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Author: Radosvet Kolarov
Publisher: Taylor & Francis
ISBN: 1000330443
Category : Language Arts & Disciplines
Languages : en
Pages : 277
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Book Description
This book advances the notion of autotextuality, the dialogue between works in an author’s oeuvre, and the ways in which new texts are created in self-repetition through the tracing and revisiting of past texts and the subsequent uncovering of undisclosed meanings, unexhausted constructive principles, and alternative versions. Kolarov draws on cognitive models, such as dual coding theory and conceptual blending, to substantiate a theory of autotextuality and build on previous work on self-repetition and difference to highlight the notion of “discursive desire,” in which new meanings are generated through repetition, and its distinct relationship to creativity. Drawing on analyses of well-established works in Bulgarian as well as the established oeuvres of such authors as Gogol, Dostoevsky, Kafka, and Baudelaire, the volume explores key themes in autotextuality such as the functions of creative memory, the connections between word and image, and the hermeneutic relationships and steps of transformation between texts. This innovative work addresses topical questions of importance in literary theory today and will be of interest to students and scholars in literary studies and related areas of study within such fields as cognitive science, quantum mechanics, and psychology.
Author: Radosvet Kolarov
Publisher: Taylor & Francis
ISBN: 1000330443
Category : Language Arts & Disciplines
Languages : en
Pages : 277
Get Book Here
Book Description
This book advances the notion of autotextuality, the dialogue between works in an author’s oeuvre, and the ways in which new texts are created in self-repetition through the tracing and revisiting of past texts and the subsequent uncovering of undisclosed meanings, unexhausted constructive principles, and alternative versions. Kolarov draws on cognitive models, such as dual coding theory and conceptual blending, to substantiate a theory of autotextuality and build on previous work on self-repetition and difference to highlight the notion of “discursive desire,” in which new meanings are generated through repetition, and its distinct relationship to creativity. Drawing on analyses of well-established works in Bulgarian as well as the established oeuvres of such authors as Gogol, Dostoevsky, Kafka, and Baudelaire, the volume explores key themes in autotextuality such as the functions of creative memory, the connections between word and image, and the hermeneutic relationships and steps of transformation between texts. This innovative work addresses topical questions of importance in literary theory today and will be of interest to students and scholars in literary studies and related areas of study within such fields as cognitive science, quantum mechanics, and psychology.
Author: Andreas Bandak
Publisher: Routledge
ISBN: 1000368637
Category : Political Science
Languages : en
Pages : 129
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Book Description
This book takes the concept of repetition beyond older anthropological debates over habit, structure, or cultural continuity and demonstrates its value in attempts to comprehend the temporal, spatial and ideological fields in which contemporary social scientists must operate. Repetition has an ambiguous value in human societies. It may contribute to desired social and cultural reproduction or, equally, represent experiences of being trapped in cycles of routine and stasis. In this book, six anthropologists demonstrate the capacity of repetition to open up fertile areas of comparative ethnographic and historical work. Focusing on religious case-studies drawn from around the world, contributors ask when and how repetition is observed by interlocutors or fieldworkers. In the process, they explore the ethical, political and experiential dimensions of repetition as it operates at numerous scales of activity, ranging from intimate ritual, to forms of religious dissent, to haunting forms of historical recurrence. The chapters in this book were originally published as a special issue of History and Anthropology.
Author: James Williams
Publisher: Edinburgh University Press
ISBN: 0748668950
Category : Philosophy
Languages : en
Pages : 273
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Book Description
A new edition of this introduction to Deleuze's seminal work, Difference and Repetition, with new material on intensity, science and action and new engagements with Bryant, Sauvagnargues, Smith, Somers-Hall and de Beistegui.
Author: Catherine Pickstock
Publisher:
ISBN: 0199683611
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
A fresh and unusual perspective on the literary, Catherine Pickstock argues that the mystery of things can only be unravelled through the repetitions of fiction, history, inhabited subjectivity, and revealed event.
Author: Joan Ramon Resina
Publisher: Rowman & Littlefield
ISBN: 149859400X
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
Repetition is constitutive of human life. Both the species and the individual develop through repetition. Unlike simple recall, repetition is permeated by the past and the present and is oriented toward the future. Repetition of central actions and events plays an important role in the lives of individuals and the life of society. It helps to create meaning and memory. Because repetition is a central aspect of human life, it plays a role in all social and cultural spheres. It is important for several branches of the humanities and social studies. This book presents studies of an array of repetitive phenomena and to show that repetition analysis is opening up a new field of study within single disciplines and interdisciplinary research. Recommended for scholars of literature, music, culture, and communication.
