Renaissance Papers. 1972 PDF Download
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Author:
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ISBN:
Category :
Languages : en
Pages : 1060
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1060
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Book Description
Author: Southeastern Renaissance Conference
Publisher:
ISBN:
Category : Renaissance
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Renaissance
Languages : en
Pages : 88
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Book Description
Author: Anthony Grafton
Publisher: University of Michigan Press
ISBN: 9780472106264
Category : Business & Economics
Languages : en
Pages : 262
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Book Description
A distinctive history of the traditions of reading and life in the Renaissance library, as seen in the texts of Renaissance intellectuals
Author: Dennis G. And A. Leigh Deneef (eds.) Donovan
Publisher:
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Category :
Languages : en
Pages :
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Author: Dennis G. Donovan
Publisher:
ISBN:
Category : Literature, Modern
Languages : en
Pages :
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Book Description
Author: Christopher J. Cobb
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 156
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Book Description
Author:
Publisher:
ISBN:
Category : Literature, Modern
Languages : en
Pages :
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Book Description
Author: George Walton Williams
Publisher: Literary Licensing, LLC
ISBN: 9781258116071
Category :
Languages : en
Pages : 116
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Book Description
Author: Wendy Beth Hyman
Publisher: Routledge
ISBN: 1317040805
Category : Science
Languages : en
Pages : 232
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Book Description
The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new science, or that they point necessarily to man's triumphant relationship to technology. On the contrary, automata in the sixteenth and seventeenth centuries seem only partly and sporadically to function as embodiments of an emerging mechanistic or materialist worldview. Renaissance automata were just as likely not to confirm for viewers a hypothesis about the man-machine. Instead, these essays show, automata were often a source of wonder, suggestive of magic, proof of the uncannily animating effect of poetry-indeed, just as likely to unsettle the divide between man and divinity as that between man and matter.
