Author: John Russell Stephens
Publisher: Cambridge University Press
ISBN: 9780521136556
Category : Drama
Languages : en
Pages : 232
Book Description
Originally published in 1980, this was the first study to make use of the Lord Chamberlain's files on English stage censorship. Dramatic censorship is shown to be a significant index of the Victorian age and the book fills an important gap in the knowledge and understanding not only of Victorian theatre, but of Victorian manners and attitudes.
The Censorship of English Drama 1824-1901
Author: John Russell Stephens
Publisher: Cambridge University Press
ISBN: 9780521136556
Category : Drama
Languages : en
Pages : 232
Book Description
Originally published in 1980, this was the first study to make use of the Lord Chamberlain's files on English stage censorship. Dramatic censorship is shown to be a significant index of the Victorian age and the book fills an important gap in the knowledge and understanding not only of Victorian theatre, but of Victorian manners and attitudes.
Publisher: Cambridge University Press
ISBN: 9780521136556
Category : Drama
Languages : en
Pages : 232
Book Description
Originally published in 1980, this was the first study to make use of the Lord Chamberlain's files on English stage censorship. Dramatic censorship is shown to be a significant index of the Victorian age and the book fills an important gap in the knowledge and understanding not only of Victorian theatre, but of Victorian manners and attitudes.
Global Insights on Theatre Censorship
Author: Catherine O'Leary
Publisher: Routledge
ISBN: 131750092X
Category : Performing Arts
Languages : en
Pages : 427
Book Description
Theatre has always been subject to a wide range of social, political, moral, and doctrinal controls, with authorities and social groups imposing constraints on scripts, venues, staging, acting, and reception. Focusing on a range of countries and political regimes, this book examines the many forms that theatre censorship has taken in the 20th century and continues to take in the 21st, arguing that it remains a live issue in the contemporary world. The book re-examines assumptions about prohibition and state control, and offers a more complex reading of theatre censorship as a continuum ranging from the unconscious self-censorship built into social structures and discursive practices, through bureaucratic regulation or unofficial influence, up to detention and physical violence. An international team of contributors offers an illuminating set of case studies informed by both new archival research and the first-hand experience of playwrights and directors, covering theatre censorship in areas such as Spain, Portugal, Brazil, Poland, East Germany, Nepal, Zimbabwe, the USA, Ireland, and Britain. Focusing on right-wing dictatorships, post-colonial regimes, communist systems and Western democracies, the essays analyze methods and discourses of censorship, identify the multiple agents involved, examine the responses of theatremakers, and show how each example reveals important features of its political and cultural contexts. Expanding understanding of the nature and effects of censorship, this volume affirms the power of theatre to challenge authorized discourses and makes a timely contribution to debates about freedom of expression through performance.
Publisher: Routledge
ISBN: 131750092X
Category : Performing Arts
Languages : en
Pages : 427
Book Description
Theatre has always been subject to a wide range of social, political, moral, and doctrinal controls, with authorities and social groups imposing constraints on scripts, venues, staging, acting, and reception. Focusing on a range of countries and political regimes, this book examines the many forms that theatre censorship has taken in the 20th century and continues to take in the 21st, arguing that it remains a live issue in the contemporary world. The book re-examines assumptions about prohibition and state control, and offers a more complex reading of theatre censorship as a continuum ranging from the unconscious self-censorship built into social structures and discursive practices, through bureaucratic regulation or unofficial influence, up to detention and physical violence. An international team of contributors offers an illuminating set of case studies informed by both new archival research and the first-hand experience of playwrights and directors, covering theatre censorship in areas such as Spain, Portugal, Brazil, Poland, East Germany, Nepal, Zimbabwe, the USA, Ireland, and Britain. Focusing on right-wing dictatorships, post-colonial regimes, communist systems and Western democracies, the essays analyze methods and discourses of censorship, identify the multiple agents involved, examine the responses of theatremakers, and show how each example reveals important features of its political and cultural contexts. Expanding understanding of the nature and effects of censorship, this volume affirms the power of theatre to challenge authorized discourses and makes a timely contribution to debates about freedom of expression through performance.
Riot and Great Anger
Author: Joan Fitzpatrick Dean
Publisher: Univ of Wisconsin Press
ISBN: 029919664X
Category : History
Languages : en
Pages : 280
Book Description
Under the strict rule of twentieth century Irish censorship, creators of novels, films, and most periodicals found no option but to submit and conform to standards. Stage productions, however, escaped official censorship. The theater became a "public space"—a place to air cultural confrontations between Church and State, individual and community, and "freedom of the theatre" versus the audience’s right to disagree. Joan FitzPatrick Dean’s Riot and Great Anger suggests that while there was no state censorship in early-twentieth-century Ireland, the theater often evoked heated responses from theatergoers, sometimes resulting in riots and the public denunciation of playwrights and artists. Dean examines the plays that provoked these controversies, the degree to which they were "censored" by the audience or actors, and the range of responses from both the press and the courts. She addresses familiar pieces such as those of William Butler Yeats, John Millington Synge, and Sean O’Casey, as well as the works of less known playwrights such as George Birmingham. Dean’s original research meticulously analyzes Ireland’s great theatrical tradition, both on the stage and off, concluding that the public responses to these controversial productions reveal a country that, at century’s end as at its beginning, was pluralistic, heterogeneous, and complex.
