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Author: Imre Salusinszky
Publisher: University of Toronto Press
ISBN: 9780802080943
Category : Philosophy
Languages : en
Pages : 196
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Book Description
This collection of essays begins the process of reassessing Frye's thought and writings in light of extraordinary, unpublished material contained in archives at the Victoria University Library, University of Toronto.
Author: Imre Salusinszky
Publisher: University of Toronto Press
ISBN: 9780802080943
Category : Philosophy
Languages : en
Pages : 196
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Book Description
This collection of essays begins the process of reassessing Frye's thought and writings in light of extraordinary, unpublished material contained in archives at the Victoria University Library, University of Toronto.
Author: Jeffery Donaldson
Publisher: University of Toronto Press
ISBN: 9780802088130
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
Frye and the Word draws together leading scholars in the fields of literary studies and hermeneutics, religious studies, and philosophy to construe and debate the late thought and writings of Northrop Frye in their spiritual dimension.
Author:
Publisher: University of Toronto Press
ISBN: 1487537751
Category : Literary Criticism
Languages : en
Pages : 735
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Book Description
The widespread opinion is that Northrop Frye’s influence reached its zenith in the 1960s and 1970s, after which point he became obsolete, his work buried in obscurity. This almost universal opinion is summed up in Terry Eagleton’s 1983 rhetorical question, "Who now reads Frye?" In The Reception of Northrop Frye, Robert D. Denham catalogues what has been written about Frye – books, articles, translations, dissertations and theses, and reviews – in order to demonstrate that the attention Frye’s work has received from the beginning has progressed at a geomantic rate. Denham also explores what we can discover once we have a fairly complete record of Frye’s reception in front of us – such as Hayden White’s theory of emplotments applied to historical writing and Byron Almén’s theory of musical narrative. The sheer quantity of what has been written about Frye reveals that the only valid response to Eagleton’s rhetorical question is "a very large and growing number," the growth being not incremental but exponential.
Author: Diane Dubois
Publisher: Cambridge Scholars Publishing
ISBN: 1443834041
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
“Diane Dubois takes a contextual approach to Northrop Frye’s work and claims that it is best assessed in relation to his biographical circumstances. In context and in specific details, Dubois’ book seeks to illuminate Frye’s œuvre as a personal, lifelong project. This volume successfully situates Frye’s work within the social, political, religious and philosophical conditions of the time and place of conception and writing. Dubois ranges from Frye’s critical utopia and views on criticism and education through the university, church and William Blake to politics and the Canadian and academic milieu. This book, which is particularly good at tracing Frye’s academic influences and his roots in Methodism and Canada, will have a strong appeal to an international audience of general readers, students, teachers and specialists. Frye is a key figure in the cultural and literary theory of the twentieth century, and Dubois’ accomplished discussion helps us to see his work anew.” – Jonathan Hart, author of Northrop Frye: The Theoretical Imagination (1994), Interpreting Cultures (2006), Empires and Colonies (2008) and Literature, Theory, History (2011)
Author: Northrop Frye
Publisher: University of Toronto Press
ISBN: 9780802039477
Category : Literary Criticism
Languages : en
Pages : 586
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Book Description
Romance was a theme that ran through much of Northrop Frye's corpus, and his notebooks and typed notes on the subject are plentiful. This unpublished material, written between 1944 and 1989, traces a remarkable re-evaluation in his thinking over the course of time. As a young scholar, Frye insisted that romance was an expression of cultural decadence; however, in his later years, he thought of it as "the structural core of all fiction." The unpublished material Michael Dolzani has gathered for Northrop Frye's Notebooks on Romance shows how the pattern and conventions of romance inform the writing of history, anthropology, psychology, philosophy, and theology. While Frye is best known for his writing on myth and biblical scholarship, he himself eventually conceived of romance as the true and equal contrary to myth and scripture, a "secular scripture" whose message is de te fabula, "this story is about you." Given the current popular revival of romance in fiction and film, the appearance of Frye's unpublished work on romance is of profound importance.
