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Author: Eleonora Luciano
Publisher: Paul Holberton Publishing
ISBN: 9781907372278
Category : Bronze
Languages : en
Pages : 0
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Book Description
"Pier Jacopo Alari Bonacolsi, known as Antico (c. 1455-1528), exemplifies the Renaissance passion for the revival of antiquity. Antico was proficient in all manner of antique art, which he studied, restored, and re-created with unparalleled skill. His gilded and silvered statuettes, made for the Gonzaga rulers at the court of Mantua, pioneered the genre of bronzes made in multiples....Antico's bronze inventions in turn promoted the iconic status of statuary from antiquity, such as the Apollo Belvedere discovered in Rome in 1489....This...publication...is the only available English-language monograph on the sculptor....Featuring a series of essays, the book provides an overview of Antico's career and addresses topics ranging from the chronology of his works to his understanding of the antique, his relationship with Mantuan humanism and Mantegna, his portraiture, aspects of his technique, and his artistic significance."--Front inside flap of dust jacket.
Author: Eleonora Luciano
Publisher: Paul Holberton Publishing
ISBN: 9781907372278
Category : Bronze
Languages : en
Pages : 0
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Book Description
"Pier Jacopo Alari Bonacolsi, known as Antico (c. 1455-1528), exemplifies the Renaissance passion for the revival of antiquity. Antico was proficient in all manner of antique art, which he studied, restored, and re-created with unparalleled skill. His gilded and silvered statuettes, made for the Gonzaga rulers at the court of Mantua, pioneered the genre of bronzes made in multiples....Antico's bronze inventions in turn promoted the iconic status of statuary from antiquity, such as the Apollo Belvedere discovered in Rome in 1489....This...publication...is the only available English-language monograph on the sculptor....Featuring a series of essays, the book provides an overview of Antico's career and addresses topics ranging from the chronology of his works to his understanding of the antique, his relationship with Mantuan humanism and Mantegna, his portraiture, aspects of his technique, and his artistic significance."--Front inside flap of dust jacket.
Author: Phyllis Pray Bober
Publisher: Harvey Miller Pub
ISBN: 9781905375608
Category : Art
Languages : en
Pages : 581
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Book Description
This handbook documents the antique works of art known to Renaissance artists up to 1527. More than 500 illustrations show Greek and Roman statues, mythological, and historical reliefs together with Renaissance drawings, engravings, bronzes, and paintings to demonstrate where these classical monuments were discovered.
Author: Peta Motture
Publisher: Victoria & Albert Museum
ISBN: 9781851779659
Category : Art
Languages : en
Pages : 0
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Book Description
"Being both costly and luxurious, bronze arguably carries the most significance of all the sculptural materials. In the Renaissance, the use of bronze embodied power, authority and eternity and emulated the classical past. Yet it was one of the easiest materials to recycle, especially when the need for artillery was often pressing. Nonetheless the Italian Renaissance was a golden age for the production of sculpture in bronze, such as Ghiberti's Gates of Paradise, Verrocchio's Colleoni monument or Cellini's Perseus.0Bronze is generally defined as an alloy of copper and tin, but can contain zinc, lead and other elements. The term `bronze' is often applied to any copper-alloy sculpture. The Culture of Bronze draws on the latest research to explore the material and making of bronzes; the inter-relationships and collaboration between sculptor, founder and owner in the key centres of production, such as Florence, Padua, and the often over-looked city of Ferrara; as well as the inter-connections with Northern Europe. Encompassing works made for domestic, religious and civic environments, the book explores the symbolism of bronze, and the bronzes themselves, within their broader context in renaissance society." -- provided by publisher.
Author: Jeremy Warren
Publisher: Paul Holberton Publishing
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
This outstanding collection of European bronze sculptures formed by Peter Marino, here catalogued for the first time and beautifully photographed by Maggie Nimkin, is built around an exploration of the human form, as depicted in this lustrous and sensuous material. With a special focus on French and Italian bronzes of the High Baroque, the catalogue illustrates the lively interchange of artists and ideas between Florence, Paris and Rome. Above all, the bronzes in the Marino collection are wonderful works of art, whose beauty and power speak across the centuries to today's audiences.
Author: Denys Eyre Lankester Haynes
Publisher:
ISBN:
Category : Bronze sculpture
Languages : en
Pages : 168
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Book Description
Author: Denise Allen
Publisher: Metropolitan Museum of Art
ISBN: 1588397106
Category : Art
Languages : en
Pages : 571
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Book Description
he revival of the bronze statuette popular in classical antiquity stands out as an enduring achievement of the Italian Renaissance. These small sculptures attest to early modern artists' technical prowess, ingenuity, and desire to emulate—or even surpass—the ancients. From the studioli, or private studies, of humanist scholars in fifteenth-century Padua to the Fifth Avenue apartments of Gilded Age collectors, viewers have delighted in the mysteries of these objects: how they were made, what they depicted, who made them, and when. This catalogue is the first systematic study of The Metropolitan Museum of Art's European Sculpture and Decorative Arts collection of Italian bronzes. The collection includes statuettes of single mythological or religious figures, complex figural groups, portrait busts, reliefs, utilitarian objects like lamps and inkwells, and more. Stunning new photography of celebrated masterpieces by leading artists such as Antico, Riccio, and Giambologna; enigmatic bronzes that continue to perplex; quotidian objects; later casts; replicas; and even forgeries show the importance of each work in this complex field. International scholars provide in-depth discussions of 200 objects included in this volume, revealing new attributions and dating for many bronzes. An Appendix presents some 100 more complete with provenance and references. An essay by Jeffrey Fraiman provides further insight into Italian bronze statuettes in America with a focus on the history of The Met's collection, and Richard E. Stone, who pioneered the technical study of bronzes, contributes an indispensable text on how artists created these works and what their process conveys about the object's maker. A personal reminiscence by James David Draper, who oversaw the Italian sculpture collection for decades, rounds out this landmark catalogue that synthesizes decades of research on these beloved and complex works of art.
Author: Sir John Wyndham Pope-Hennessy
Publisher: [London] : Published by the Phaidon Press for the Samuel H. Kress Foundation
ISBN:
Category : Bronzes
Languages : en
Pages : 356
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Book Description
Author: Denise Allen
Publisher:
ISBN:
Category : Bronze sculpture, Italian
Languages : en
Pages : 376
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Book Description
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Peta Motture
Publisher: Victoria & Albert Museum
ISBN: 9781851776405
Category : Art
Languages : en
Pages : 384
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Book Description
This fully illustrated volume brings together new research by some of the world’s leading experts, exploring the artistic production and cultural context of Italian Renaissance sculpture, from Lorenzo Ghiberti’s Gates of Paradise to the small bronzes of Giambologna and his followers. The essays cover a range of sculptural materials and forms to cast fresh light on the artists, their creative and collaborative processes, and those who commissioned, owned, and responded to their work.
