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Author: Hong Wu
Publisher: BRILL
ISBN: 9004701923
Category : Art
Languages : en
Pages : 282
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Book Description
In this book, WU Hong deconstructs the prevailing theory of a 100-year Buddhist artistic lag between Asuka Japan and the Chinese mainland. She proposes to radically re-date Asuka statues, such as the famous Hōryūji Kondō Shaka Triad. The new dating opens up possibilities for revising our perceptions of early Japanese history and interchange in East Asia, while also allowing a fresh account of Asuka statuary to emerge. Proceeding from the revised chronology and emphasizing local processes, this new account brings the growth of Asuka Buddhism into clearer vision and elaborates on heretofore unknown historical details for an enriched understanding of this critical period of East Asian history.
Author: Hong Wu
Publisher: BRILL
ISBN: 9004701923
Category : Art
Languages : en
Pages : 282
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Book Description
In this book, WU Hong deconstructs the prevailing theory of a 100-year Buddhist artistic lag between Asuka Japan and the Chinese mainland. She proposes to radically re-date Asuka statues, such as the famous Hōryūji Kondō Shaka Triad. The new dating opens up possibilities for revising our perceptions of early Japanese history and interchange in East Asia, while also allowing a fresh account of Asuka statuary to emerge. Proceeding from the revised chronology and emphasizing local processes, this new account brings the growth of Asuka Buddhism into clearer vision and elaborates on heretofore unknown historical details for an enriched understanding of this critical period of East Asian history.
Author: Hong Wu
Publisher:
ISBN: 9789004701915
Category : Art
Languages : en
Pages : 0
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Book Description
With its thorough re-evaluation of Asuka-period sculpture and the radical redating it proposes, this book situates Asuka statuary in a very different historical perspective and opens up new possibilities for revising our perceptions of early Japanese history and cultural exchange in East Asia.
Author: Dorothy C. Wong
Publisher: Vernon Press
ISBN: 1648895468
Category : Art
Languages : en
Pages : 342
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Book Description
This volume examines the various patterns of trans-regional exchanges in Buddhist art within East Asia (China, Korea, and Japan) in the medieval period, from the fifth to the thirteenth centuries. A traditional approach to the study of East Asian Buddhist art revolves around the notion of an artistic relay: India was regarded as the source of inspiration for China, and China in turn influenced artistic production in the Korean peninsula and Japan. While this narrative holds some truth, it has the implicit baggage of assuming that art in the host country is only derivative and obscures a deep understanding of the complexity of transnational exchanges. The essays in this volume aim to go beyond the conventional query of tracing origins and mapping exchanges in order to investigate the agency of the “receivers” with contextual case studies that can expand our understanding of artistic dialogues across cultures. The volume is divided into three sections. In Section I, “Transmission and Local Interpretations,” the three chapters by Jinchao Zhao, Li-kuei Chien, and Hong Wu all address topics of transnational transmission of Buddhist imagery, their figural styles, and subsequent alterations or adaptations based on local preferences and interpretations. Buddhism had important impacts on East Asian countries in the political dimension, especially when the religion and certain Buddhist sutras and deities were believed to have state-protecting properties. The chapters by Dorothy C. Wong, Imann Lai, and Clara Ma in Section II, “Buddhism and the State,” attend to the political aspect of Buddhism in visual representation. Section III, “Iconography and Traditions,” includes chapters by Sakiko Takahashi, Suijun Ra, and Tamami Hamada that closely study the cross-border transmission of and subtle variations in iconography and style of specific Buddhist deities, notably deities of esoteric strands that include the Thousand-Armed Avalokiteśvara (Bodhisattva of Compassion).
Author: Melanie Trede
Publisher: BRILL
ISBN: 9004704175
Category : Art
Languages : en
Pages : 634
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Book Description
The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agents, but also intangible practices such as knowledge and concepts as vital agencies of interaction in transcultural processes. With its premise on connectivity, trans-territoriality, networks, and their transformative potential, this research destabilizes categorical configurations such as “center vs. periphery” and “high vs. low,” calling into question the classical canon of Japanese art history.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
Author: Richard Perren
Publisher: Manchester University Press
ISBN: 9780719024580
Category : Reference
Languages : en
Pages : 192
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Book Description
Author: Dorothy C. Wong
Publisher: Cambridge Scholars Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 362
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Book Description
Designated a UNESCO World Heritage site in 1993, the HÅ ryÅ«ji temple complex includes some of the oldest and largest surviving wooden buildings in the world. The original HÅ ryÅ«ji temple was built between 601 and 607 by Prince Regent ShÅ toku (573?â "622), one of Japanâ (TM)s best-known cultural heroes. The construction of the temple marked the introduction of Buddhism and Buddhist art and architecture to Japan from China, by way of the Korean peninsula, as promoted by Prince ShÅ toku. After a fire in 670 that destroyed the site, the temple was rebuilt and enlarged. HÅ ryÅ«ji became one of Japanâ (TM)s leading centers of Buddhist scholarship as well as a focus for the cult of its founder, Prince ShÅ toku. This volume of essays originate from the â oeThe Dawn of East Asian International Buddhist Art and Architecture: HÅ ryÅ«ji (Temple of the Exalted Law) in Its Contextsâ symposium held at the University of Virginia in October 2005. Covering the disciplines of archaeology, architecture, architectural history, art history, and religion, these essays aim to shed new light on the HÅ ryÅ«ji complex by (1) examining new archaeological materials, (2) incorporating computer analysis of the structural system of the pagoda, and (3) including cross-cultural, interdisciplinary perspectives that reflect current research in various fields.
Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 418
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Book Description
Author: Donald Fredrick McCallum
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Hakuho Sculpture is the first book in any language devoted entirely to Japanese sculpture of the Hakuho period (c. 650-710 CE). It focuses on the stylistic development and aesthetic qualities of Buddhist imagery through a careful study of gilt-bronze Buddhist icons from one of the most creative periods of Japanese Buddhist art. This close analysis of practically all extant Hakuho images reveals much about the creative activities of the ancient sculptors. The Hakuho period is frequently considered alongside the preceding Asuka period (c. 590-650), suggesting some type of organic development from one period to the next. This understanding is somewhat distorted, given the significant differences in sculptural styles between the two periods. Donald McCallum explains the differences as resulting from divergent sources in China and Korea and unique attitudes toward the making of images. Donald McCallum is professor of Japanese art history at the University of California, Los Angeles, and author of Zenkoji and Its Icon: A Study of Medieval Japanese Religious Art and The Four Great Temples: Buddhist Archaeology, Architecture, and Icons of Seventh-Century Japan.
Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 486
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Book Description