Publisher: Univ of Wisconsin Press
ISBN: 029919664X
Category : History
Languages : en
Pages : 280
Book Description
Under the strict rule of twentieth century Irish censorship, creators of novels, films, and most periodicals found no option but to submit and conform to standards. Stage productions, however, escaped official censorship. The theater became a "public space"—a place to air cultural confrontations between Church and State, individual and community, and "freedom of the theatre" versus the audience’s right to disagree. Joan FitzPatrick Dean’s Riot and Great Anger suggests that while there was no state censorship in early-twentieth-century Ireland, the theater often evoked heated responses from theatergoers, sometimes resulting in riots and the public denunciation of playwrights and artists. Dean examines the plays that provoked these controversies, the degree to which they were "censored" by the audience or actors, and the range of responses from both the press and the courts. She addresses familiar pieces such as those of William Butler Yeats, John Millington Synge, and Sean O’Casey, as well as the works of less known playwrights such as George Birmingham. Dean’s original research meticulously analyzes Ireland’s great theatrical tradition, both on the stage and off, concluding that the public responses to these controversial productions reveal a country that, at century’s end as at its beginning, was pluralistic, heterogeneous, and complex.
General Alphabetical Index to the Bills, Reports, Estimates, Accounts, and Papers Printed by Order of the House of Commons, and to the Papers Presented by Command
Author: Great Britain. Parliament. House of Commons
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 516
Book Description
Report
Author: Commonwealth Shipping Committee
Publisher:
ISBN:
Category : Shipping
Languages : en
Pages : 866
Book Description
Publisher:
ISBN:
Category : Shipping
Languages : en
Pages : 866
Book Description
Theatre and Governance in Britain, 1500–1900
Author: Tony Fisher
Publisher: Cambridge University Press
ISBN: 1316864340
Category : Drama
Languages : en
Pages : 293
Book Description
This book begins with a simple observation - that just as the theatre resurfaced during the late Renaissance, so too government as we understand it today also began to appear. Their mutually entwining history was to have a profound influence on the development of the modern British stage. This volume proposes a new reading of theatre's relation to the public sphere. Employing a series of historical case studies drawn from the London theatre, Tony Fisher shows why the stage was of such great concern to government by offering close readings of well-known religious, moral, political, economic and legal disputes over the role, purpose and function of the stage in the 'well-ordered society'. In framing these disputes in relation to what Michel Foucault called the emerging 'art of government', this book draws out - for the first time - a full genealogy of the governmental 'discourse on the theatre'.
Publisher: Cambridge University Press
ISBN: 1316864340
Category : Drama
Languages : en
Pages : 293
Book Description
This book begins with a simple observation - that just as the theatre resurfaced during the late Renaissance, so too government as we understand it today also began to appear. Their mutually entwining history was to have a profound influence on the development of the modern British stage. This volume proposes a new reading of theatre's relation to the public sphere. Employing a series of historical case studies drawn from the London theatre, Tony Fisher shows why the stage was of such great concern to government by offering close readings of well-known religious, moral, political, economic and legal disputes over the role, purpose and function of the stage in the 'well-ordered society'. In framing these disputes in relation to what Michel Foucault called the emerging 'art of government', this book draws out - for the first time - a full genealogy of the governmental 'discourse on the theatre'.
