Author: Pamela A. Pears
Publisher: Lexington Books
ISBN: 9780739120224
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
In Remnants of Empire in Algeria and Vietnam: Women, Words, and War author Pamela A. Pears proposes a new approach to Francophone studies. The work uses postcolonial theory, along with gender and feminist inquiries, to emphasize the connections between two Francophone literatures, Algerian and Vietnamese. Specifically Pears focuses on four novels: Yamina Mechakra's La Grotte clat e, Ly Thu Ho's Le Mirage de la paix, Malika Mokeddem's L'Interdite, and Kim Lef vre's Retour la saison des pluies. All four novels show the profound transformation of women's roles in Algeria and Vietnam during and following the presence of French colonialism. These four authors never attempt to unfold a clear and single definition of the postcolonial female subject. Instead, they explore the various subjective possibilities, expand on them, and ultimately place them in question. Although the differences between Algeria and Vietnam are striking, it is through their connections to one another that we can foreground postcolonial gender issues. Whereas geographical boundaries and official nationalities serve as divisive classifications, the links between the works lead us to a much more engaging dialogue and ultimate understanding of postcolonial Francophone literature.
Author: Pamela A. Pears
Publisher: Lexington Books
ISBN: 9780739108314
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
Remnants of Empire in Algeria and Vietnam proposes a new approach to Francophone Studies through an examination of four specific Algerian and Vietnamese novels written in French by women. The connections between their works and shared colonial history lead us to a deeper understanding of postcolonial literature.
Author: Pamela A. Pears
Publisher: Lexington Books
ISBN: 0739198378
Category : Literary Criticism
Languages : en
Pages : 189
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Book Description
The front covers of books written by Algerian women serve as the primary source of investigation in Front Cover Iconography and Algerian Women Writers. These covers have implications that extend beyond selling the book. What we see on one side of the page—or in this case, the cover, (recto) controls what we read on the reverse—in this case, the text itself (verso). Using theories of the paratext, including those of Gérard Genette and Jonathan Gray, this book determines how four dominant iconographies used on the covers of Algerian women’s writing – Orientalist art, the veil, the desert, and the author portrait – work with and against the texts they represent. These images have an impact on the initial reception of the book, but beyond that, book covers determine how both the informed and uninformed reader categorize and interpret francophone Algerian women’s writing in France and beyond. As the covers help to sell the works, they also produce messages, represented via their iconographies that embed themselves into the texts. A sometimes explicit, and at the very least, implicit dialog between the visual paratextual representation and the written textual one is created: a dialog that extends beyond the life of the physical book to a sort of canonical paradigm for reading these authors’ works. Thus, even if the cover image appears ephemeral, it never truly disappears. Its powerful control over critical reception and, ultimately, interpretation of francophone Algerian women’s writing remains.
Author: Valérie K. Orlando
Publisher: University of Virginia Press
ISBN: 0813939631
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
Disputing the claim that Algerian writing during the struggle against French colonial rule dealt almost exclusively with revolutionary themes, The Algerian New Novel shows how Algerian authors writing in French actively contributed to the experimental forms of the period, expressing a new age literarily as well as politically and culturally. Looking at canonical Algerian literature as part of the larger literary production in French during decolonization, Valérie K. Orlando considers how novels by Rachid Boudjedra, Mohammed Dib, Assia Djebar, Nabile Farès, Yamina Mechakra, and Kateb Yacine both influenced and were reflectors of the sociopolitical and cultural transformation that took place during this period in Algeria. Although their themes were rooted in Algeria, the avant-garde writing styles of these authors were influenced by early twentieth-century American modernists, the New Novelists of 1940s–50s France, and African American authors of the 1950s–60s. This complex mix of influences led Algerian writers to develop a unique modern literary aesthetic to express their world, a tradition of experimentation and fragmentation that still characterizes the work of contemporary Algerian francophone writers.
Author: Abimbola Adelakun
Publisher: Springer
ISBN: 3319913107
Category : History
Languages : en
Pages : 341
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Book Description
This book explores the politics of artistic creativity, examining how black artists in Africa and the diaspora create art as a procedure of self-making. Essays cross continents to uncover the efflorescence of black culture in national and global contexts and in literature, film, performance, music, and visual art. Contributors place the concerns of black artists and their works within national and transnational conversations on anti-black racism, xenophobia, ethnocentrism, migration, resettlement, resistance, and transnational feminisms. Does art by the subaltern fulfill the liberatory potential that critics have ascribed to it? What other possibilities does political art offer? Together, these essays sort through the aesthetics of daily life to build a thesis that reflects the desire of black artists and cultures to remake themselves and their world.
Author: A.B. Abrams
Publisher: SCB Distributors
ISBN: 1949762718
Category : Political Science
Languages : en
Pages : 617
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Book Description
Atrocity fabrication – the invention and reporting of atrocities committed by an adversary without knowledge that they ever occurred – has a centuries-long history at the heart of propaganda and power politics as an effective means of moving public and international opinion. Its use can provide pretext for a range of hostile measures against its targets, transforming in the public eye wars of unprovoked aggression into wars of liberation of the oppressed, or turning blockades to starve enemy civilians into humane efforts to pressure abusive governments under the moralistic label of sanctions. As it plays a large and growing role in global conflict in the 21st century understanding atrocity fabrication and the consistent means by and ends to which it has been used has become crucial to comprehending geopolitical events in the present day. This book elucidates the seldom explored but central role played by atrocity fabrication in eleven major conflicts from the 1950s to the present day: from Korea, Vietnam and Cuba during the Cold War to Iraq, Libya and the emerging Sino-U.S. cold war more recently. It highlights the many variations of atrocity fabrication, the strong consistencies in how atrocity fabrication is used, and the consequences it has for the populations of the targeted countries, The book demonstrates the roles played by media and both government and non-governmental organizations in misleading the public as to the actuality of these highly publicized events. The emerging trend towards this mode of action, and the deep implications this has for world order, make an understanding of its history particularly critical
Author: Jo McCormack
Publisher: Lexington Books
ISBN: 9780739109212
Category : Algeria
Languages : en
Pages : 238
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Book Description
Seventh grade was supposed to be fun, but Tori is having major drama with her BFF, Sienna. Sienna changed a lot over the summer—on the first day of school she’s tan, confident, and full of stories about her new dreamy boyfriend. Tori knows that she’s totally making this guy up. So Tori invents her own fake boyfriend, who is better than Sienna’s in every way. Things are going great—unless you count the whole lying-to-your-best-friend thing—until everyone insists Tori and Sienna bring their boyfriends to the back-to-school dance.
Author: Seth Graebner
Publisher: Lexington Books
ISBN: 0739155970
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
History's Place explores nostalgia as one of the defining aspects of the relationship between France and North Africa. Dr. Seth Graebner argues that France's most important colony developed a historical consciousness through literature, and that post-colonial writers revised it while retaining its dominant effect. The North African city became a privileged place in the relationship between literacy and historical discourses in the colony. Graebner analyzes the importance of architecture and urbanism as markers of historical development, as the urban fabric and descriptions of it became signs of difference between metropole and colony. Discussing writers as diverse as Bertrand, Randau, and Kateb, this book examines how the changing Algerian city has remained the locus of a debate colored by various sorts of nostalgia. Graebner demonstrates that nostalgia was symptomatic of historical anxiety generated by colonial conditions, but with literary consequences for mainland France as well. History's Place is a comprehensive and valuable addition to the study of French literature and cultural studies.
Author:
Publisher: BRILL
ISBN: 9004363246
Category : Literary Criticism
Languages : en
Pages : 554
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Book Description
This study analyses how immigrant and ethnic-minority writers have challenged the understanding of certain national literatures and have markedly changed them. In other national contexts, ideologies and institutions have contained the challenge these writers pose to national literatures. Case studies of the emergence and recognition of immigrant and ethnic-minority writing come from fourteen national contexts. These include classical immigration countries, such as Canada and the United States, countries where immigration accelerated and entered public debate after World War II, such as the United Kingdom, France and Germany, as well as countries rarely discussed in this context, such as Brazil and Japan. Finally, this study uses these individual analyses to discuss this writing as an international phenomenon. Sandra R.G. Almeida, Maria Zilda F. Cury, Sarah De Mul, Sneja Gunew, Dave Gunning, Kristina Iwata-Weickgenannt, Martina Kamm, Liesbeth Minnaard, Maria Oikonomou, Wenche Ommundsen, Marie Orton, Laura Reeck, Daniel Rothenbühler, Cathy J. Schlund-Vials, Wiebke Sievers, Bettina Spoerri, Christl Verduyn, Sandra Vlasta.
Author: Kim Lefèvre
Publisher: University of Hawaii Press
ISBN: 0824872665
Category : Biography & Autobiography
Languages : en
Pages : 297
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Book Description
In this evocative memoir, Kim Lefèvre recounts her childhood and adolescence growing up in colonial Viet Nam. As a little girl living with her Vietnamese mother, she doesn’t understand the reactions of others toward her, their open mistrust, contempt, and rejection. Though she feels no different from those around her, she comes to understand that to Vietnamese she is living proof of her mother’s moral downfall, a constant and unwelcome reminder of a child conceived with a French soldier out of wedlock. As anticolonial sentiment grows in an atmosphere of rising nationalism, Lefèvre’s situation becomes increasingly precarious. Set within a tumultuous period of Franco-Vietnamese history—resistance and revolt, World War II and the Japanese invasion, the first war for independence against the French—White Métisse offers a unique view of watershed events and provides insights into the impact of upheaval and open conflict on families and individuals. Lefèvre’s story captures the instability and daily humiliations of her life and those of other marginalized members of society. Sent by her mother to live with distant family members who view her variously as ungrateful, a bad seed, or “neither gold nor silver,” she is later abandoned in an orphanage with other métisse girls. Lefèvre’s discovery of her own sexuality is overshadowed by her mother’s concerned advice to not repeat the same mistakes she had made, reminding her daughter of the Vietnamese social mores that condemn her very existence. Eventually the challenge and solace of education lead to a scholarship to study in Paris and Lefèvre departs Viet Nam for a new life in France in 1960. Part personal memoir, part coming of age story, Lefèvre’s moving account shows the courage and strength of an individual who is able to embrace her hybrid identity and gain self-esteem on her own terms despite living between worlds. White Métisse has been in print in France since its appearance in 1989 and continues to resonate strongly in the universal contexts of immigration, shifting cultural identities, rejection, and assimilation. Now Jack A. Yeager’s elegant translation makes Kim Lefèvre’s compelling memoir available to English-speaking readers.
