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Author: Arthur Wouk
Publisher: SIAM
ISBN: 9780898712384
Category : Computers
Languages : en
Pages : 232
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Book Description
Mathematics of Computing -- Parallelism.
Author: Arthur Wouk
Publisher: SIAM
ISBN: 9780898712384
Category : Computers
Languages : en
Pages : 232
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Book Description
Mathematics of Computing -- Parallelism.
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Category : Astronautics
Languages : en
Pages : 122
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Book Description
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Publisher: DIANE Publishing
ISBN: 1428961860
Category :
Languages : en
Pages : 20
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Book Description
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ISBN:
Category : Aeronautics
Languages : en
Pages : 952
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Book Description
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Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 168
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Book Description
Author: Ian Watson
Publisher: Routledge
ISBN: 1134432062
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
Performer Training is an examination of how actors are trained in different cultures. Beginning with studies of mainstream training in countries such as Poland, Australia, Germany, and the United States, subsequent studies survey: · Some of Asia's traditional training methods and recent experiments in performer training · Eugenio Barba's training methods · Jerzy Grotowski's most recent investigations · The Japanese American NOHO companies attempts at integrating Kyogen into the works of Samuel Beckett · Descriptions of the training methods developed by Tadashi Suzuki and Anne Bogart at their Saratoga International Theatre Institute · Recent efforts to re-examine the role and scope of training, like Britain's International Workshop Festival and the European League of Institutes of Arts masterclasses · The reformulation of the use of emotions in performer training known as Alba Emoting.
Author: Mike Vanden Heuvel
Publisher: Bloomsbury Publishing
ISBN: 1350051640
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
A companion to American Theatre Ensembles Volume 1, this volume charts the development and achievements of theatre companies working after 1995, bringing together the diffuse generation of ensembles working within a context of media saturation and epistemological and social fragmentation. Ensembles examined include Rude Mechs, The Builders Association, Pig Iron, Radiohole, The Civilians and 600 Highwaymen. Introductory chapters provide a sweeping overview of ensemble-based creation within the general historical and cultural contexts of the period, followed by a detailed study of the evolution of ensemble-based work. Contributors examine matters such as influence, funding, production and legacies, as well as the forms of collective devising and creation, while presenting close readings of the companies' most prominent works. The volume features detailed case studies of the 6 companies from the period and cover: * A history of development and methods * Key productions and projects * Critical reception * A chronology of significant productions US ensemble companies since 1995 have revolutionized the form and content of contemporary performance, influencing experimental as well as mainstream practice. This volume provides the first encompassing study of this vital development in contemporary American theatre by mapping its evolution and key developments.
Author: Akhil Sahai
Publisher: Springer
ISBN: 3540301844
Category : Computers
Languages : en
Pages : 280
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Book Description
This volume of the Lecture Notes in Computer Science series contains all the papersacceptedforpresentationatthe13thIFIP/IEEEInternationalWorkshop on Distributed Systems: Operations and Management (DSOM 2004), which was held at the University of California, Davis during November 15–17, 2004. DSOM2004wasthe?fteenthworkshopinaseriesofannualworkshopsandit followed in the footsteps of highly successful previous meetings, the most recent of which were held in Heidelberg, Germany (DSOM 2003), Montreal, Canada (DSOM 2002), Nancy, France (DSOM 2001), and Austin, USA (DSOM 2000). The goal of the DSOM workshops is to bring together researchers in the areas of networks, systems, and services management, from both industry and academia, to discuss recent advances and foster future growth in this ?eld. In contrast to the larger management symposia, such as IM (Integrated Management) and NOMS (Network Operations and Management Symposium), the DSOM wo- shops are organized as single-track programs in order to stimulate interaction among participants. The focus of DSOM 2004 was “Management Issues in Utility Computing. ” Increasingly there is a trend now towards managing large infrastructures and services within utility models where resources can be obtained on demand. Such a trend is being driven by the desire to consolidate infrastructures within - terprises and across enterprises using third-party infrastructure providers and networked infrastructures like Grid and PlanetLab. The intent in these init- tives is to create systems that provide automated provisioning, con?guration, and lifecycle management of a wide variety of infrastructure resources and s- vices, on demand.
Author: Alexander Supalov
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501506781
Category : Computers
Languages : en
Pages : 450
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Book Description
A hands-on guide to writing a Message Passing Interface, this book takes the reader on a tour across major MPI implementations, best optimization techniques, application relevant usage hints, and a historical retrospective of the MPI world, all based on a quarter of a century spent inside MPI. Readers will learn to write MPI implementations from scratch, and to design and optimize communication mechanisms using pragmatic subsetting as the guiding principle. Inside the Message Passing Interface also covers MPI quirks and tricks to achieve best performance. Dr. Alexander Supalov created the Intel Cluster Tools product line, including the Intel MP Library that he designed and led between 2003 and 2015. He invented the common MPICH ABI and also guided Intel efforts in the MPI Forum during the development of the MPI-2.1, MPI-2.2, and MPI-3 standards. Before that, Alexander designed new finite-element mesh-generation methods, contributing to the PARMACS and PARASOL interfaces, and developed the first full MPI-2 and IMPI implementations in the world. He graduated from the Moscow Institute of Physics and Technology in 1990, and earned his PhD in applied mathematics at the Institute of Numerical Mathematics of the Russian Academy of Sciences in 1995. Alexander holds 26 patents (more pending worldwide).
Author: Mike Vanden Heuvel
Publisher: Bloomsbury Publishing
ISBN: 135005156X
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Across two volumes, Mike Vanden Heuvel and a strong roster of contributors present the history, processes, and achievements of American theatre companies renowned for their use of collective and/or ensemble-based techniques to generate new work. This first study considers theatre companies that were working between 1970 and 1995: it traces the rise and eventual diversification of activist-based companies that emerged to serve particular constituencies from the countercultural politics of the 1960s, and examines the shift in the 1980s that gave rise to the next generation of company-based work, rooted in a new interest in form and the more mediated and dispersed forms of politics. Ensembles examined are Mabou Mines, Theatre X, Goat Island, Lookingglass, Elevator Repair Service, and SITI Company. Preliminary chapters provide a sweeping overview of ensemble-based creation within the general historical and cultural contexts of the period, followed by a detailed study of the evolution of ensemble-based work. The case studies consider factors such as influence, funding, production, and legacies, as well as the forms of collective devising and creation, while surveying the continuing work of significant long-running companies. Contributors provide detailed case studies of the 6 companies from the period and cover: * A chronicle of development and methods * Key productions and projects * Critical reception and legacy * A chronological overview of significant productions From the long history of collective theatre creation, with its sources in social crises, urgent aesthetic experimentation and utopian dreaming, American ensemble-based theatre has emerged at several key points in history to challenge the primacy of author-based and director-produced theatre. As the volume demonstrates, US ensemble companies have collectively revolutionized the form and content of contemporary performance, influencing experimental, as well as mainstream practice.
