Author: Paola Antonelli
Publisher: The Museum of Modern Art
ISBN: 087070611X
Category :
Languages : en
Pages : 289
Book Description
Objects of Design from The Museum of Modern Art
Author: Paola Antonelli
Publisher: The Museum of Modern Art
ISBN: 087070611X
Category :
Languages : en
Pages : 289
Book Description
Publisher: The Museum of Modern Art
ISBN: 087070611X
Category :
Languages : en
Pages : 289
Book Description
Modern Architecture in Theatre
Author: A. Read
Publisher: Springer
ISBN: 1137368683
Category : Performing Arts
Languages : en
Pages : 151
Book Description
If the city is the theatre of urban life, how does architecture act in its many performances? This book reconstructs the spatial experiments of Art et Action, a theatre troupe active in 1920s Paris, and how their designs for theater buildings show how the performance spaces interacted with actors and spectators according to their type.
Publisher: Springer
ISBN: 1137368683
Category : Performing Arts
Languages : en
Pages : 151
Book Description
If the city is the theatre of urban life, how does architecture act in its many performances? This book reconstructs the spatial experiments of Art et Action, a theatre troupe active in 1920s Paris, and how their designs for theater buildings show how the performance spaces interacted with actors and spectators according to their type.
History of Modern Design
Author: David Raizman
Publisher: Laurence King Publishing
ISBN: 9781856693486
Category : Design
Languages : en
Pages : 406
Book Description
An exploration of the parallel development of product and graphic design from the 18th century to the 21st. The effects of mass production and consumption, man-made industrial materials and extended lines of communication are also discussed.
Publisher: Laurence King Publishing
ISBN: 9781856693486
Category : Design
Languages : en
Pages : 406
Book Description
An exploration of the parallel development of product and graphic design from the 18th century to the 21st. The effects of mass production and consumption, man-made industrial materials and extended lines of communication are also discussed.
René Herbst
Author: Guillemette Delaporte-Idrissi
Publisher: Flammarion-Pere Castor
ISBN:
Category : Architecture
Languages : en
Pages : 268
Book Description
Rene Herbst's enduring furniture designs provide fundamental lessons for today's interior designers. A staunch modernist, Herbst was a founding member and later president of the Union des artistes modernes (UAM) in France, which sought to make domestic comfort accessible to all, regardless of class. The diversity of his work is testament to his prolific and creative output, and his design is marked by its simplicity and functionality. The French architect turned designer was nicknamed the "man of steel" because he pioneered the use of the material for furniture years before mass production on a large scale was possible. In 1929 he created several versions of his celebrated Sandow Chair, which ignited his research into serial production and inaugurated the era of mass production. This book presents a selection of the best works from the Herbst Collection held by the library of the Musee des Arts decoratifs in Paris, and demonstrates how Herbst was the catalyst of a new style of living that spurred the birth of modernity.
Publisher: Flammarion-Pere Castor
ISBN:
Category : Architecture
Languages : en
Pages : 268
Book Description
Rene Herbst's enduring furniture designs provide fundamental lessons for today's interior designers. A staunch modernist, Herbst was a founding member and later president of the Union des artistes modernes (UAM) in France, which sought to make domestic comfort accessible to all, regardless of class. The diversity of his work is testament to his prolific and creative output, and his design is marked by its simplicity and functionality. The French architect turned designer was nicknamed the "man of steel" because he pioneered the use of the material for furniture years before mass production on a large scale was possible. In 1929 he created several versions of his celebrated Sandow Chair, which ignited his research into serial production and inaugurated the era of mass production. This book presents a selection of the best works from the Herbst Collection held by the library of the Musee des Arts decoratifs in Paris, and demonstrates how Herbst was the catalyst of a new style of living that spurred the birth of modernity.
Sculpture and the Vitrine
Author: JohnC. Welchman
Publisher: Routledge
ISBN: 1351549499
Category : Art
Languages : en
Pages : 304
Book Description
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and their apposition with Constructivist design in the work of Frederick Kiesler; as well as original readings of the use of vitrines in Surrealism and Fluxus, and in work by Joseph Beuys, Paul Thek, Claes Oldenburg and his collaborators, Jeff Koons, Mike Kelley, Dan Graham, Vito Acconci, Damien Hirst and Josephine Meckseper, among others. Sculpture and the Vitrine also raises key questions about the nature and implications of vitrinous space, including its fronts onto desire and the spectacle; transparency and legibility; and onto ideas and practices associated with the archive: collecting, preserving and ordering.
Publisher: Routledge
ISBN: 1351549499
Category : Art
Languages : en
Pages : 304
Book Description
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and their apposition with Constructivist design in the work of Frederick Kiesler; as well as original readings of the use of vitrines in Surrealism and Fluxus, and in work by Joseph Beuys, Paul Thek, Claes Oldenburg and his collaborators, Jeff Koons, Mike Kelley, Dan Graham, Vito Acconci, Damien Hirst and Josephine Meckseper, among others. Sculpture and the Vitrine also raises key questions about the nature and implications of vitrinous space, including its fronts onto desire and the spectacle; transparency and legibility; and onto ideas and practices associated with the archive: collecting, preserving and ordering.
