Representing China on the Historical London Stage PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Representing China on the Historical London Stage PDF full book. Access full book title Representing China on the Historical London Stage by Dongshin Chang. Download full books in PDF and EPUB format.
Author: Dongshin Chang
Publisher: Routledge
ISBN: 9780415855716
Category : China
Languages : en
Pages : 0
Get Book Here
Book Description
This book explores a selection of dramatic works and theatrical productions from the historical London stage -- the late seventeenth to the early twentieth century -- that dramatized China. Examining the themes of racial representation, geo-political dynamics, cultural memory, and national identity, Chang visits the examples as a series of performative sites that bear accrued cultural memories and reflect on the geo-political dynamics between Britain and China. The book identifies the evolving economic relations between the two countries and the development of genres and conventions of the London stage as the two most influential factors that affected the historical depictions and representations of China, arguing that the London stage selectively, as conditioned by the interplay of these two factors, incorporated new information and interest in China into its existing approaches to depicting and representing the country. The dramatic and theatrical genealogies examined exemplify how theatre bears the incomplete standing-in of cultural and geo-political memories from the past and witnesses the ongoing process of defining the self through demarcating, or interculturating, the other -- taking or embracing elements of the other, infusing them with one's indigenous cultural practices, and, through the course of time, gradually claiming the hybrid forms as one's own. By probing the depictions of China on the London stage over a sustained period of time, this book aims to understand the dramatic works and theatrical productions both in themselves and in their relationship to the contemporary cultural and political contexts. Visiting scripts, playbills, illustrations, and contemporary reviews, Chang builds upon the theories of Orientalism and intercultural performance that current scholarship uses to examine the racial other on stage.
Author: Dongshin Chang
Publisher: Routledge
ISBN: 9780415855716
Category : China
Languages : en
Pages : 0
Get Book Here
Book Description
This book explores a selection of dramatic works and theatrical productions from the historical London stage -- the late seventeenth to the early twentieth century -- that dramatized China. Examining the themes of racial representation, geo-political dynamics, cultural memory, and national identity, Chang visits the examples as a series of performative sites that bear accrued cultural memories and reflect on the geo-political dynamics between Britain and China. The book identifies the evolving economic relations between the two countries and the development of genres and conventions of the London stage as the two most influential factors that affected the historical depictions and representations of China, arguing that the London stage selectively, as conditioned by the interplay of these two factors, incorporated new information and interest in China into its existing approaches to depicting and representing the country. The dramatic and theatrical genealogies examined exemplify how theatre bears the incomplete standing-in of cultural and geo-political memories from the past and witnesses the ongoing process of defining the self through demarcating, or interculturating, the other -- taking or embracing elements of the other, infusing them with one's indigenous cultural practices, and, through the course of time, gradually claiming the hybrid forms as one's own. By probing the depictions of China on the London stage over a sustained period of time, this book aims to understand the dramatic works and theatrical productions both in themselves and in their relationship to the contemporary cultural and political contexts. Visiting scripts, playbills, illustrations, and contemporary reviews, Chang builds upon the theories of Orientalism and intercultural performance that current scholarship uses to examine the racial other on stage.
Author: Dongshin Chang
Publisher: Routledge
ISBN: 1135007500
Category : Performing Arts
Languages : en
Pages : 348
Get Book Here
Book Description
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.
Author: Ashley Thorpe
Publisher: Springer
ISBN: 1137597860
Category : Performing Arts
Languages : en
Pages : 277
Get Book Here
Book Description
This book details the history of Chinese theatre, and British representations of Chinese theatre, on the London stage over a 250-year period. A wide range of performance case studies – from exhibitions and British Chinese opera inspired theatre, to translations of Chinese plays and visiting troupes – highlight the evolving nature of Sino-British trade, fashion, migration, the formation of diaspora, and international relations. Collectively, they outline the complex relationship between Britain and China – the rise and fall of the British Empire, and the fall and rise of China – as it was played out on the stages of London across three centuries. Drawing extensively upon archival materials and fieldwork research, the book offers new insights for intercultural British theatre in the 21st century – ‘the Asian century’.
Author: Zheng Yangwen
Publisher: Manchester University Press
ISBN: 1526126974
Category : History
Languages : en
Pages : 476
Get Book Here
Book Description
This book is a timely and solid portrait of modern China from the First Opium War to the Xi Jinping era. Unlike the handful of existing textbooks that only provide narratives, this textbook fashions a new and practical way to study modern China. Written exclusively for university students, A-level or high school teachers and students, it uses primary sources to tell the story of China and introduces them to existing scholarship and academic debate so they can conduct independent research for their essays and dissertations. This book will be required reading for students who embark on the study of Chinese history, politics, economics, diaspora, sociology, literature, cultural, urban and women’s studies. It would be essential reading to journalists, NGO workers, diplomats, government officials, businessmen and travellers.