Author: Regina M. Schwartz
Publisher: University of Chicago Press
ISBN: 9780226742014
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
In this graceful and compelling book, Regina Schwartz presents a powerful reading of Paradise Lost by tracing the structure of the poem to the pattern of "repeated beginnings" found in the Bible. In both works, the world order is constantly threatened by chaos. By drawing on both the Bible and the more contemporary works of, among others, Freud, Lacan, Ricoeur, Said, and Derrida, Schwartz argues that chaos does not simply threaten order, but rather, chaos inheres in order. "A brilliant study that quietly but powerfully recharacterizes many of the contexts of discussion in Milton criticism. Particularly noteworthy is Schwartz's ability to introduce advanced theoretical perspectives without ever taking the focus of attention away from the dynamics and problematics of Milton's poem."—Stanley Fish
Author: Antonio Rossini
Publisher: Cambridge Scholars Publishing
ISBN: 1527574385
Category : Literary Criticism
Languages : en
Pages : 125
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Book Description
Often in literary texts, repetition does not only serve the purpose of re-enforcing a concept, but rather, the creation of a new meaning. This may be engendered by contrast, gradation, and ‘correction.’ This book explores examples from Homer, where repetition is intertwined with the very fabric of Early Greek Poetry, Virgil, and Ovid. An appendix dedicated to irony shows how even this rhetorical figure can be considered a special case of negative repetition. The book also provides a review of recent literature on neuro-cognitive science, attesting to how repetition is unavoidably a staple feature of any text.
Author: Wouter Werner
Publisher: Cambridge University Press
ISBN: 1009040022
Category : Law
Languages : en
Pages : 205
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Book Description
Acts of repetition abound in international law. Security Council Resolutions typically start by recalling, recollecting, recognising or reaffirming previous resolutions. Expert committees present restatements of international law. Students and staff extensively rehearse fictitious cases in presentations for moot court competitions. Customary law exists by virtue of repeated behaviour and restatements about the existence of rules. When sources of international law are deployed, historically contingent events are turned into manifestations of pre-given and repeatable categories. This book studies the workings of repetition across six discourses and practices in international law. It links acts of repetition to similar practices in religion, theatre, film and commerce. Building on the dialectics of repetition as set out by Søren Kierkegaard, it examines how repetition in international law is used to connect concrete practices to something that is bound to remain absent, unspeakable or unimaginable.
Author: Andrew J. Schmutzer
Publisher: Wipf and Stock Publishers
ISBN: 1725244780
Category : Religion
Languages : en
Pages : 276
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Book Description
In this study, Andrew J. Schmutzer puts his hand to an in-depth study of the Creation Mandate, known within Reformed theology as the Cultural Mandate. His analysis focuses on key texts of God's blessing in Genesis 1-11. In particular, Schmutzer explores the theological significance of Genesis 1:28 using a biblical-theological approach sensitive to the biblical literature. Delving into such issues as the nature of divine blessing, humankind's royal stewardship, and the role of the image of God, this study draws the reader back to the biblical text as the "lead carriage" for foundational questions in contemporary faith. The result is theological "grist," primed to address the related issues of ecological crisis, social oppression, gender studies, and eco-theology. How one understands the Creation Mandate has serious implications. Be Fruitful and Multiply provides a sharp tool to help address these serious issues.
Author: Lissa McCullough
Publisher: State University of New York Press
ISBN: 1438485085
Category : Philosophy
Languages : en
Pages : 414
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Book Description
This book offers a critical introduction to the work of American philosopher D. G. Leahy (1937–2014). Leahy's fundamental thinking can be characterized as an absolute creativity in which all creating is "live"—a happening occurring now that manifests a supersaturated polyontological actuality that is essentially created by the logic that characterizes it. Leahy leaves behind the categorial presuppositions of modern thought, eclipsing both Cartesian and Hegelian subjectivities and introducing instead an essentially new form of thinking founded in a nondual logic of creation. The new thinking delineates the absolute unicity of existence as a creative interactivity beyond all traditional dichotomies (such as one vs. many, unity vs. plurality, identity vs. change): a fully "digitized" actuality that is nothing but newness, which inherently implies nothing but change. Through this new form of thinking, change itself is revealed to be the very essence of reality and mind. Any reader looking for a quantum leap beyond the thrall of modern and postmodern fixations is invited to hear and apprehend this new thinking that refuses to be conditioned by paradigms, categories, species, genera, walls, bridges, boundaries, or abstractions: an essentially free thinking that embodies creative novelty itself.
