Author: René Santos
Publisher:
ISBN:
Category :
Languages : en
Pages : 10

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Author: René Santos
Publisher: Grey Art Gallery, New York University
ISBN:
Category : Art, American
Languages : en
Pages : 84

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Jerry Kennealy
Publisher: Speaking Volumes
ISBN: 1612328687
Category : Fiction
Languages : en
Pages : 460

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Author: Noah Strycker
Publisher: Houghton Mifflin Harcourt
ISBN: 0544558154
Category : Travel
Languages : en
Pages : 354

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Book Description
The story of how the associate editor of Birding magazine set himself a lofty goal: to become the first person to see half the world’s birds in one year. In 2015, for 365 days, with a backpack, binoculars, and a series of one-way tickets, Noah Strycker traveled across forty-one countries and all seven continents, eventually spotting 6,042 species—by far the biggest birding year on record. This is no travelogue or glorified checklist. Noah ventures deep into a world of chronic sleep deprivation, airline snafus, breakdowns, mudslides, floods, war zones, ecologic devastation, conservation triumphs, common and iconic species, and scores of passionate bird lovers around the globe. By pursuing the freest creatures on the planet, he gains a unique perspective on the world they share with us—and offers a hopeful message that even as many birds face an uncertain future, more people than ever are working to protect them. “Birding Without Borders is light-hearted and filled with stories of exotic birds, risky adventures, and colorful birding companions.”—New York Times Book Review “Highly recommended for anyone interested in travel, natural history, and adventure.”—Library Journal “Even readers who wouldn’t know a marvellous spatuletail from a southern ground hornbill will be awed by Strycker’s achievement and appreciate the passion with which he pursues his interest.”—Publishers Weekly

Author: Laura Wattenberg
Publisher: Broadway
ISBN: 0767917529
Category : Family & Relationships
Languages : en
Pages : 418

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An innovative guide to selecting the perfect name for one's child, using a buyer's guide approach that helps parents ask the right questions to choose a name specifically tailored to personal taste.

Author: Vera Tiesler
Publisher: University of New Mexico Press
ISBN: 0826359647
Category : Social Science
Languages : en
Pages : 288

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Book Description
The meanings of ritualized head treatments among ancient Mesoamerican and Andean peoples is the subject of this book, the first overarching coverage of an important subject. Heads are sources of power that protect, impersonate, emulate sacred forces, distinguish, or acquire identity within the native world. The essays in this book examine these themes in a wide array of indigenous head treatments, including facial cosmetics and hair arrangements, permanent cranial vault and facial modifications, dental decorations, posthumous head processing, and head hunting. They offer new insights into native understandings of beauty, power, age, gender, and ethnicity. The contributors are experts from such diverse fields as skeletal biology, archaeology, aesthetics, forensics, taphonomy, and art history.

Author: Mark S. Aldenderfer
Publisher: University of Iowa Press
ISBN: 1587290014
Category : History
Languages : en
Pages : 189

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Book Description
Domestic Architecture, Ethnicity, and Complementarity in the South-Central Andes is a comprehensive and challenging look at the burgeoning field of Andean domestic architecture. Aldenderfer and fourteen contributors use domestic architecture to explore two major topics in the prehistory of the south-central Andes: the development of different forms of complementary relationships between highland and lowland peoples and the definition of the ethnic affiliations of these peoples.

Author: Gary Indiana
Publisher: MIT Press
ISBN: 1635900468
Category : Art
Languages : en
Pages : 601

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Book Description
Gary Indiana's collected columns of art criticism from the Village Voice, documenting, from the front lines, the 1980s New York art scene. In 1985, the Village Voice offered me a job as senior art critic. This made my life easier and lousy at the same time. I now had to actually enter all those galleries instead of peeking in the windows. At times, the only tangible perk was having the chump for a fifth of vodka whenever twenty more phonies had flattered my ass off in the course of a working week. —from Vile Days From March 1985 through June 1988 in The Village Voice, Gary Indiana reimagined the weekly art column. Thirty years later, Vile Days brings together for the first time all of those vivid dispatches, too long stuck in archival limbo, so that the fire of Indiana's observations can burn again. In the midst of Reaganism, the grim toll of AIDS, and the frequent jingoism of postmodern theory, Indiana found a way to be the moment's Baudelaire. He turned the art review into a chronicle of life under siege. As a critic, Indiana combines his novelistic and theatrical gifts with a startling political acumen to assess art and the unruly environments that give it context. No one was better positioned to elucidate the work of key artists at crucial junctures of their early careers, from Sherrie Levine and Richard Prince to Jeff Koons and Cindy Sherman, among others. But Indiana also remained alert to the aesthetic consequence of sumo wrestling, flower shows, public art, corporate galleries, and furniture design. Edited and prefaced by Bruce Hainley, Vile Days provides an opportunity to track Indiana's emergence as one of the most prescient writers of his generation.

Author: Michelle Cotton
Publisher: Hatje Cantz Verlag
ISBN: 3775755101
Category : Art
Languages : en
Pages : 224

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Book Description
1980 begann Peter Halley seine ersten Prisons – radikal reduzierte geometrische Abstraktionen – zu malen. Die Abstraktion wurde hier nicht mehr als utopischer Ausgangspunkt der Befreiung verstanden, sondern als dystopisches Symbol für die Regulierung der Umwelt und des sozialen Raums. »Ich wollte den Blick auf diese geometrisierte, rationalisierte und quantifizierte Welt lenken. Ich sah darin eine Welt, die beherrscht wurde von Effizienz«, schrieb der amerikanische Künstler 1990. In einer Zeit der immer massenhafteren Verbreitung von privaten Computern und der frühen Internetära entwickelte Halley ein System basierend nur drei geometrischen Grundformen, die er als »Gefängnisse«, »Leitungen« und »Zellen« bezeichnete. Auch in der Wahl seiner Materialien, wie dem strukturgebenden Farbadditiv Roll-A-Tex und fluoreszierenden Day-Glo-Farben, verwies er auf die Mechanisierung handwerklicher Fähigkeiten. Dieser Katalog setzt den Fokus auf die ersten zehn Jahre intensiven Schaffens und zeigt die geistesgeschichtlichen Wurzeln von Halleys charakteristischer Bildsprache.