Author: Esther Kim Lee
Publisher: University of Michigan Press
ISBN: 0472220322
Category : Performing Arts
Languages : en
Pages : 283
Get Book Here
Book Description
Made-Up Asians traces the history of yellowface, the theatrical convention of non-Asian actors putting on makeup and costume to look East Asian. Using specific case studies from European and U.S. theater, race science, and early film, Esther Kim Lee traces the development of yellowface in the U.S. context during the Exclusion Era (1862–1940), when Asians faced legal and cultural exclusion from immigration and citizenship. These caricatured, distorted, and misrepresented versions of Asians took the place of excluded Asians on theatrical stages and cinema screens. The book examines a wide-ranging set of primary sources, including makeup guidebooks, play catalogs, advertisements, biographies, and backstage anecdotes, providing new ways of understanding and categorizing yellowface as theatrical practice and historical subject. Made-Up Asians also shows how lingering effects of Asian exclusionary laws can still be seen in yellowface performances, casting practices, and anti-Asian violence into the 21st century.
Author: Ronda Arab
Publisher: Routledge
ISBN: 1317690699
Category : Literary Criticism
Languages : en
Pages : 284
Get Book Here
Book Description
This collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored. This volume brings together these lines of inquiry for the first time, exploring the critical turn to affect in literary studies from a historicist perspective to demonstrate how the early modern theater showcased the productive interconnections between historical contingencies and affective attachments. Considering well-known plays such as Shakespeare’s Antony and Cleopatra and Thomas Dekker’s The Shoemaker’s Holiday together with understudied texts such as court entertainments, and examining topics ranging from dramatic celebrity to women’s political agency to the parental emotion of grief, this volume provides a fresh and at times provocative assessment of the "historical affects"—financial, emotional, and socio-political—that transformed Renaissance theater. Instead of treating history and affect as mutually exclusive theoretical or philosophical contexts, the essays in this volume ask readers to consider how drama emplaces the most personal, unspeakable passions in matrices defined in part by financial exchange, by erotic desire, by gender, by the material body, and by theatricality itself. As it encourages this conversation to take place, the collection provides scholars and students alike with a series of new perspectives, not only on the plays, emotions, and histories discussed in its pages, but also on broader shifts and pressures animating literary studies today.
Author: Dorothy Chansky
Publisher: Routledge
ISBN: 1317618025
Category : Performing Arts
Languages : en
Pages : 303
Get Book Here
Book Description
Putting food and theatre into direct conversation, this volume focuses on how food and theatre have operated for centuries as partners in the performative, symbolic, and literary making of meaning. Through case studies, literary analyses, and performance critiques, contributors examine theatrical work from China, Japan, India, Greece, Italy, France, Germany, England, the United States, Chile, Argentina, and Zimbabwe, addressing work from classical, popular, and contemporary theatre practices. The investigation of uses of food across media and artistic genres is a burgeoning area of scholarly investigation, yet regarding representation and symbolism, literature and film have received more attention than theatre, while performance studies scholars have taken the lead in examining the performative aspects of food events. This collection looks across dramatic genres, historical periods, and cultural contexts, and at food in all of its socio-political, material complexity to examine the particular problems and potentials of invoking and using food in live theatre. The volume considers food as a transhistorical, global phenomenon across theatre genres, addressing the explosion of food studies at the end of the twentieth century that has shown how food is a crucial aspect of cultural identity.
Author: Ben Macpherson
Publisher: Springer
ISBN: 1137598077
Category : Performing Arts
Languages : en
Pages : 252
Get Book Here
Book Description
This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.
Author: Michael Chemers
Publisher: Routledge
ISBN: 1000593347
Category : Performing Arts
Languages : en
Pages : 232
Get Book Here
Book Description
Monsters in Performance boasts an impressive range of contemporary essays that delve into topical themes such as race, gender, and disability, to explore what constitutes monstrosity within the performing arts. These fascinating essays from leading and emerging scholars explore representation in performance, specifically concerning themselves with attempts at social disqualification of "undesirables." Throughout, the writers employ the concept of "monstrosity" to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant. The editors take a range of previously isolated critical inquiries – including bioethics, critical race studies, queer studies, and televisual studies - and merge them to create an accessible and dynamic platform which unifies these ranges of representations. The global scope and interdisciplinary nature of Monsters in Performance renders it an essential book for Theatre and Performance students of all levels as well as scholars; it will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly.
Author: Geraldine Brodie
Publisher: Taylor & Francis
ISBN: 1315436809
Category : Art
Languages : en
Pages : 319
Get Book Here
Book Description
Adapting Translation for the Stage presents a sustained dialogue between scholars, actors, directors, writers, and those working across boundaries, exploring common themes encountered when writing, staging, and researching translated works.
