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Author: Edward A. Bloom
Publisher: Routledge
ISBN: 1136171886
Category : Literary Criticism
Languages : en
Pages : 508
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Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Edward A. Bloom
Publisher: Routledge
ISBN: 1136171886
Category : Literary Criticism
Languages : en
Pages : 508
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Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Ernest Bernbaum
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 310
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Book Description
Author: George Atherton Aitken
Publisher:
ISBN:
Category :
Languages : en
Pages : 478
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Book Description
Author: Harry Gilbert Paul
Publisher:
ISBN:
Category :
Languages : en
Pages : 250
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Book Description
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 498
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Book Description
Author: Edmund Gosse
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 310
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Book Description
Author: Charles A Knight
Publisher: Routledge
ISBN: 1317314883
Category : History
Languages : en
Pages : 321
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Book Description
Richard Steele is famous as an early writer of sentimental drama and as half of the writing team, Addison and Steele. He is notable both for the indirect propaganda he developed with Addison and for the open partisanship of his own periodicals. He wrote extensively about responsible economics but was famously irresponsible in his own affairs.
Author: John Russell Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 782
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Book Description
Author: Henry Martyn Lloyd
Publisher: Springer Science & Business Media
ISBN: 3319027026
Category : Science
Languages : en
Pages : 222
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Book Description
This volume reconstructs the body of sensibility and the discourse which constructed it. The discourse of sensibility was deployed very widely throughout the mid- to late-eighteenth century, particularly in France and Britain. To inquire into the body of sensibility is then necessarily to enter into an interdisciplinary space and so to invite the plurality of methodological approaches which this collection exemplifies. The chapters collected here draw together the histories of literature and aesthetics, metaphysics and epistemology, moral theory, medicine, and cultural history. Together, they contribute to four major themes: First, the collection reconstructs various modes by which the sympathetic subject was construed or scripted, including through the theatre, poetry, literature, and medical and philosophical treaties. It secondly draws out those techniques of affective pedagogy which were implied by the medicalisation of the knowing body, and thirdly highlights the manner in which the body of sensibility was constructed as simultaneously particular and universal. Finally, it illustrates the ‘centrifugal forces’ at play within the discourse, and the anxiety which often accompanied them. At the centre of eighteenth-century thought was a very particular object: the body of sensibility, the Enlightenment’s knowing body. The persona of the knowledge-seeker was constructed by drawing together mind and matter, thought and feeling. And so where the Enlightenment thinker is generally associated with reason, truth-telling, and social and political reform, the Enlightenment is also known for its valorisation of emotion. During the period, intellectual pursuits were envisioned as having a distinctly embodied and emotional aspect. The body of ‘sensibility’ encompassed these apparently disparate strands and was associated with terms including ‘sentimental’, ‘sentiment’, ‘sense’, ‘sensation’, and ‘sympathy’.
Author: Elizabeth Kraft
Publisher: Bloomsbury Publishing
ISBN: 1350187720
Category : History
Languages : en
Pages : 272
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Book Description
This volume highlights the variety of forms comedy took in England, with reference to developments in Europe, particularly France, during the European Enlightenment. It argues that comedy in this period is characterized by wit, satire, and humor, provoking both laughter and sympathetic tears. Comic expression in the Enlightenment reflects continuities and engagements with the comedy of previous eras; it is also noted for new forms and preoccupations engendered by the cultural, philosophical, and political concerns of the time, including democratizing revolutions, increasing secularization, and growing emphasis on individualism. Discussions emphasize the period's stage comedy and acknowledge comic expression in various forms of print media including the emerging literary form we now know as the novel. Contributions from scholars reflect a wide variety of interests in the field of 18th-century studies, and the inclusion of a generous number of illustrations throughout demonstrates that the period's visual culture was also an important part of the Enlightenment comic landscape. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to Enlightenment comedy add up to an extensive, synoptic coverage of the subject.