Twentieth-Century Pattern Design
Author: Lesley Jackson
Publisher: Princeton Architectural Press
ISBN: 9781568987125
Category : Architecture
Languages : en
Pages : 230
Book Description
"Twentieth-Century Pattern Design combines photographs - including many newly published images - with soundly researched text, creating an essential resource for enthusiasts and historians of modern design. The book also serves as a creative sourcebook for students and designers, inspiring new flights of fancy in pattern design."--Jacket.
Publisher: Princeton Architectural Press
ISBN: 9781568987125
Category : Architecture
Languages : en
Pages : 230
Book Description
"Twentieth-Century Pattern Design combines photographs - including many newly published images - with soundly researched text, creating an essential resource for enthusiasts and historians of modern design. The book also serves as a creative sourcebook for students and designers, inspiring new flights of fancy in pattern design."--Jacket.
Designs on Modernity
Author: Tag Gronberg
Publisher: Manchester University Press
ISBN: 9780719066740
Category : Architecture
Languages : en
Pages : 196
Book Description
Tag Gronberg here presents the 1925 Paris Exhibition as a key moment in updating the image of Paris as 'capital of the 19th century'. He focuses on the Exhibition as a set of contesting representations of the modern city, stressing the importance of consumption and display for concepts of urban modernity.
Publisher: Manchester University Press
ISBN: 9780719066740
Category : Architecture
Languages : en
Pages : 196
Book Description
Tag Gronberg here presents the 1925 Paris Exhibition as a key moment in updating the image of Paris as 'capital of the 19th century'. He focuses on the Exhibition as a set of contesting representations of the modern city, stressing the importance of consumption and display for concepts of urban modernity.
Moderne
Author: Sarah Schleuning
Publisher: Princeton Architectural Press
ISBN: 9781568987248
Category : Architecture
Languages : en
Pages : 284
Book Description
Jacques-mile Ruhlmann, Pierre Chareau, Robert Mallet-Stevens, Charlotte Perriand, Eileen Gray: together these designers and their contemporaries pioneered the look of the modern French interior during the 1920s. Their use of sumptuous materials, rich jewel tones, intricate geometric patterns, and complex and varied textures has made this work a lasting favorite among interior designers, architects, and their clients. When it first appeared, the got moderne, or modern taste, was marketed through limited-edition portfolios containing unbound drawings, printed in full color using a traditional process called pochoir. Created in an era before color photography, the vivid gouache and watercolor depictions of interior spaces—complete with coordinated furniture, carpets, fabrics, and decorative accessories—announced the dawn of a new era of French design and set the standards of luxury and taste that still guide us today. Moderne presents the finest examples of this work in more than two hundred plates, selected by Sarah Schleuning, a curator of the Wolfsonian Museum, and faithfully reproduced to preserve their original color palettes. This sumptuous volume is comprehensive in scope, beginning with the early art moderne of Ruhlmann and concluding with the avant-garde work of Gray and Perriand. These and other high-water marks of the period are discussed in an essay by historian Jeremy Aynsley. Designers' biographies and a brief bibliography are also included, making this an inspirational resource for interior designers and architects, and an indispensable reference for historians of the modern era.
Publisher: Princeton Architectural Press
ISBN: 9781568987248
Category : Architecture
Languages : en
Pages : 284
Book Description
Jacques-mile Ruhlmann, Pierre Chareau, Robert Mallet-Stevens, Charlotte Perriand, Eileen Gray: together these designers and their contemporaries pioneered the look of the modern French interior during the 1920s. Their use of sumptuous materials, rich jewel tones, intricate geometric patterns, and complex and varied textures has made this work a lasting favorite among interior designers, architects, and their clients. When it first appeared, the got moderne, or modern taste, was marketed through limited-edition portfolios containing unbound drawings, printed in full color using a traditional process called pochoir. Created in an era before color photography, the vivid gouache and watercolor depictions of interior spaces—complete with coordinated furniture, carpets, fabrics, and decorative accessories—announced the dawn of a new era of French design and set the standards of luxury and taste that still guide us today. Moderne presents the finest examples of this work in more than two hundred plates, selected by Sarah Schleuning, a curator of the Wolfsonian Museum, and faithfully reproduced to preserve their original color palettes. This sumptuous volume is comprehensive in scope, beginning with the early art moderne of Ruhlmann and concluding with the avant-garde work of Gray and Perriand. These and other high-water marks of the period are discussed in an essay by historian Jeremy Aynsley. Designers' biographies and a brief bibliography are also included, making this an inspirational resource for interior designers and architects, and an indispensable reference for historians of the modern era.