Author: Northrop Frye
Publisher: University of Toronto Press
ISBN: 9780802037664
Category : Literary Criticism
Languages : en
Pages : 818
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Book Description
In the third published volume of Canadian literary critic Frye's (1912-91) 77 holograph notebooks, the material is mostly from the 1970s, when he was writing the first of his books on the Bible, The Great Code. However, it begins with Notebook Three from the late 1940s in which he writes primarily on religious themes. It concludes with Notebook 23 from the middle 1980s, written between his first and second book on the Bible; and one from the 1960s devoted largely to his reading of Dante's Purgatorio and the first ten cantos of the Paradiso. Altogether the volume contains 11 notebooks, three sets of typed notes, and a transcription of 24 lectures on The Mythological Framework of Western Culture in 1981-82. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Author: Michael Dolzani
Publisher: University of Toronto Press
ISBN: 1442658118
Category : Literary Collections
Languages : en
Pages : 561
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Book Description
Although Northrop Frye's first book, Fearful Symmetry (1947), elevated the reputation of William Blake from the status of a minor eccentric to that of a major Romantic poet, Frye in fact saw Blake as a poet (and, consequently, himself as a critic) not of the Romantic period, but of the Renaissance. As such, Frye's meditations on the Renaissance are particularly valuable. This volume collects six of Frye's notebooks and five sets of his typed notes on subjects related to Renaissance literature. Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose. The organization of this volume reflects 'a comprehensive study of Renaissance Symbolism' in three volumes, which Frye proposed to the Guggenheim Foundation in 1949. Frye received a Guggenheim fellowship, but never wrote the book; nevertheless, his application, part of which is also included here, is an important document. The Guggenheim application not only reveals the outlines of Frye's thinking about literature, it also uncovers his plans for his future creative life during the crucial period between his completion of Fearful Symmetry and his absorption in the writing of Anatomy of Criticism. In addition to providing insight into Frye's thinking process, the material collected into this key volume in the Collected Works is of particular importance because much of it has no direct counterpart in any of Frye's other published works.
Author: Northrop Frye
Publisher: University of Toronto Press
ISBN: 1442658339
Category : Literary Criticism
Languages : en
Pages : 448
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Book Description
Northrop Frye's Anatomy of Criticism (1957) is widely regarded as a masterpiece of literary theory. The product of years of reading and reflection, the book's value extends far beyond its impact on criticism as a whole; ultimately, it must be viewed as a synoptic defense of liberal learning by one of the twentieth century's most distinguished critics. In this, the twenty-third volume of the Collected Works, editor Robert D. Denham presents the notebooks to the Anatomy, blue-prints, as it were, for Frye's comprehensive account of literary conventions. Composed from the late 1940s to 1956, the notebooks document the struggle Frye underwent to provide a structure for his work. This involved incorporating previously published essays and developing new material that would maintain the continuity of his argument. This fully annotated volume contains seventeen holograph notebooks, each illuminating some aspect of the grand structure that eventually emerged. Altogether, the notebooks offer an intimate picture of Frye's working process and a renewed appreciation for his magisterial accomplishment.
Author: Nella Cotrupi
Publisher: University of Toronto Press
ISBN: 1442658061
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Nella Cotrupi's Northrop Frye and the Poetics of Process sheds a new conceptual light on Frye, successfully bringing him back into the central ring of contemporary critical thought. Challenging the often dismissive view of Frye's work as closed and outdated, Dr. Cotrupi explores the implications of his proposition that the history of criticism may be seen as having two main approaches — literature as "product" and literature as "process." In focusing on Frye's exploration of the process tradition Cotrupi sheds light on the agenda that Frye established for himself, when he noted at the end of Anatomy of Criticism that the reconciliatory task of criticism was to "reforge the broken link between creation and knowledge, art and science, myth and concept." Dr. Cotrupi recontextualizes Frye's thought and shows us how Frye continues to be, not only relevant, but central to a number of the key concerns in the contemporary critical scene. Re-examining Frye's place in the history of critical thought, Dr. Cotrupi builds upon Frye's original vision of the "process" tradition and suggests further directions this exploration may take. Among the current areas of critical engagement which Cotrupi examines are relativism, possible world theory, and postmodernism — making this work of interest not only to Frye scholars, but also to those interested in the debates currently rocking the world of criticism, literature and culture.
Author: Brian Russell Graham
Publisher: University of Toronto Press
ISBN: 1442641606
Category : Philosophy
Languages : en
Pages : 161
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Book Description
For Frye, the history of ideas is characterized by sets of opposing views which result in repeated cyclical movements in that history. In this study, Brian Russell Graham argues that Frye's own thinking transcends the ordinary history of ideas and offers what might be thought of as a dialectical and `suprahistorical' alternative. As Graham points out, much of Frye's thought is focused on secular concerns, and, within that context, his dialectical and `suprahistorical' thinking is `post-partisan,' a feature which also signifies and explains Frye's appeal. Graham contends it is the thinking of William Blake, specifically his conceptions of innocence and experience, which provides the inspiration for Frye's dialectical thinking. Graham systematically addresses the main areas of Frye's work: Blake's poetry, secular literature, education and work, politics, and Scripture. In following each of these themes, The Necessary Unity of Opposites expertly clarifies Frye's dialectical thinking, while drawing attention to its structural connection to Blake, Frye's great preceptor.
