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Author: Anke Werckmeister
Publisher: GRIN Verlag
ISBN: 3656279667
Category : Literary Criticism
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,3, Free University of Berlin (Institut für Englische Philologie), course: Restoration Comedies, language: English, abstract: Two Restoration Comedies that I want to discuss are William Wycherley’s The Country Wife (1675) and William Congreve’s Love for Love (1695). Both plays were written in a time when libertinism prevailed and male stereotypes like rakes and fops and female stereotypes like wives and virgins were popular. Needless to say, both plays not only deal with Restoration society but also with its problems, concerns, and difficulties at the time. And especially, Love for Love, which was written fairly at the end of the Restoration era, still is a conventional play in terms of being libertine-satirical but it already includes some features of sentimentalism. So it is not a postponement from libertinism to sentimentalism yet, but I want to argue in this essay that both plays are rather conventional libertine Restoration plays which include features of early sentimentalism.
Author: Anke Werckmeister
Publisher: GRIN Verlag
ISBN: 3656279667
Category : Literary Criticism
Languages : en
Pages : 20
Get Book
Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,3, Free University of Berlin (Institut für Englische Philologie), course: Restoration Comedies, language: English, abstract: Two Restoration Comedies that I want to discuss are William Wycherley’s The Country Wife (1675) and William Congreve’s Love for Love (1695). Both plays were written in a time when libertinism prevailed and male stereotypes like rakes and fops and female stereotypes like wives and virgins were popular. Needless to say, both plays not only deal with Restoration society but also with its problems, concerns, and difficulties at the time. And especially, Love for Love, which was written fairly at the end of the Restoration era, still is a conventional play in terms of being libertine-satirical but it already includes some features of sentimentalism. So it is not a postponement from libertinism to sentimentalism yet, but I want to argue in this essay that both plays are rather conventional libertine Restoration plays which include features of early sentimentalism.
Author: Anke Werckmeister
Publisher:
ISBN: 9783656280699
Category :
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,3, Free University of Berlin (Institut fur Englische Philologie), course: Restoration Comedies, language: English, abstract: Two Restoration Comedies that I want to discuss are William Wycherley's The Country Wife (1675) and William Congreve's Love for Love (1695). Both plays were written in a time when libertinism prevailed and male stereotypes like rakes and fops and female stereotypes like wives and virgins were popular. Needless to say, both plays not only deal with Restoration society but also with its problems, concerns, and difficulties at the time. And especially, Love for Love, which was written fairly at the end of the Restoration era, still is a conventional play in terms of being libertine-satirical but it already includes some features of sentimentalism. So it is not a postponement from libertinism to sentimentalism yet, but I want to argue in this essay that both plays are rather conventional libertine Restoration plays which include features of early sentimentalism.
Author: Elizabeth Kraft
Publisher: Taylor & Francis
ISBN: 1317064720
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
In Restoration Stage Comedies and Hollywood Remarriage Films, Elizabeth Kraft brings the canon of Restoration comedy into the conversation initiated by Stanley Cavell in his book Pursuits of Happiness: The Hollywood Comedy of Remarriage. Before there could be imagined remarriages of the sort Cavell documents, there had to be imagined marriages of equality. Such imagined marriages were first mapped out on the Restoration stage by witty pairs such as Harriet and Dorimant, Millamant and Mirabell, and Alithea and Harcourt who are precursors of the central couples in films such as Bringing Up Baby, His Girl Friday, and The Lady Eve. In considering the Restoration comedy canon in one-on-one discourse with the Hollywood remarriage comedy canon, Kraft demonstrates the indebtedness of the twentieth-century films to the Restoration dramatic texts-and the philosophical richness of both canons as they explore the nature and significance of marriage as pursuit of moral perfectionism. Her book will be of interest to specialists in Restoration drama and film scholars.
Author: Edward Burns
Publisher: Springer
ISBN: 1349187607
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
What is Restoration comedy? What pleasure does it offer its audience, and what significance does it find in exploring that pleasure? Edward Burns here provides a new account of the origins and nature of Restoration comedy as a distinct genre. The book enlarges the usual focus with a wider range of writers than the conventional ossified canon taking in a revaluation of many rarely studied dramatists, a reconsideration of pastoral, and the instatement of women writers as major contributors to the culture of the age. It offers a substantial and original interpretation of one of the most intriguing of seventeenth-century literature forms.
Author: Peggy Thompson
Publisher: Lexington Books
ISBN: 1611483727
Category : Drama
Languages : en
Pages : 203
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Book Description
Coyness and Crime examines the extraordinary focus on feminine coyness in forty English comedies by ten diverse playwrights of the late seventeenth-century. In contexts ranging from reaffirmations of church and king to emerging interests in liberty and novelty, these plays consistently reveal women caught in an ironic and nearly intractable convergence of objectification and culpability that allows them little innocent sexual agency; this is both the source and the legacy of coyness in Restoration comedy.
