Revista Hispánica Moderna PDF Download
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Author:
Publisher:
ISBN:
Category : Spanish American literature
Languages : es
Pages : 710
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Book Description
Includes sección escolar; v. 2-4 having separate pagination.
Author:
Publisher:
ISBN:
Category : Spanish American literature
Languages : es
Pages : 710
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Book Description
Includes sección escolar; v. 2-4 having separate pagination.
Author:
Publisher:
ISBN:
Category : Spanish American literature
Languages : en
Pages : 578
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Book Description
Includes sección escolar; v. 2-4 having separate pagination.
Author:
Publisher:
ISBN:
Category : Spanish American literature
Languages : en
Pages : 126
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Book Description
Author: Hispanic Institute in the United States
Publisher:
ISBN: 9781258322328
Category :
Languages : es
Pages : 120
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Book Description
Author:
Publisher:
ISBN:
Category : Spanish American literature
Languages : es
Pages : 266
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Book Description
Includes sección escolar; v. 2-4 having separate pagination.
Author:
Publisher:
ISBN:
Category : Spanish American literature
Languages : en
Pages : 132
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 26
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Book Description
Author: Pedro F. Campa
Publisher:
ISBN:
Category : History
Languages : en
Pages : 294
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Book Description
Emblem books--books containing pictorial representations whose symbolic meaning is expressed in words--were produced in great quantities and in numerous languages during the sixteenth and seventeenth centuries. Because literary critics and art historians increasingly recognize the importance of the emblem in Renaissance and Baroque studies, this book answers the need for a bibliography listing the locations of all known emblem books in Spanish, as well as those translated into Spanish, written by Spaniards in other languages, and polyglot editions that contain a Spanish text. Covered in this bibliography are all emblem books published from the beginning to the end of the Spanish Golden Age, as well as a wide range of secondary sources on relevant subjects, among them mythography, paradoxography, numismatics, fetes, funerals, proverbs, apothegms, antiquarianism, collecting, and pertinent studies in art history and architecture. Providing call numbers for library locations, information on facsimile reprints, and microform editions, the work is extensively indexed--by date and place of publication, by printers and booksellers, by authors and artists, and by dedicatees, as well as by subject.
Author: Cordell Hull
Publisher:
ISBN:
Category : Peace
Languages : en
Pages : 804
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Book Description
Author: Janet Lynn Sturman
Publisher: University of Illinois Press
ISBN: 9780252025969
Category : Zarzuela
Languages : en
Pages : 286
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Book Description
Once the most popular form of Spanish entertainment short of the bullfight, the zarzuela boasts a long history of bridging the categories of classical and popular art. It is neither opera nor serious drama, yet it requires both trained singers and good actors. The content is neither purely folkloric nor high art; it is too popular for some and too classical for others. In Zarzuela, Janet L. Sturman assesses the political as well as the musical significance of this chameleon of music-drama. Sturman traces the zarzuela's colorful history from its seventeenth-century origins as a Spanish court entertainment to its adaptation in Spain's colonial outposts in the New World. She examines Cuba's pivotal role in transmitting the zarzuela to Latin America and the Caribbean and draws distinctions among the ways in which various Spanish-speaking communities have reformulated zarzuela, combining elements of the Spanish model with local characters, music, dances, and political perspectives. The settings Sturman considers include Argentina, Mexico, Puerto Rico, and the American cities of El Paso, Miami, and New York. Sturman also demonstrates how the zarzuela plays a role in defining American urban ethnicity. She offers a glimpse into two longstanding theaters in New York, Repertorio Espa ol and the Thalia Spanish Theatre, that have fostered the tradition of zarzuela, mounting innovative productions and cultivating audiences. Sturman constructs a profile of the audience that supports modern zarzuela and examines the extensive personal network that sustains it financially. Just as the zarzuela afforded an opportunity in the past for Spaniards to assert their individuality in the face of domination by Italian and central European musical standards, it continues to stand for a distinctive Hispanic legacy. Zarzuela provides a major advance in recognizing the enduring cultural and social significance of this resilient and adaptable genre.
