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Author: Adina Kamien-Kazhdan
Publisher: Routledge
ISBN: 9781472478160
Category : Art
Languages : en
Pages : 378
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Book Description
Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. 'Remaking the Readymade' reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. 0Launched at the centenary of Duchamp's Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray' initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.
Author: Adina Kamien-Kazhdan
Publisher: Routledge
ISBN: 9781472478160
Category : Art
Languages : en
Pages : 378
Get Book Here
Book Description
Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. 'Remaking the Readymade' reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. 0Launched at the centenary of Duchamp's Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray' initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.
Author: Gavin Parkinson
Publisher: Bloomsbury Publishing USA
ISBN: 1501358286
Category : Art
Languages : en
Pages : 329
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Book Description
The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, Rauschenberg had a very positive reception among Surrealists, particularly across the period 1959-69. In the face of Rauschenberg's avowals of his own 'literalism' and insistence on his art as 'facts,' this book gathers generous evidence of the poetic, metaphorical, allusive, associative and connotative dimensions of the artist's oeuvre as identified by Surrealists, and thus extrapolates new readings from Rauschenberg's key works on that basis. By viewing Rauschenberg's art against the expansion of the cultural influence of the United States in Europe in the period after the Second World War and the increasingly politicized activities of the Surrealists in the era of the Algerian War of Independence (1954-62), Robert Rauschenberg and Surrealism shows how poetic inference of the artist's work was turned towards political interpretation. By analysing Rauschenberg's art in the context of Surrealism, and drawing from it new interpretations and perspectives, this volume simultaneously situates the Surrealist movement in 1960s American art criticism and history.
Author: Arthur Lubow
Publisher: Yale University Press
ISBN: 0300237219
Category : Biography & Autobiography
Languages : en
Pages : 217
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Book Description
A biography of the elusive but celebrated Dada and Surrealist artist and photographer connecting his Jewish background to his life and art Man Ray (1890-1976), a founding father of Dada and a key player in French Surrealism, is one of the central artists of the twentieth century. He is also one of the most elusive. In this new biography, journalist and critic Arthur Lubow uses Man Ray's Jewish background as one filter to understand his life and art. Man Ray began life as Emmanuel Radnitsky, the eldest of four children born in Philadelphia to a mother from Minsk and a father from Kiev. When he was seven the family moved to the Williamsburg section of Brooklyn, where both parents worked as tailors. Defying his parents' expectations that he earn a university degree, Man Ray instead pursued his vocation as an artist, embracing the modernist creed of photographer and avant-garde gallery owner Alfred Stieglitz. When at the age of thirty Man Ray relocated to Paris, he, unlike Stieglitz, made a clean break with his past.
Author: Celia Rabinovitch
Publisher: North Atlantic Books
ISBN: 1623173566
Category : Art
Languages : en
Pages : 338
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Book Description
Shortlisted for the 2021 Vine Awards Art, chess, and an $87,000 pipe frame an inside look at the relationship between Dadaist artist Marcel Duchamp and chess Grandmaster George Koltanowski Spanning three decades, two continents, two world wars, and the international art and chess scenes of the mid twentieth century, Duchamp's Pipe explores the remarkable friendship between art world enfant terrible Marcel Duchamp and blindfold chess champion George Koltanowski. Artist and cultural historian Celia Rabinovitch describes each man's rise to prominence, the chess matches that sparked their relationship, and the recently discovered pipe that Duchamp gave to Koltanowski. This tale of genius and resilience offers fresh insights into the essence of the gift in the bohemian underground. Rabinovitch invites us to discover the chess wizard and a Duchamp slightly off pedestal--and ultimately more human.
Author: Julian Jason Haladyn
Publisher: Routledge
ISBN: 100065110X
Category : Art
Languages : en
Pages : 97
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Book Description
This book is a significant re-thinking of Duchamp’s importance in the twenty-first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism. The readymade is understood as an act of accelerating art as a discourse, of pushing to the point of excess the philosophical precepts of modern aesthetics on which the notion of art in modernity is based. Julian Haladyn argues for an accelerated Duchamp that speaks to a contemporary condition of art within our era of globalized capitalist production.
