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Author: Erica Fudge
Publisher: University of Illinois Press
ISBN: 0252091337
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Animals, as Lévi-Strauss wrote, are good to think with. This collection addresses and reassesses the variety of ways in which animals were used and thought about in Renaissance culture, challenging contemporary as well as historic views of the boundaries and hierarchies humans presume the natural world to contain. Taking as its starting point the popularity of speaking animals in sixteenth-century literature and ending with the decline of the imperial Ménagerie during the French Revolution, Renaissance Beasts uses the lens of human-animal relationships to view issues as diverse as human status and power, diet, civilization and the political life, religion and anthropocentrism, spectacle and entertainment, language, science and skepticism, and domestic and courtly cultures. Within these pages scholars from a variety of disciplines discuss numerous kinds of texts--literary, dramatic, philosophical, religious, political--by writers including Calvin, Montaigne, Sidney, Shakespeare, Descartes, Boyle, and Locke. Through analysis of these and other writers, Renaissance Beasts uncovers new and arresting interpretations of Renaissance culture and the broader social assumptions glimpsed through views on matters such as pet ownership and meat consumption. Renaissance Beasts is certainly about animals, but of the many species discussed, it is ultimately humankind that comes under the greatest scrutiny.
Author: Erica Fudge
Publisher: University of Illinois Press
ISBN: 0252091337
Category : Literary Criticism
Languages : en
Pages : 257
Get Book Here
Book Description
Animals, as Lévi-Strauss wrote, are good to think with. This collection addresses and reassesses the variety of ways in which animals were used and thought about in Renaissance culture, challenging contemporary as well as historic views of the boundaries and hierarchies humans presume the natural world to contain. Taking as its starting point the popularity of speaking animals in sixteenth-century literature and ending with the decline of the imperial Ménagerie during the French Revolution, Renaissance Beasts uses the lens of human-animal relationships to view issues as diverse as human status and power, diet, civilization and the political life, religion and anthropocentrism, spectacle and entertainment, language, science and skepticism, and domestic and courtly cultures. Within these pages scholars from a variety of disciplines discuss numerous kinds of texts--literary, dramatic, philosophical, religious, political--by writers including Calvin, Montaigne, Sidney, Shakespeare, Descartes, Boyle, and Locke. Through analysis of these and other writers, Renaissance Beasts uncovers new and arresting interpretations of Renaissance culture and the broader social assumptions glimpsed through views on matters such as pet ownership and meat consumption. Renaissance Beasts is certainly about animals, but of the many species discussed, it is ultimately humankind that comes under the greatest scrutiny.
Author: Elizabeth Morrison
Publisher: Getty Publications
ISBN: 1606065904
Category : Art
Languages : en
Pages : 356
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Book Description
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.
Author: Albert (le Grand)
Publisher:
ISBN:
Category : Physiology
Languages : en
Pages : 538
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Book Description
Author: Juliana Schiesari
Publisher: University of Toronto Press
ISBN: 080209922X
Category : History
Languages : en
Pages : 177
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Book Description
Beasts and Beauties examines the relationship between domesticity and power by focusing on the contemporaneous development of the invention of the 'pet' and the delineation of the home as a uniquely private enclosure, where the pater familias ruled over his own secluded world of domesticated wife, children, servants, and animals.
Author: J. Eugene Clay
Publisher: Brepols Publishers
ISBN: 9782503590639
Category : Electronic books
Languages : en
Pages : 168
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Book Description
From shape-shifting Merlin to the homunculi of Paracelsus, the nine fascinating essays of this collection explore the contested boundaries between human and non-human animals, between the body and the spirit, and between the demonic and the divine. Drawing on recent work in animal studies, posthumanism, and transhumanism, these innovative articles show how contemporary debates about the nature and future of humanity have deep roots in the myths, literature, philosophy, and art of the Middle Ages and the Renaissance. The authors of these essays demonstrate how classical stories of monsters and metamorphoses offered philosophers, artists, and poets a rich source for reflection on marriage, resurrection, and the passions of love. The ambiguous and shifting distinctions between human, animal, demon, and angel have long been contentious. Beasts can elevate humanity: for Renaissance courtiers, horsemanship defined nobility. But animals are also associated with the demonic, and medieval illuminators portrayed Satan with bestial features. Divided into three sections that examine metamorphoses, human-animal relations, and the demonic and monstrous, this volume raises intriguing questions about the ways humans have understood their kinship with animals, nature, and the supernatural.
Author: Joan B. Landes
Publisher: Penn State Press
ISBN: 0271061405
Category : History
Languages : en
Pages : 259
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Book Description
Gorgeous Beasts takes a fresh look at the place of animals in history and art. Refusing the traditional subordination of animals to humans, the essays gathered here examine a rich variety of ways animals contribute to culture: as living things, as scientific specimens, as food, weapons, tropes, and occasions for thought and creativity. History and culture set the terms for this inquiry. As history changes, so do the ways animals participate in culture. Gorgeous Beasts offers a series of discontinuous but probing studies of the forms their participation takes. This collection presents the work of a wide range of scholars, critics, and thinkers from diverse disciplines: philosophy, literature, history, geography, economics, art history, cultural studies, and the visual arts. By approaching animals from such different perspectives, these essays broaden the scope of animal studies to include specialists and nonspecialists alike, inviting readers from all backgrounds to consider the place of animals in history and art. Combining provocative critical insights with arresting visual imagery, Gorgeous Beasts advances a challenging new appreciation of animals as co-inhabitants and co-creators of culture. Aside from the editors, the contributors are Dean Bavington, Ron Broglio, Mark Dion, Erica Fudge, Cecilia Novero, Harriet Ritvo, Nigel Rothfels, Sajay Samuel, and Pierre Serna.
Author: Francesco Mezzalira
Publisher: Allemandi
ISBN:
Category : Art
Languages : en
Pages : 190
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Book Description
With essays by Guglielmo Cavello and Danilo Mainardi. Bizarre
Author: Simona Cohen
Publisher: BRILL
ISBN: 9004171010
Category : History
Languages : en
Pages : 360
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Book Description
The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels.Brill's Studies on Art, Art History, and Intellectual History, vol. 2
Author: Terence Hanbury White
Publisher: Courier Corporation
ISBN: 9780486246093
Category : Literary Collections
Languages : en
Pages : 324
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Book Description
A preeminent medievalist presents a wonderful catalog of real and fanciful beasts, including the manticore, griffin, phoenix, amphivius, jaculus, and many other exotic animals. White's witty, erudite commentary on scientific and historical aspects enhances this survey of proto-zoology on which science is based and pre-scientific perceptions of the earth's creatures. 128 black-and-white illustrations.
Author: Grace Tiffany
Publisher: University of Delaware Press
ISBN: 9780874135503
Category : Drama
Languages : en
Pages : 252
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Book Description
The voluminous contemporary critical work on English Renaissance androgyny/transvestism has not fully uncovered the ancient Greek and Roman roots of the gender controversy. This work argues that the variant Renaissance views on the androgyne's symbolism are, in fact, best understood with reference to classical representations of the double-sexed or gender-baffled figures, and with the classical merging of the figure with images of beasts and monsters.
