Representations of masculinity and femininity in "Bridget Jones's Diary" PDF Download
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Author: Kathrin Gerbe
Publisher: GRIN Verlag
ISBN: 3638785408
Category : Social Science
Languages : en
Pages : 12
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Book Description
Seminar paper from the year 2007 in the subject Sociology - Gender Studies, grade: 1,0, University of Newcastle upon Tyne, course: Representations: The Communication Culture, Identity and Society, language: English, abstract: This essay introduces various concepts of identity formation, including hegemony, discursive formation and invented categories. On the basis of these concepts, it discusses masculinity and femininity in the movie "Bridget Jones's Diary", comparing the leading men Daniel Cleaver (Hugh Grant) and Mark Darcy (Colin Firth) with each other, and the heroine Bridget Jones (Renée Zellweger) with the seemingly perfect Natasha. Secondly, the essay seeks to evaluate the role of the feminine gaze and objectification of Cleaver and Darcy.
Author: Kathrin Gerbe
Publisher: GRIN Verlag
ISBN: 3638785408
Category : Social Science
Languages : en
Pages : 12
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Book Description
Seminar paper from the year 2007 in the subject Sociology - Gender Studies, grade: 1,0, University of Newcastle upon Tyne, course: Representations: The Communication Culture, Identity and Society, language: English, abstract: This essay introduces various concepts of identity formation, including hegemony, discursive formation and invented categories. On the basis of these concepts, it discusses masculinity and femininity in the movie "Bridget Jones's Diary", comparing the leading men Daniel Cleaver (Hugh Grant) and Mark Darcy (Colin Firth) with each other, and the heroine Bridget Jones (Renée Zellweger) with the seemingly perfect Natasha. Secondly, the essay seeks to evaluate the role of the feminine gaze and objectification of Cleaver and Darcy.
Author: Kathrin Gerbe
Publisher: GRIN Verlag
ISBN: 3638795373
Category :
Languages : en
Pages : 0
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Book Description
Seminar paper from the year 2007 in the subject Sociology - Gender Studies, grade: 1,0, University of Newcastle upon Tyne, course: Representations: The Communication Culture, Identity and Society, 15 entries in the bibliography, language: English, abstract: This essay introduces various concepts of identity formation, including hegemony, discursive formation and invented categories. On the basis of these concepts, it discusses masculinity and femininity in the movie "Bridget Jones's Diary", comparing the leading men Daniel Cleaver (Hugh Grant) and Mark Darcy (Colin Firth) with each other, and the heroine Bridget Jones (Renée Zellweger) with the seemingly perfect Natasha. Secondly, the essay seeks to evaluate the role of the feminine gaze and objectification of Cleaver and Darcy.
Author: Holger Kiesow
Publisher: GRIN Verlag
ISBN: 3638585379
Category : Literary Criticism
Languages : en
Pages : 94
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Book Description
Examination Thesis from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Göttingen (Englisches Seminar), language: English, abstract: From 1950 to 1999, the fiction genre of Ladlit presented British readers with a romantic, comic, popular male literature, which was regarded as a chance to examine male identity in contemporary Britain. But by the beginning of the 21st century one was seeking for a new story of masculine identity. In the meantime, the has been a focus on masculinity in language and gender studies, whereas the exclusive attention had formerly been upon femininity. The tradition of man being constituted in terms of universal, normative values has led to the phenomenon of 'invisible masculinity'. However, there has always been a discourse available to men which allows them to represent themselves as people or mankind. The text examines how the representation of masculinities has changed in society in the recent fifty years. Using different theories of gender studies, masculinities and the effects of socio-economical changes, the following novels will be discussed: Amis's Lucky Jim (1954), Sillitoe's Saturday Night and Sunday Morning (1958), Hollinghurst's The Swimming-Pool Library (1988) and Hornby's About a Boy (1998).
Author: Justin Charlebois
Publisher: Lexington Books
ISBN: 0739144901
Category : Social Science
Languages : en
Pages : 164
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Book Description
Gender and the Construction of Hegemonic and Oppositional Femininities analyzes the construction of femininities within the key social institutions of school, work, and the media. The book draws from previous research to demonstrate how femininities are constructed in school and work and analyzes gendered representations in current fictional media.