Author: Kathleen Martha Lynch
Publisher:
ISBN:
Category : Comedies of manners, English
Languages : en
Pages : 270
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Book Description
Author: Kathleen M. Lynch
Publisher: Biblo & Tannen Publishers
ISBN: 9780819601643
Category : English drama
Languages : en
Pages : 260
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Book Description
Author: William Wycherley
Publisher: A&C Black
ISBN: 1408179911
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
'He's a fool that marries, but he's a greater fool that does not marry a fool.' This bawdy, hilarious, subversive and wickedly satirical drama pokes fun at the humourless, the jealous, and the adulterous alike. It features a country wife, Margery, whose husband believes she is too naïve to cuckold him; and an anti-hero, Horner, who pretends to be impotent in order to have unrestrained access to the women keen on 'the sport'. A number of licentious and hypocritical women request Horner's services – the country wife among them. The Country Wife has provoked powerfully mixed reactions over the years. The seventeenth century libertine king Charles II saw it twice, and is said to have joined the 'dance of the cuckolds' at the end of one performance; the eighteenth century actor-playwright David Garrick declared it 'the most licentious play in the English language'; the Victorian Macaulay compared it to a skunk, because it was 'too filthy to handle and too noisome even to approach'. Twentieth century productions heralded it a Restoration masterpiece. Sexually frank, and as ready to criticise marriage as infidelity, the virtuosity, linguistic energy, brilliant wit, naughtiness and complexity of this ribald play have made it a staple of the modern stage. This student edition contains a lengthy, entirely new introduction, by leading scholar, Tiffany Stern, with a background on the author, structure, characters, genre, themes, original staging and performance history, as well as an updated bibliography and a fully annotated version of the playtext.
Author: Pilar Cuder-Dominguez
Publisher: Cambria Press
ISBN: 1604978821
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
This book examines the theories and practices of narrative and drama in England between 1650 and 1700, a period that, in bridging the Renaissance and the Enlightenment, has been comparatively neglected, and on which, at the time of writing, there is a dearth of new approaches. Critical consensus over these two genres has failed to account for its main features and evolution throughout the period in at least two ways. First, most approaches omit the manifold contradictions between the practice and the theory of a genre. Writers were generally aware of working within a tradition of representation which they nevertheless often challenged, even while the theory was being drafted (e.g., by John Dryden). The ideal and the real were in unacknowledged conflict. Second, critical readings of these late Stuart texts have fitted them proactively into a neat evolutionary pattern that reached eighteenth-century genres without detours or disjunctions, or else they have oversimplified the wealth of generic conventions deployed in the period, so that to the present-day reader, for instance, Restoration drama consists only of either city comedies or Dryden's tragedies. A cursory survey of the critical history of seventeenth-century drama and fiction confirms these views. Although the 1970s and 1980s brought about a crop of interesting reassessments of the field, fiction continues to be seen as a genre that emerged in the eighteenth century. Most critics still treat earlier manifestations as marginal or as prenovelistic experiments; and in most instances it is even possible to discern a sexist bias to justify this treatment, as these works were written by women, unlike much of the canonical fiction of the eighteenth century. A revision of the critical foundations hitherto held and a re-evaluation of the works of fiction written in the seventeenth century is therefore in order. This study adopts, as a basic and essential methodological tenet, the need to decenter the analysis of Restoration fiction and drama from the traditional canon, too limited and conservative and featuring works that are not always suitable as paradigmatic instances of the literary production of the period. These studies have thus been based on a larger than usual--if not on a full--corpus of works produced within the period, and have sought to ascertain the role played in the development of each of the genres under consideration by works, topics, or even by authors hitherto somewhat outside mainstream literary criticism. This opens the field of English literature further through the framing of new questions or revising of old ones, as well as to beginning a dialogue, yet again, as to the meanings of these literary works and also to their circulation from their inception up to the present time. In addition, the rare attention given to works by women makes this all the more an important book for collections in English literature of the period.
Author: Christopher Baker
Publisher: Bloomsbury Publishing USA
ISBN: 0313013608
Category : Science
Languages : en
Pages : 487
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Book Description
This book—the sixth volume in The Great Cultural Eras of the Western World series—provides information on more than 400 individuals who created and played a role in the era's intellectual and cultural activity. The book's focus is on cultural figures—those whose inventions and discoveries contributed to the scientific revolution, those whose line of reasoning contributed to secularism, groundbreaking artists like Rembrandt, lesser known painters, and contributors to art and music. As the momentum of the Renaissance peaked in 1600, the Western World was poised to move from the Early Modern to the Modern Era. The Thirty Years War ended in 1648 and religion was no longer a cause for military conflict. Europe grew more secularized. Organized scientific research led to groundbreaking discoveries, such as the earth's magnetic field, Kepler's first two laws of motion, and the slide rule. In the arts, Baroque painting, music, and literature evolved. A new Europe was emerging. This book is a useful basic reference for students and laymen, with entries specifically designed for ready reference.