Report from the Select Committee on Theatrical Licenses and Regualtions
Author: Great Britain. Parliament. House of Commons. Select Committee on Theatrical Licenses and Regulations
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 430
Book Description
Marie Stopes
Author: Marie Carmichael Stopes
Publisher: A&C Black
ISBN: 9781855066403
Category : Literary Collections
Languages : en
Pages : 316
Book Description
'Lesley Hall is excellently qualified to edit and introduce this important collection of my mother's work. Her selection is well balanced. In particular I am glad that she has included A Journal from Japan, which introduces something of my mother's personality.' - Harry Stopes-Roe Marie Stopes (1880-1958) is primarily remembered as a pioneering propagandist for birth control, but her concern for contraception was deeply rooted in her conceptions of ideal motherhood and marriage. A concern with the issues with which she was identified in the 1920s can be seen in early works such as The Race, while Marriage in My Time indicates her involvement with a range of feminist campaigns aimed at ameliorating women’s lot in marriage even before the grant of suffrage in 1918 (for which she campaigned). The flood of queries which she received from correspondents in the wake of the publication of Married Love (1918) made her aware of the lack of help available from the medical profession in many routine events of the life cycle, and of the desperate need for accessible books on topics such as sex education and venereal disease. Prior to taking up the banner of sex and marriage reform Stopes had been a successful scientist, the first British woman to obtain the Ph.D. in botany and one of the first women to be appointed to a university lectureship in a science subject. She received funding from the Royal Society for an expedition to Japan to investigate living plant fossils, and the trip described in A Journal from Japan became the foundation of a life-long interest in Japanese life and culture. Taken together the works published here illustrate the diversity of her writings and demonstrate her ability to frame her arguments towards specific audiences, from the over-burdened working-class mothers addressed in A Letter to Working Mothers to the medical professionals who were the target of Contraception. The set is edited and introduced by Stopes authority Lesley A. Hall, and as well as researchers in sex and gender history, it will appeal to anyone interested in this twentieth-century icon whose influence and legacy is still widely apparent today. --unique anthology selected from twenty-one works by Marie Stopes --including some rare first editions --authoritative range of writings on birth control, marriage, motherhood and Japanese life and culture --edited and introduced by well-known Stopes authority Lesley A. Hall of the Wellcome Library
Publisher: A&C Black
ISBN: 9781855066403
Category : Literary Collections
Languages : en
Pages : 316
Book Description
'Lesley Hall is excellently qualified to edit and introduce this important collection of my mother's work. Her selection is well balanced. In particular I am glad that she has included A Journal from Japan, which introduces something of my mother's personality.' - Harry Stopes-Roe Marie Stopes (1880-1958) is primarily remembered as a pioneering propagandist for birth control, but her concern for contraception was deeply rooted in her conceptions of ideal motherhood and marriage. A concern with the issues with which she was identified in the 1920s can be seen in early works such as The Race, while Marriage in My Time indicates her involvement with a range of feminist campaigns aimed at ameliorating women’s lot in marriage even before the grant of suffrage in 1918 (for which she campaigned). The flood of queries which she received from correspondents in the wake of the publication of Married Love (1918) made her aware of the lack of help available from the medical profession in many routine events of the life cycle, and of the desperate need for accessible books on topics such as sex education and venereal disease. Prior to taking up the banner of sex and marriage reform Stopes had been a successful scientist, the first British woman to obtain the Ph.D. in botany and one of the first women to be appointed to a university lectureship in a science subject. She received funding from the Royal Society for an expedition to Japan to investigate living plant fossils, and the trip described in A Journal from Japan became the foundation of a life-long interest in Japanese life and culture. Taken together the works published here illustrate the diversity of her writings and demonstrate her ability to frame her arguments towards specific audiences, from the over-burdened working-class mothers addressed in A Letter to Working Mothers to the medical professionals who were the target of Contraception. The set is edited and introduced by Stopes authority Lesley A. Hall, and as well as researchers in sex and gender history, it will appeal to anyone interested in this twentieth-century icon whose influence and legacy is still widely apparent today. --unique anthology selected from twenty-one works by Marie Stopes --including some rare first editions --authoritative range of writings on birth control, marriage, motherhood and Japanese life and culture --edited and introduced by well-known Stopes authority Lesley A. Hall of the Wellcome Library
The Lord Chamberlain Regrets...
Author: Dominic Shellard
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 248
Book Description
The authors contextualize this material within the political and moral issues of the time, and reveal the fascinating processes and debates that occurred in and around the Lord Chamberlain's Office." "Among the playwrights whose work provokes fierce arguments and reactions are Pirandello, Strindberg, Coward, Shaw, Osborne, Beckett, Tennessee Williams, Pinter and Bond. Featured plays include Mrs Warren's Profession, Miss Julie, The Lesson, Waiting for Godot, Look Back in Anger, The Birthday Party, Cat on a Hot Tin Roof, A Patriot for Me and Saved."--Jacket.
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 248
Book Description
The authors contextualize this material within the political and moral issues of the time, and reveal the fascinating processes and debates that occurred in and around the Lord Chamberlain's Office." "Among the playwrights whose work provokes fierce arguments and reactions are Pirandello, Strindberg, Coward, Shaw, Osborne, Beckett, Tennessee Williams, Pinter and Bond. Featured plays include Mrs Warren's Profession, Miss Julie, The Lesson, Waiting for Godot, Look Back in Anger, The Birthday Party, Cat on a Hot Tin Roof, A Patriot for Me and Saved."--Jacket.
Report from the Select Committee on Theatres and Places of Entertainment
Author: Great Britain. Parliament. House of Commons. Select Committee on Theatres and Places of Entertainment
Publisher:
ISBN:
Category : Theaters
Languages : en
Pages : 632
Book Description
Publisher:
ISBN:
Category : Theaters
Languages : en
Pages : 632
Book Description