Republican Art and Ideology in Late Nineteenth-century France PDF Download
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Author: Miriam R. Levin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368
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Book Description
Author: Miriam R. Levin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368
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Book Description
Author: Shalon Parker
Publisher: Rowman & Littlefield
ISBN: 1611496713
Category : Art
Languages : en
Pages : 185
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Book Description
In late nineteenth-century France, when Charles Darwin’s theories of evolution had finally begun to permeate French culture and society, several academic artists turned to a relatively new sub-genre of history painting, the prehistoric-themed subject. This artistic interest in Darwin’s theories was manifested as paintings and sculptures of prehistoric humanity engaged in physical conflict with each other or other animals, struggling for food, or hunting—all nineteenth-century popular understandings of “survival of the fittest.” This book examines how this sub-genre captured the imagination of French Salon painters from the 1880s to early 1900s, in particular that of Fernand Cormon (1845–1924), one of the foremost academic painters during the final quarter of the nineteenth century. A central argument of this book concerns the unique interpretation of prehistoric humanity that Cormon visualized in his paintings. While the vast majority of prehistoric-themed images made by his salon colleagues focused on violence, combat, and sexual conquest, Cormon’s paintings depict a conflict-free humanity, in which collaboration and cooperation dominate, rather than physical struggle. This study probes the French intellectual understanding and appropriation of Darwin’s theories and considers how the French (mis)translation of The Origin of Species by Clémence-Auguste Royer, the first French translator of the text—along with Neo-Lamarckism and republican ideology in Third Republic France—may have collectively shaped Cormon’s representation of early humanity. The art press overwhelmingly favored Cormon’s visualization of the prehistoric world over that of his Salon peers. Through extended analysis of the art criticism concerning Cormon’s work, Shalon Parker argues that critics’ very clear preference for Cormon’s paintings was rooted in their awareness that he utilized the sub-genre of the prehistoric as a forum in which to reimagine and revive academic figurative painting at a time when the critical reception of Salon art had reached its nadir. Additionally, this study provides a broad overview of the visual models, in particular the anthropological and ethnographic texts and imagery, most readily available to Cormon as sources for shaping his vision of the prehistoric world.
Author: Richard Thomson
Publisher:
ISBN: 9780300254211
Category : Art and society
Languages : en
Pages : 362
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Book Description
"The French Republic--with its rallying cry for liberty, equality, and fraternity--emerged in 1870, and by 1880 had developed a coherent republican ideology. The regime pursued secular policies and emphasized its commitment to science and technology. Naturalism was an ideal aesthetic match for the republican ideology; it emphasized that art should be drawn from the everyday world, that all subjects were worthy of treatment, and that there should be flexibility in representation to allow for different voices. Art of the actual examines the use of naturalism in the 19th-century. It explores how pictures by artists such as Roll, Lhermitte, and Friant could be read as egalitarian and republican, assesses how well-known painters including Degas, Monet, and Toulouse-Lautrec situated their painting vis-à-vis the dominant naturalism, and opens up new arguments about caricatural and popular style. By illuminating the role of naturalism in a broad range of imagery in late-19th-century France, Richard Thomson provides a new interpretation of the art of the period"--Publisher's description.
Author: Peter McPhee
Publisher: Bloomsbury Publishing
ISBN: 140393777X
Category : History
Languages : en
Pages : 351
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Book Description
This volume provides a lively and authoritative synthesis of recent work on the social history of France and is now thoroughly updated to cover the 'long nineteenth century' from 1789-1914. Peter McPhee offers both a readable narrative and a distinctive, coherent argument about this remarkable century and explores key themes such as: - Peasant interaction with the environment - The changing experience of work and leisure - The nature of crime and protest - Changing demographic patterns and family structures - The religious practices of workers and peasants - The ideology and internal repercussions of colonisation. At the core of this social history is the exercise and experience of 'social relations of power' - not only because in these years there were four periods of protracted upheaval, but also because the history of the workplace, of relations between women and men, adults and children, is all about human interaction. Stimulating and enjoyable to read, this indispensable introduction to nineteenth-century France will help readers to make sense of the often bewildering story of these years, while giving them a better understanding of what it meant to be an inhabitant of France during that turbulent time.
Author: Patricia A. Tilburg
Publisher: Berghahn Books
ISBN: 9781845455712
Category : Education
Languages : en
Pages : 250
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Book Description
In France's Third Republic, secularism was, for its adherents, a new faith, a civic religion founded on a rabid belief in progress and the Enlightenment conviction that men (and women) could remake their world. And yet with all of its pragmatic smoothing over of the supernatural edges of Catholicism, the Third Republic engendered its own fantastical ways of seeing by embracing observation, corporeal dynamism, and imaginative introspection. How these republican ideals and the new national education system of the 1870s and 80s - the structure meant to impart these ideals - shaped belle époque popular culture is the focus of this book. The author reassesses the meaning of secularization and offers a cultural history of this period by way of an interrogation of several fraught episodes which, although seemingly disconnected, shared an attachment to the potent moral and aesthetic directives of French republicanism: a village's battle to secularize its schools, a scandalous novel, a vaudeville hit featuring a nude celebrity, and a craze for female boxing. Beginning with the writer and performer Colette (1873-1954) as a point of entry, this re-evaluation of belle époque popular culture probes the startling connections between republican values of labor and physical health on the one hand, and the cultural innovations of the decades preceding World War I on the other.
Author: Robert Justin Goldstein
Publisher: Kent State University Press
ISBN: 9780873383967
Category : Art
Languages : en
Pages : 318
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Book Description
This work is an account of the struggle over freedom of caricature in France during the period between 1815 and 1914. Illustrated with caricatures originally published during the 19th century, it traces the attempt of the French authorities to control opposition political drawings and the attempts of caricaturists to evade restrictions on their craft.
Author: Michael Paul Driskel
Publisher: Penn State Press
ISBN: 9780271042701
Category : Art
Languages : en
Pages : 248
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Book Description
Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today. Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.
Author: Niamh O'Sullivan
Publisher: Field Day Publications
ISBN: 0946755426
Category : Art
Languages : en
Pages : 392
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Book Description
This is a critical biography of Aloysius O'Kelly's career as a painter, illustrator and committed Fenian which uncovers a world hardly known hitherto except in the most caricatured versions.
Author: John Milner
Publisher: Yale University Press
ISBN: 0300084072
Category : History
Languages : en
Pages : 268
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Book Description
En beskrivelse af franske kunstneres opfattelse af Frankrigs krig mod Preussen, Pariserkommunen og den nye franske republik, som det kommer til udtryk i deres kunst
Author: Sergiusz Michalski
Publisher: Reaktion Books
ISBN: 9781861890252
Category : Architecture
Languages : en
Pages : 244
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Book Description
Public monuments to significant individuals or to political concepts are familiar to most of us, but the notions underlying them may not be so obvious. This book traces the history of the public monument, from the 1870s to the present day.
