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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
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Book Description
Author: Robert J. Lentz
Publisher: McFarland
ISBN: 1476621543
Category : Performing Arts
Languages : en
Pages : 497
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Book Description
The Korean experience changed the way Americans viewed war. The lack of a clear-cut victory inspired filmmakers to try to make sense of fighting another country's civil war and risking American lives for an unpopular cause. This filmography details more than 90 English-language films. Each entry includes complete cast and credit listings, a plot synopsis, evaluation, review snippets, and notice of video availability. This book places each film in its historical context, assesses the essential truthfulness of each film and evaluates its entertainment value, and discusses how--and why--Korean War films differ from other Hollywood war genres. Four appendices list the films by chronology; production company and studio; level of historical accuracy; and subject and theme. Additional appendices list films with incidental references to the Korean War; documentaries on the Korean War; and South Korean films about the war. Photographs, a bibliography, and an index are included.
Author:
Publisher:
ISBN: 0520295307
Category :
Languages : en
Pages : 204
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Book Description
Author: Kyung Hyun Kim
Publisher: Duke University Press
ISBN: 9780822332671
Category : History
Languages : en
Pages : 348
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Book Description
DIVArgues that although the last two decades of Korean history were a period of progress in political democratization, the country refused to part from a "masculine point of view" which is also mirrored in Korean cinema./div
Author: Kathleen McHugh
Publisher: Wayne State University Press
ISBN: 9780814332535
Category : Melodrama in motion pictures
Languages : en
Pages : 276
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Book Description
Examining the theoretical, historical, and contemporary impact of South Korea's Golden Age of cinema.
Author: Eungjun Min
Publisher: Bloomsbury Publishing USA
ISBN: 0313072302
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
Despite its rise in the global market, recent political progress, and a surging interest worldwide, Korean films are relatively unknown and rarely studied. This new work begins by investigating the history, industry structure, and trends of filmmaking in Korea, going on to examine how Hollywood films have affected both Korean mainstream and nonmainstream film industries in terms of both means of production and narrative. Moreover, the authors analyze the ways in which Korean films of recent years have represented the modernization process in Korea itself, as well as the ideological implications that arise from the cinematic constructions of Korean imagination. More than a mere chronological account of Korean cinematic history, ^IKorean Film^R attempts to consider the films as a popular cultural form that have a life beyond their theatrical runs: stars, genres, and key movies become part of any culture's identity, and in their narratives and meanings can be located evidence of the ways in which a culture makes sense of itself. Korea has never before been given such an extensive treatment of this central idea, and here for the first time, the nation's culture and cinema are merged into one discussion that both reflects and shapes our understanding of it.
Author: Philip West
Publisher: Routledge
ISBN: 1317461037
Category : History
Languages : en
Pages : 240
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Book Description
In contrast to the many books that use military, diplomatic, and historic language in analyzing the Korean War, this book takes a cultural approach that emphasizes the human dimension of the war, an approach that especially features Korean voices. There are chapters on Korean art on the war, translations into English of Korean poetry by Korean soldiers, and American soldier poetry on the war. There is a photographic essay on the war by combat journalist and Pulitzer Prize winning photographer Max Desfor. Another chapter includes and analyzes songs on the Korean War - Korean, American, and Chinese - that illuminate the many complex memories of the war. There is a discussion of Korean films on the war and a chapter on Korean War POWs and their contested memories. More than any other nonfiction book on the war, this one shows us the human face of tragedy for Americans, Chinese, and most especially Koreans. June 2000 was the fiftieth anniversary of the outbreak of the Korean War; this moving volume is intended as a commemoration of it.
Author: Hyangjin Lee
Publisher: Manchester University Press
ISBN: 1526141299
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea.
Author: Dong-Yeon Koh
Publisher: Routledge
ISBN: 1000407551
Category : History
Languages : en
Pages : 191
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Book Description
This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of “postmemory,” this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women’s documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.
Author: Michael Berry
Publisher: University of Hawaii Press
ISBN: 0824875109
Category : History
Languages : en
Pages : 345
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Book Description
Divided Lenses: Screen Memories of War in East Asia is the first attempt to explore how the tumultuous years between 1931 and 1953 have been recreated and renegotiated in cinema. This period saw traumatic conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War, and pivotal events such as the Rape of Nanjing, Pearl Harbor, the Battle of Iwo Jima, and the bombings of Hiroshima and Nagasaki, all of which left a lasting imprint on East Asia and the world. By bringing together a variety of specialists in the cinemas of East Asia and offering divergent yet complementary perspectives, the book explores how the legacies of war have been reimagined through the lens of film. This turbulent era opened with the Mukden Incident of 1931, which signaled a new page in Japanese militaristic aggression in East Asia, and culminated with the Korean War (1950–1953), a protracted conflict that broke out in the wake of Japan's post–World War II withdrawal from Korea. Divided Lenses explores the ways in which events of the intervening decades have continued to shape politics and popular culture throughout East Asia and the world. The essays in part I examine historical trends at work in various "national" cinemas, including China, Taiwan, Japan, Korea, and the United States. Those in part 2 focus on specific themes present in the cinema portraying this period—such as comfort women in Chinese film, the Nanjing Massacre, or nationalism—and how they have been depicted or renegotiated in contemporary films. Of particular interest are contributions drawing from other forms of screen culture, such as television and video games. Divided Lenses builds on the growing interest in East Asian cinema by examining how these historic conflicts have been imagined, framed, and revisited through the lens of cinema and screen culture. It will interest later generations living in the shadow of these events, as well as students and scholars in the fields of cinema studies, cultural studies, cold war studies, and World War II history.
