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Author: Gavin Harrison
Publisher: Alfred Music Publishing
ISBN: 9780769291468
Category : Music
Languages : en
Pages : 80
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Book Description
Covers cutting-edge drum concepts and offers mind-expanding exercises to further develop the study of rhythmic illusions and multi-dimensional rhythm. These concepts are mind rudiments" for a unique way of thinking about rhythmic structure, rhythmic composition, and higher rhythmic awareness."
Author: Gavin Harrison
Publisher: Alfred Music Publishing
ISBN: 9780769291468
Category : Music
Languages : en
Pages : 80
Get Book
Book Description
Covers cutting-edge drum concepts and offers mind-expanding exercises to further develop the study of rhythmic illusions and multi-dimensional rhythm. These concepts are mind rudiments" for a unique way of thinking about rhythmic structure, rhythmic composition, and higher rhythmic awareness."
Author: Gavin Harrison
Publisher: Alfred Music Publishing
ISBN: 9781576236871
Category : Music
Languages : en
Pages : 76
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Book Description
Created for drumset players who find themselves in a creative rut, this book and audio package easily breaks down the mystery behind subdivisions, rhythmic modulation, rhythmic scales and beat displacement. The author makes the transition from mathematics to musicality with an easy and systematic approach.
Author: Gavin Harrison
Publisher: Hudson Music Limited
ISBN: 9781423490098
Category : Music
Languages : en
Pages : 203
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Book Description
Miscellaneous Percussion Music - Mixed Levels
Author: Victor Kofi Agawu
Publisher: CUP Archive
ISBN: 9780521480840
Category : Ewe (African people)
Languages : en
Pages : 266
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Book Description
. An accompanying compact disk enables the reader to work closely with the sound of African speech and song discussed in the book.
Author:
Publisher:
ISBN: 9780692655269
Category :
Languages : en
Pages :
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Book Description
Author: Russell Hartenberger
Publisher: Cambridge University Press
ISBN: 1108492924
Category : Music
Languages : en
Pages : 371
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Book Description
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.
Author: Gavin Harrison
Publisher: Hudson Music
ISBN: 9781480365735
Category : Music
Languages : en
Pages : 0
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Book Description
Miscellaneous Percussion Music - Mixed Levels
Author: Richard Wolf
Publisher: Oxford University Press
ISBN: 0190841516
Category : Music
Languages : en
Pages : 352
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Book Description
Thought and Play in Musical Rhythm offers new understandings of musical rhythm through the analysis and comparison of diverse repertoires, performance practices, and theories as formulated and transmitted in speech or writing. Editors Richard K. Wolf, Stephen Blum, and Christopher Hasty address a productive tension in musical studies between universalistic and culturally relevant approaches to the study of rhythm. Reacting to commonplace ideas in (Western) music pedagogy, the essays explore a range of perspectives on rhythm: its status as an "element" of music that can be usefully abstracted from timbre, tone, and harmony; its connotations of regularity (or, by contrast, that rhythm is what we hear against the grain of background regularity); and its special embodiment in percussion parts. Unique among studies of musical rhythm, the collection directs close attention to ways performers and listeners conceptualize aspects of rhythm and questions many received categories for describing rhythm. By drawing the ear and the mind to tensions, distinctions, and aesthetic principles that might otherwise be overlooked, this focus on local concepts enables the listener to dispel assumptions about how music works "in general." Readers may walk away with a few surprises, become more aware of their assumptions, and/or think of new ways to shock their students out of complacency.
Author: Peter N. Kugler
Publisher: Routledge
ISBN: 1317301080
Category : Psychology
Languages : en
Pages : 597
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Book Description
Originally published in 1987, the introduction states: "the authors have successfully accomplished their program – to explain, based on physical representations, the observed relations among various parameters of wrist-pendulum oscillations. Thereby a set of new ideas and concepts, including those developed recently by the scientific school to which the authors belong, are introduced to biology. These concepts are closely related to the experimental data. This accomplishment makes the book especially attractive and demonstrates once more the productivity of applying physics to biology." "Clear language, simple figures, and physical examples illuminate rather complicated problems. These attractive features should make the book intelligible to a variety of investigators in the field of motor control, not only to the specialists with physical and mathematical education." From the foreword: " Kugler and Turvey have written strategic physical biology, and shown that, after all, dynamics (including both kinetics and kinematics) may support a unitary physical view of some of the profound operations of our brains... This is a grand start on what I hope is a larger program of demystifying behaviour."
Author: Karen Pearlman
Publisher: Taylor & Francis
ISBN: 113605989X
Category : Performing Arts
Languages : en
Pages : 469
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Book Description
How does a film editor make decisions about where and when to cut in order to make a film 'feel right'? Generally speaking, the answer is, 'it's intuitive', which is accurate but leaves one wanting to know more. Cutting Rhythms breaks down the definition of intuition to find that, even if rhythmic thinking is intuitive thinking, we can still say more than we 'just know.' This book offers possibilities rather than prescriptions. It presents questions an editor or filmmaker can ask themselves about their work, and a clear and useful vocabulary for working with those questions. Cutting Rhythms makes ideas about rhythm in film editing clear and accessible, so that you can do more than just imitate editing you've seen on TV. With this book you'll develop your own sense of rhythm, refine our rhythmic shaping skills, and increase your creativity--and in so doing, become a better filmmaker.
