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Author: Nigel Rothfels
Publisher: Indiana University Press
ISBN: 9780253215512
Category : Nature
Languages : en
Pages : 256
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Book Description
There are complex & often surprising connections between our imagining of animals & our cultural environment. Topics discussed in this collection include fox hunting, pet cloning, animatronic characters & how we displace our fear of aging onto our dogs.
Author: Nigel Rothfels
Publisher: Indiana University Press
ISBN: 9780253215512
Category : Nature
Languages : en
Pages : 256
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Book Description
There are complex & often surprising connections between our imagining of animals & our cultural environment. Topics discussed in this collection include fox hunting, pet cloning, animatronic characters & how we displace our fear of aging onto our dogs.
Author: Valérie Bienvenue
Publisher: Berghahn Books
ISBN: 1800734263
Category : Nature
Languages : en
Pages : 460
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Book Description
The sixth mass extinction or Anthropocene extinction is one of the most pervasive issues of our time. Animals, Plants and Afterimages brings together leading scholars in the humanities and life sciences to explore how extinct species are represented in art and visual culture, with a special emphasis on museums. Engaging with celebrated cases of vanished species such as the quagga and the thylacine as well as less well-known examples of animals and plants, these essays explore how representations of recent and ancient extinctions help advance scientific understanding and speak to contemporary ecological and environmental concerns.
Author: Animal Studies Group
Publisher: University of Illinois Press
ISBN: 0252072901
Category : Animal welfare
Languages : en
Pages : 234
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Book Description
Though not often acknowledged openly, killing represents by far the most common form of human interaction with animals. These multidisciplinary essays reveal the complexity of this phenomenon by exploring the extraordinary diversity in killing practices and the wide variety of meanings attached to them.
Author: J. Simons
Publisher: Springer
ISBN: 0230513549
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
This book addresses the question of animal rights in the context of literary criticism. Working from a committed position, it asks the question, 'What would literary studies look like if we took animal rights seriously?' It offers critical surveys of the main themes in the history of animal rights and some of the more important contemporary positions together with readings of a wide range of literary texts from classical antiquity to the present day.
Author: Erica Fudge
Publisher: University of Illinois Press
ISBN: 9780252070686
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
The boundaries between human and beast forged a rugged philosophical landscape across early modern England. Spectators gathered in London's Bear Garden to watch the callous and brutal baiting of animals. A wave of "new" scientists performed vivisections on live animals to learn more about the human body. In Perceiving Animals, the British scholar Erica Fudge traces the dangers and problems of anthropocentrism in texts written from 1558 to 1649. Meticulous examinations of scientific, legal, political, literary, and religious writings offer unique and fascinating depictions of human perceptions about the natural world. Views carried over from bestiaries--medieval treatises on animals-- posited animals as nonsentient beings whose merits were measured solely by what provisions they afforded humans: food, medicine, clothing, travel, labor, scientific knowledge. Without consciences or faith, animals were deemed far inferior to humans. While writings from the period asserted an enormous biological superiority, Fudge contends actual human behavior and logic worked, sometimes accidentally, to close the alleged gap. In the Bear Garden, even a man of the lowest social rank had power over a tortured animal, sinking him, though, below the beasts. The beast fable itself fails to show a true understanding of animals, as it merely attributes human characteristics to beasts in an attempt to teach humanist ideals. Scholars and writers continually turned to the animal world for reflection. Despite this, scientists of the period used animals for empirical and medical knowledge, recognizing biological and spiritual similarities but refusing to renege human superiority. Including an insightful reexamination of Ben Jonson's Volpone and fascinating looks at works by Francis Bacon, Edward Coke, and Richard Overton, among others, Fudge probes issues of animal ownership and biological and spiritual superiority in early modern England that resonate with philosophical quandaries still relevant in contemporary society.
Author: Kathy Rudy
Publisher: U of Minnesota Press
ISBN: 1452933065
Category :
Languages : en
Pages : 285
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Book Description
In a book aimed at advocates, the author argues that in order to end animal cruelty, activists need to better understand the profound emotional attachment many people have with animals.
Author: Art Spiegelman
Publisher: Viking
ISBN: 9780670921676
Category : Children of Holocaust survivors
Languages : en
Pages : 296
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Book Description
Maus I: A Survivor's Tale and Maus II - the complete story of Vladek Spiegelman and his wife, living and surviving in Hitler's Europe. By addressing the horror of the Holocaust through cartoons, the author captures the everyday reality of fear and is able to explore the guilt, relief and extraordinary sensation of survival - and how the children of survivors are in their own way affected by the trials of their parents. A contemporary classic of immeasurable significance.
Author: Simona Cohen
Publisher: BRILL
ISBN: 9004171010
Category : History
Languages : en
Pages : 360
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Book Description
The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels.Brill's Studies on Art, Art History, and Intellectual History, vol. 2
Author: Henrietta Mondry
Publisher: Rodopi
ISBN: 9401211841
Category : Nature
Languages : en
Pages : 451
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Book Description
This book is the first interdisciplinary study of the representation of dogs in Russian discourse since the nineteenth century. Focusing on the correlation between humans and dogs in traditional belief systems, in literature, film and other cultural productions, it shows that the dog as a political construct incorporates various contradictions, with different representations investing the dog with multiple, often-paradoxical meanings – moral, social and philosophical. From the peasantry’s dislike of the gentry’s hunting dogs and children’s cruelty to dogs in Pushkin and Dostoevsky to the establishment of the Soviet dynasties of border guard and police dogs, from Pavlov’s laboratory dogs to the monuments to the cosmic dog Laika and the subversive dog impersonations by the contemporary performance artist Oleg Kulik, the book explores the intersections of species-class-gender-sexuality-race-disability and, paradoxically, of Arcadian and Utopian dreams and scientific deeds. This study contributes to the unfolding cultural history of human-animal relations across cultures.
Author: Jonathan Burt
Publisher: Reaktion Books
ISBN: 1861895720
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
From Salvador Dalí to Walt Disney, animals have been a constant yet little-considered presence in film. Indeed, it may come as a surprise to learn that animals were a central inspiration to the development of moving pictures themselves. In Animals in Film, Jonathan Burt points out that the mobility of animals presented technical and conceptual challenges to early film-makers, the solutions of which were an important factor in advancing photographic technology, accelerating the speed of both film and camera. The early filming of animals also marked one of the most significant and far-reaching changes in the history of animal representation, and has largely determined the way animals have been visualized in the twentieth century. Burt looks at the extraordinary relation-ship between animals, cinema and photography (including the pioneering work of Eadweard Muybridge and Jules-Etienne Marey) and the technological developments and challenges posed by the animal as a specific kind of moving object. Animals in Film is a shrewd account of the politics of animals in cinema, of how movies and video have developed as weapons for animal rights activists, and of the roles that animals have played in film, from the avant-garde to Hollywood.
