Author: Charlotte M. Canning
Publisher: University of Iowa Press
ISBN: 1587299380
Category : Performing Arts
Languages : en
Pages : 429
Book Description
"Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race --
Representing the Past
Author: Charlotte M. Canning
Publisher: University of Iowa Press
ISBN: 1587299380
Category : Performing Arts
Languages : en
Pages : 429
Book Description
"Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race --
Publisher: University of Iowa Press
ISBN: 1587299380
Category : Performing Arts
Languages : en
Pages : 429
Book Description
"Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race --
The Representation of the Past
Author: Kevin Walsh
Publisher: Routledge
ISBN: 1134896662
Category : Business & Economics
Languages : en
Pages : 370
Book Description
The 1980s and early 1990s have seen a marked increase in public interest in our historic environment. The museum and heritage industry has expanded as the past is exploited for commercial profit. In The Representation of the Past, Kevin Walsh examines this international trend and questions the packaging of history which serves only to distance people from their own heritage. A superficial, unquestioning portrayal of the past, he feels, separates us from an understanding of our cultural and political present. Here, Walsh suggests a number of ways in which the museum can fulfill its potential - by facilitating our comprehension of cultural identity.
Publisher: Routledge
ISBN: 1134896662
Category : Business & Economics
Languages : en
Pages : 370
Book Description
The 1980s and early 1990s have seen a marked increase in public interest in our historic environment. The museum and heritage industry has expanded as the past is exploited for commercial profit. In The Representation of the Past, Kevin Walsh examines this international trend and questions the packaging of history which serves only to distance people from their own heritage. A superficial, unquestioning portrayal of the past, he feels, separates us from an understanding of our cultural and political present. Here, Walsh suggests a number of ways in which the museum can fulfill its potential - by facilitating our comprehension of cultural identity.
Representing the Past
Author: Rachelle L. Gilmour
Publisher: BRILL
ISBN: 9004203419
Category : Religion
Languages : en
Pages : 346
Book Description
Eschewing both so-called minimalist and maximalist readings, this volume advocates an understanding of the book of Samuel as ancient narrative historiography that must be understood according to its own conception and ideology of history before being judged as a historical source. This study shows how narrative strategies and literary embellishment, unaccustomed in modern historiography, are used to express familiar historical concepts such as causation, meaning and evaluation of the past. The requirements for historical ‘accuracy’ within the book’s cultural milieu are investigated through analysis of the differences tolerated between the LXX and MT versions. Fresh interpretive insights for specific passages emerge as the conventions of historiography in Samuel are compared and contrasted to the ideals of modern historical theory.
Publisher: BRILL
ISBN: 9004203419
Category : Religion
Languages : en
Pages : 346
Book Description
Eschewing both so-called minimalist and maximalist readings, this volume advocates an understanding of the book of Samuel as ancient narrative historiography that must be understood according to its own conception and ideology of history before being judged as a historical source. This study shows how narrative strategies and literary embellishment, unaccustomed in modern historiography, are used to express familiar historical concepts such as causation, meaning and evaluation of the past. The requirements for historical ‘accuracy’ within the book’s cultural milieu are investigated through analysis of the differences tolerated between the LXX and MT versions. Fresh interpretive insights for specific passages emerge as the conventions of historiography in Samuel are compared and contrasted to the ideals of modern historical theory.
The Virtual Representation of the Past
Author: Mark Greengrass
Publisher: Routledge
ISBN: 1317012577
Category : Language Arts & Disciplines
Languages : en
Pages : 417
Book Description
This unique book critically evaluates the virtual representation of the past through digital media. A distinguished team of leading experts in the field approach digital research in history and archaeology from contrasting viewpoints, including philosophical, methodological and technical. They illustrate the challenges involved in representing the past digitally by focusing on specific cases of a particular historical period, place or technical problem.
Publisher: Routledge
ISBN: 1317012577
Category : Language Arts & Disciplines
Languages : en
Pages : 417
Book Description
This unique book critically evaluates the virtual representation of the past through digital media. A distinguished team of leading experts in the field approach digital research in history and archaeology from contrasting viewpoints, including philosophical, methodological and technical. They illustrate the challenges involved in representing the past digitally by focusing on specific cases of a particular historical period, place or technical problem.
Representing the Past in the Art of the Long Nineteenth Century
Author: Matthew C. Potter
Publisher: Taylor & Francis
ISBN: 1351004174
Category : Art
Languages : en
Pages : 299
Book Description
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
Publisher: Taylor & Francis
ISBN: 1351004174
Category : Art
Languages : en
Pages : 299
Book Description
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
Representing the Past in the Art of the Long Nineteenth Century
Author: Matthew C. Potter
Publisher: Routledge
ISBN: 1351004166
Category : Art
Languages : en
Pages : 287
Book Description
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
Publisher: Routledge
ISBN: 1351004166
Category : Art
Languages : en
Pages : 287
Book Description
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
The Inventions of History
Author: Stephen Bann
Publisher: Manchester University Press
ISBN: 9780719032974
Category : History
Languages : en
Pages : 264
Book Description
This collection of essays concentrates on the structures and connections which have made it possible, over the last two centuries, for an integrated regime of historical representation to emerge. It also touches upon the debate about the contemporary uses of history - whether it is a matter of new versus traditional approaches to the school curriculum, or of the need to historicize museums, houses and gardens and so avoid the blandness of an uninformed display.
Publisher: Manchester University Press
ISBN: 9780719032974
Category : History
Languages : en
Pages : 264
Book Description
This collection of essays concentrates on the structures and connections which have made it possible, over the last two centuries, for an integrated regime of historical representation to emerge. It also touches upon the debate about the contemporary uses of history - whether it is a matter of new versus traditional approaches to the school curriculum, or of the need to historicize museums, houses and gardens and so avoid the blandness of an uninformed display.
The Representation of the Past
Author: Kevin Walsh
Publisher: Routledge
ISBN: 1134896670
Category : Business & Economics
Languages : en
Pages : 213
Book Description
The 1980s and early 1990s have seen a marked increase in public interest in our historic environment. The museum and heritage industry has expanded as the past is exploited for commercial profit. In The Representation of the Past, Kevin Walsh examines this international trend and questions the packaging of history which serves only to distance people from their own heritage. A superficial, unquestioning portrayal of the past, he feels, separates us from an understanding of our cultural and political present. Here, Walsh suggests a number of ways in which the museum can fulfill its potential - by facilitating our comprehension of cultural identity.
Publisher: Routledge
ISBN: 1134896670
Category : Business & Economics
Languages : en
Pages : 213
Book Description
The 1980s and early 1990s have seen a marked increase in public interest in our historic environment. The museum and heritage industry has expanded as the past is exploited for commercial profit. In The Representation of the Past, Kevin Walsh examines this international trend and questions the packaging of history which serves only to distance people from their own heritage. A superficial, unquestioning portrayal of the past, he feels, separates us from an understanding of our cultural and political present. Here, Walsh suggests a number of ways in which the museum can fulfill its potential - by facilitating our comprehension of cultural identity.
Long Past Slavery
Author: Catherine A. Stewart
Publisher: UNC Press Books
ISBN: 1469626276
Category : History
Languages : en
Pages : 372
Book Description
From 1936 to 1939, the New Deal's Federal Writers' Project collected life stories from more than 2,300 former African American slaves. These narratives are now widely used as a source to understand the lived experience of those who made the transition from slavery to freedom. But in this examination of the project and its legacy, Catherine A. Stewart shows it was the product of competing visions of the past, as ex-slaves' memories of bondage, emancipation, and life as freedpeople were used to craft arguments for and against full inclusion of African Americans in society. Stewart demonstrates how project administrators, such as the folklorist John Lomax; white and black interviewers, including Zora Neale Hurston; and the ex-slaves themselves fought to shape understandings of black identity. She reveals that some influential project employees were also members of the United Daughters of the Confederacy, intent on memorializing the Old South. Stewart places ex-slaves at the center of debates over black citizenship to illuminate African Americans' struggle to redefine their past as well as their future in the face of formidable opposition. By shedding new light on a critically important episode in the history of race, remembrance, and the legacy of slavery in the United States, Stewart compels readers to rethink a prominent archive used to construct that history.
Publisher: UNC Press Books
ISBN: 1469626276
Category : History
Languages : en
Pages : 372
Book Description
From 1936 to 1939, the New Deal's Federal Writers' Project collected life stories from more than 2,300 former African American slaves. These narratives are now widely used as a source to understand the lived experience of those who made the transition from slavery to freedom. But in this examination of the project and its legacy, Catherine A. Stewart shows it was the product of competing visions of the past, as ex-slaves' memories of bondage, emancipation, and life as freedpeople were used to craft arguments for and against full inclusion of African Americans in society. Stewart demonstrates how project administrators, such as the folklorist John Lomax; white and black interviewers, including Zora Neale Hurston; and the ex-slaves themselves fought to shape understandings of black identity. She reveals that some influential project employees were also members of the United Daughters of the Confederacy, intent on memorializing the Old South. Stewart places ex-slaves at the center of debates over black citizenship to illuminate African Americans' struggle to redefine their past as well as their future in the face of formidable opposition. By shedding new light on a critically important episode in the history of race, remembrance, and the legacy of slavery in the United States, Stewart compels readers to rethink a prominent archive used to construct that history.
Digital Games as History
Author: Adam Chapman
Publisher: Routledge
ISBN: 1317553861
Category : Social Science
Languages : en
Pages : 303
Book Description
This book provides the first in-depth exploration of video games as history. Chapman puts forth five basic categories of analysis for understanding historical video games: simulation and epistemology, time, space, narrative, and affordance. Through these methods of analysis he explores what these games uniquely offer as a new form of history and how they produce representations of the past. By taking an inter-disciplinary and accessible approach the book provides a specific and firm first foundation upon which to build further examination of the potential of video games as a historical form.
Publisher: Routledge
ISBN: 1317553861
Category : Social Science
Languages : en
Pages : 303
Book Description
This book provides the first in-depth exploration of video games as history. Chapman puts forth five basic categories of analysis for understanding historical video games: simulation and epistemology, time, space, narrative, and affordance. Through these methods of analysis he explores what these games uniquely offer as a new form of history and how they produce representations of the past. By taking an inter-disciplinary and accessible approach the book provides a specific and firm first foundation upon which to build further examination of the potential of video games as a historical form.