Part-Architecture
Author: Emma Cheatle
Publisher: Routledge
ISBN: 1317084039
Category : Architecture
Languages : en
Pages : 294
Book Description
Part-Architecture presents a detailed and original study of Pierre Chareau’s Maison de Verre through another seminal modernist artwork, Marcel Duchamp’s Large Glass. Aligning the two works materially, historically and conceptually, the book challenges the accepted architectural descriptions of the Maison de Verre, makes original spatial and social accounts of its inhabitation in 1930s Paris, and presents new architectural readings of the Large Glass. Through a rich analysis, which incorporates creative projects into history and theory research, the book establishes new ways of writing about architecture. Designed for politically progressive gynaecologist Dr Jean Dalsace and his avant-garde wife, Annie Dalsace, the Maison de Verre combines a family home with a gynaecology clinic into a ‘free-plan’ layout. Screened only by glass walls, the presence of the clinic in the home suggests an untold dialogue on 1930s sexuality. The text explores the Maison de Verre through another radical glass construction, the Large Glass, where Duchamp’s complex depiction of unconsummated sexual relations across the glass planes reveals his resistance to the marital conventions of 1920s Paris. This and other analyses of the Large Glass are used as a framework to examine the Maison de Verre as a register of the changing history of women’s domestic and maternal choices, reclaiming the building as a piece of female social architectural history. The process used to uncover and write the accounts in the book is termed ‘part-architecture’. Derived from psychoanalytic theory, part-architecture fuses analytical, descriptive and creative processes, to produce a unique social and architectural critique. Identifying three essential materials to the Large Glass, the book has three main chapters: ‘Glass’, ‘Dust’ and ‘Air’. Combining theory text, creative writing and drawing, each traces the history and meaning of the material and its contribution to the spaces and sexuality of the Large Glass and the Maison de Verre. As a whole, the book contributes important and unique spatial readings to existing scholarship and expands definitions of architectural design and history.
Publisher: Routledge
ISBN: 1317084039
Category : Architecture
Languages : en
Pages : 294
Book Description
Part-Architecture presents a detailed and original study of Pierre Chareau’s Maison de Verre through another seminal modernist artwork, Marcel Duchamp’s Large Glass. Aligning the two works materially, historically and conceptually, the book challenges the accepted architectural descriptions of the Maison de Verre, makes original spatial and social accounts of its inhabitation in 1930s Paris, and presents new architectural readings of the Large Glass. Through a rich analysis, which incorporates creative projects into history and theory research, the book establishes new ways of writing about architecture. Designed for politically progressive gynaecologist Dr Jean Dalsace and his avant-garde wife, Annie Dalsace, the Maison de Verre combines a family home with a gynaecology clinic into a ‘free-plan’ layout. Screened only by glass walls, the presence of the clinic in the home suggests an untold dialogue on 1930s sexuality. The text explores the Maison de Verre through another radical glass construction, the Large Glass, where Duchamp’s complex depiction of unconsummated sexual relations across the glass planes reveals his resistance to the marital conventions of 1920s Paris. This and other analyses of the Large Glass are used as a framework to examine the Maison de Verre as a register of the changing history of women’s domestic and maternal choices, reclaiming the building as a piece of female social architectural history. The process used to uncover and write the accounts in the book is termed ‘part-architecture’. Derived from psychoanalytic theory, part-architecture fuses analytical, descriptive and creative processes, to produce a unique social and architectural critique. Identifying three essential materials to the Large Glass, the book has three main chapters: ‘Glass’, ‘Dust’ and ‘Air’. Combining theory text, creative writing and drawing, each traces the history and meaning of the material and its contribution to the spaces and sexuality of the Large Glass and the Maison de Verre. As a whole, the book contributes important and unique spatial readings to existing scholarship and expands definitions of architectural design and history.
Risk and Uncertainty in the Art World
Author: Anna M. Dempster
Publisher: A&C Black
ISBN: 1472902912
Category : Business & Economics
Languages : en
Pages : 305
Book Description
This edited book offers the first complete overview of risk in the art market by bringing together contributions from a wide range of international thought-leaders on the topic – both practitioners and leading scholars who investigate the specific types of uncertainty that exist in the art market as well as the dominant models used to manage the risks. An essential read for both art world practitioners, as well as scholars and students, Risk and Uncertainty in the Art Market elucidates the dynamics and unique qualities of the art market as well as developing insights relevant to other sectors, including sociology, business and management, economics and finance.
Publisher: A&C Black
ISBN: 1472902912
Category : Business & Economics
Languages : en
Pages : 305
Book Description
This edited book offers the first complete overview of risk in the art market by bringing together contributions from a wide range of international thought-leaders on the topic – both practitioners and leading scholars who investigate the specific types of uncertainty that exist in the art market as well as the dominant models used to manage the risks. An essential read for both art world practitioners, as well as scholars and students, Risk and Uncertainty in the Art Market elucidates the dynamics and unique qualities of the art market as well as developing insights relevant to other sectors, including sociology, business and management, economics and finance.