Author: Ingrid E. Mida
Publisher: Bloomsbury Publishing
ISBN: 1350236136
Category : Design
Languages : en
Pages : 201
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Book Description
Fashion is a subject that has long been marginalized in art history and in museums. And yet, one of the most well-known artists in the twentieth century - Marcel Duchamp - created works that challenge the notion that fashion does not belong in the museum. As well, there is material evidence of his engagement with clothing as part of his oeuvre. This book reveals that clothing and dressing are significant themes that recur in Duchamp's life and his work – including his drawings, his fashioning of his body, his readymades, and in his curatorial gestures. In examining the items of clothing worn by Duchamp and the related traces of his wardrobe management, Duchamp is unmasked as a dandy. His waistcoat readymade series 'Made to Measure' (1957-1961) is in fact a remarkable and deliberate effort to recalibrate the definition of the readymade to include clothing. With this little-studied readymade series, Duchamp established a precedent for sartorial art as a valid form of artistic expression. In considering the material traces of Duchamp's fashioning of his body and identity in his work and life, this book makes a highly original contribution to the understanding of Duchamp's work as well as the significance of the clothed body in the vanguard of Modernism. Ultimately, this book explains the relevance of fashion in the museum to modern audiences today.
Author: Ambra Moroncini
Publisher: Quod Manet
ISBN:
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
The “intangible power” of literature, which, in Umberto Eco’s words, “allows us to travel through a textual labyrinth (be it an entire encyclopaedia or the complete works of William Shakespeare) without necessarily ‘unravelling’ all the information it contains”, may be clearly identifiable in our contemporary age of intertextuality and, most importantly, of interdisciplinarity. It suffices to think of the countless film adaptations of Shakespeare’s works, or of the popular appeal of Dan Brown’s global bestsellers, the so-called Robert Langdon book series, which has made original (and contentious) use of literary and artistic masterpieces such as Dante’s Divine Comedy and Leonardo da Vinci’s The Last Supper. What is more, the investigation of literature’s verbality through the lenses of cinematic and media perspectives has greatly benefitted from scholarly insights into dialogism, heteroglossia, polyphony, and historiophoty, opening new aural and visual windows of interpretation and knowledge. With these considerations in mind, this book explores the enduring presence of some of the most revolutionary early modern voices and works in our contemporary time. It embraces a rich diversity of literary genres (from poetry to storytelling, novels, fairy tales, and historical colonial chronicles, while also considering musical theatre compositions), and broadens the scope of research to the world of media, with cutting edge insights into contemporary films, TV series, and videogames. It presents innovative scholarly perspectives on how early modern works and themes are explored, remediated and refashioned today to address cultural, political, and social issues germane to our global moment.
Author: Victoria Clouston
Publisher: Routledge
ISBN: 1317181239
Category : Literary Criticism
Languages : en
Pages : 429
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Book Description
Following the journey of André Breton, the leader of the Surrealist movement, into exile during the Second World War, the author of this book traces the trajectory of his thought and poetic output from 1941–1948. Through a close examination of the major – and as yet little studied – works written during these years, she demonstrates how Breton’s quest for "a new myth" for the postwar world led him to widen his enquiry into hermeticism, myth, and the occult. This ground-breaking study establishes Breton’s profound intellectual debt to 19th-century Romanticism, its literature and thought, revealing how it defined his understanding of hermeticism and the occult, and examining the differences between the two. It shows how, having abandoned political action on leaving the Communist Party in 1935, Breton nonetheless held firmly to political thought, moving in his quest for a better world via Hermes Trismegistus across the utopian ideas of Charles Fourier and the "magical" practices of the Hopi Indians. The author finally reveals Breton’s misreading of the situation in postwar Paris on his return in 1946, and his failure to communicate the span of his ideas for creating a better society while at the same time maintaining a close connection between art and life.
Author: Mark Franko
Publisher: Routledge
ISBN: 135122736X
Category : