs close readings of canonical texts such as Pound's Cantos, Yeats's "Lake Isle of Innisfree," and William Carlos Williams's Paterson, and examines the role the sciences of rhythm played in racist discourses and fascist political thinking in the years leading up to World War II. Recovering obscure texts written in France, Germany, England, and America, Golston argues that "Rhythmics" was instrumental in generating an international modern art and should become a major consideration in our reading of reactionary avant-garde poetry.
Author: Derek Attridge
Publisher: Routledge
ISBN: 1317869516
Category : Language Arts & Disciplines
Languages : en
Pages : 410
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Book Description
Examines the way in which poetry in English makes use of rhythm. The author argues that there are three major influences which determine the verse-forms used in any language: the natural rhythm of the spoken language itself; the properties of rhythmic form; and the metrical conventions which have grown up within the literary tradition. He investigates these in order to explain the forms of English verse, and to show how rhythm and metre work as an essential part of the reader's experience of poetry.