Author: Katie Milestone
Publisher: John Wiley & Sons
ISBN: 0745698301
Category : Social Science
Languages : en
Pages : 240
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Book Description
This fully updated second edition of Gender and Popular Culture examines the role of popular culture in the construction of gendered identities in contemporary society. It draws on a wide range of cultural forms – including popular music, social media, television and magazines – to illustrate how femininity and masculinity are produced, represented, used and consumed. Blending primary and secondary research, Milestone and Meyer introduce key theories and concepts in gender studies and popular culture, which are made accessible and interesting through their application to topical examples such as the #MeToo campaign, intensive mothering and social media, discourses about women and binge drinking, and gender and popular music. Included in this revised edition is a new chapter on digital culture, examining the connection between digital platforms and gender identities, relations and activism, as well as a new chapter on cultural work in digital contexts. All chapters have been updated to acknowledge recent changes in gender images and relations as well as media culture. Additionally, there is new material on the Fourth Wave Women's Movement, audiences and prosumers, and the role of social media. Gender and Popular Culture is the go-to textbook for students of gender studies, media and communication, and popular culture.
Author: Yvonne Tasker
Publisher: Duke University Press
ISBN: 9780822340324
Category : Social Science
Languages : en
Pages : 364
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Book Description
DIVFeminist essays examining postfeminism in American and British popular culture./div
Author: Angela McRobbie
Publisher: SAGE
ISBN: 1446200345
Category : Social Science
Languages : en
Pages : 193
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Book Description
In this trenchant inquiry into the state of feminism, Angela McRobbie breaks open the politics of sexual equality and ′affirmative feminism′ and sets down a new theory of gender power. Challenging the most basic assumptions of the ′end′ of feminism, this book argues that invidious forms of gender re-stabilisation are being re-established. Consumer and popular culture encroach on the terrain of so-called female freedom, appearing supportive of female success, yet tying women into new post-feminist neurotic dependencies. With a scathing critique of ′women′s empowerment′, McRobbie has developed a distinctive feminist analysis that she uses to examine socio-cultural phenomena embedded in contemporary women′s lives: from fashion photography and the television ′make-over′ genre to eating disorders, body anxiety and ′illegible rage′. A turning point in feminist theory, The Aftermath of Feminism will set a new agenda for gender studies and cultural studies.
Author: Mireia Aragay
Publisher: Rodopi
ISBN: 9042019573
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Books in Motion addresses the hybrid, interstitial field of film adaptation. The introductory essay integrates a retrospective survey of the development of adaptation studies with a forceful argument about their centrality to any history of culture--any discussion, that is, of the transformation and transmission of texts and meanings in and across cultures. The thirteen especially composed essays that follow, organised into four sections headed 'Paradoxes of Fidelity', 'Authors, Auteurs, Adaptation', 'Contexts, Intertexts, Adaptation' and 'Beyond Adaptation', variously illustrate that claim by problematising the notion of fidelity, highlighting the role played by adaptation in relation to changing concepts of authorship and auteurism, exploring the extent to which the intelligibility of film adaptations is dependent on contextual and intertextual factors, and making a claim for the need to transcend any narrowly-defined concept of adaptation in the study of adaptation. Discussion ranges from adaptations of established classics like A Tale of Two Cities, Frankenstein, Henry V, Le temps retrouvé, Mansfield Park, Pride and Prejudice, 'The Dead' or Wuthering Heights, to contemporary (popular) texts/films like Bridget Jones's Diary, Fools, The Governess, High Fidelity, The Hours, The Orchid Thief/Adaptation, the work of Doris Dörrie, the first Harry Potter novel/film, or the adaptations made by Alfred Hitchcock, Stanley Kubrick and Walt Disney. This book will appeal to both a specialised readership and to those accessing the dynamic field of adaptation studies for the first time.
Author: Imelda Whelehan
Publisher: A&C Black
ISBN: 9780826453228
Category : Literary Criticism
Languages : en
Pages : 100
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Book Description
This is an excellent guide to Helen Fielding's genre-defining novel. It features a biography of the author, a full-length analysis of the novel, and a great deal more. If you're studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative and helpful. This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.
Author: R. Gill
Publisher: Springer
ISBN: 0230294529
Category : Social Science
Languages : en
Pages : 349
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Book Description
This collection of original essays looks at the way in which experiences and representations of femininity are changing, and explores the possibilities for producing 'new' femininities in the twenty-first century. The volume includes a Preface by leading feminist scholar Angela McRobbie.
