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Author: Michael Paul Driskel
Publisher: Penn State Press
ISBN: 9780271042701
Category : Art
Languages : en
Pages : 248
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Book Description
Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today. Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.
Author: Michael Paul Driskel
Publisher: Penn State Press
ISBN: 9780271042701
Category : Art
Languages : en
Pages : 248
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Book Description
Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today. Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.
Author: Jean Dezert
Publisher: Infinite Study
ISBN:
Category :
Languages : en
Pages : 13
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Book Description
In this paper, we examine several issues for ordering or partially ordering elements of hyperpowertsets involved in the recent theory of plausible, uncertain and paradoxical reasoning (DSmT) developed by the authors. We will show the benefit of some of these issues to obtain a nice and useful matrix representation of belief functions.
Author: Jefferson Bethke
Publisher: HarperChristian + ORM
ISBN: 1400205409
Category : Self-Help
Languages : en
Pages : 241
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Book Description
Abandon dead, dry, religious rule-keeping and embrace the promise of being truly known and deeply loved. Jefferson Bethke burst into the cultural conversation with a passionate, provocative poem titled "Why I Hate Religion, But Love Jesus." The 4-minute video became an overnight sensation, with 7 million YouTube views in its first 48 hours (and 23+ million in a year). Bethke's message clearly struck a chord with believers and nonbelievers alike, triggering an avalanche of responses running the gamut from encouraged to enraged. In his New York Times bestseller Jesus > Religion, Bethke unpacks similar contrasts that he drew in the poem--highlighting the difference between teeth gritting and grace, law and love, performance and peace, despair, and hope. With refreshing candor, he delves into the motivation behind his message, beginning with the unvarnished tale of his own plunge from the pinnacle of a works-based, fake-smile existence that sapped his strength and led him down a path of destructive behavior. Along the way, Bethke gives you the tools you need to: Humbly and prayerfully open your mind Understand Jesus for all that he is View the church from a brand-new perspective Bethke is quick to acknowledge that he's not a pastor or theologian, but simply an ordinary, twenty-something who cried out for a life greater than the one for which he had settled. On this journey, Bethke discovered the real Jesus, who beckoned him with love beyond the props of false religion. Praise for Jesus > Religion: "Jeff's book will make you stop and listen to a voice in your heart that may have been drowned out by the noise of religion. Listen to that voice, then follow it--right to the feet of Jesus." --Bob Goff, author of New York Times bestsellers Love Does and Everybody, Always "The book you hold in your hands is Donald Miller's Blue Like Jazz meets C. S. Lewis's Mere Christianity meets Augustine's Confessions. This book is going to awaken an entire generation to Jesus and His grace." --Derwin L. Gray, lead pastor of Transformation Church, author of Limitless Life: Breaking Free from the Labels That Hold You Back
Author: Paul Weirich
Publisher: Oxford University Press
ISBN: 0190291117
Category : Philosophy
Languages : en
Pages : 278
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Book Description
Within traditional decision theory, common decision principles -- e.g. the principle to maximize utility -- generally invoke idealization; they govern ideal agents in ideal circumstances. In Realistic Decision Theory, Paul Weirch adds practicality to decision theory by formulating principles applying to nonideal agents in nonideal circumstances, such as real people coping with complex decisions. Bridging the gap between normative demands and psychological resources, Realistic Decision Theory is essential reading for theorists seeking precise normative decision principles that acknowledge the limits and difficulties of human decision-making.
Author: Kurt Konolige
Publisher:
ISBN:
Category : Analysis (Philosophy)
Languages : en
Pages : 78
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Book Description
Both agents are state-of-theart constructions, incorporating the latest Al research in chess playing, natural-language understanding, planning, etc. But because of the overwhelming combinatorics of' chess, neither they nor the fastest foreseeable computers would be able to search the entire game tree to find out whether White has a forced win. Why then do they come to such an odd conclusion about their own knowledge of the game? The chess scenario is an anecdotal example of the way inaccurate cognitive models can lead to behavior that is less than intelligent in artificial agents. In this case, the agents' model of belief is not correct. They make the assumption that an agent actually knows all the consequences of his beliefs. S1 knows that chess is a finite game, and thus reasons that, in principle, knowing the rules of chess is all that is required to figure out whether White has a forced ini%ial win. Mter learning that S2 does indeed know the rules of chess he comes to the erroneous conclusion that S2 also knows this particular consequence of the rules. And S2 himself, reflecting on his own knowledge in the same manner, arrives at the same conclusion, even though in actual fact he could never carry out the computations necessary to demonstrate it.
Author: Lisa DeBoer
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467446890
Category : Religion
Languages : en
Pages : 310
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Book Description
Although numerous studies have examined biblical and theological rationales for using the visual arts in worship, this book by Lisa J. DeBoer fills in a piece of the picture missing so far — the social dimensions of both our churches and the various art worlds represented in our congregations. The first part of the book looks at Orthodoxy, Catholicism, and Protestantism in turn — including case studies of specific congregations — showing how each tradition’s use of the visual arts reveals an underlying ecclesiology. DeBoer then focuses on six themes that emerge when Orthodox, Catholic, and Protestant uses of the visual arts are examined together — the arts as expressions of the church’s local and universal character, the meanings attributed to particular styles of art for the church, the role of the arts in enculturating the gospel, and more. DeBoer’s Visual Arts in the Worshiping Church will focus and deepen the thinking of pastors, worship leaders, artists, students, and laypeople regarding what the arts might do in the midst of their congregations.
Author: Michael LeMahieu
Publisher: Oxford University Press, USA
ISBN: 0199890404
Category : History
Languages : en
Pages : 255
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Book Description
Fictions of Fact and Value looks at logical positivism's major influence on the development of postwar American fiction, charting a literary and philosophical genealogy that has been absent from criticism on the American novel since 1945.
Author:
Publisher:
ISBN:
Category : Presbyterian Church
Languages : en
Pages : 400
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Book Description
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 966
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Book Description
Author: Harry Thurston Peck
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 958
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Book Description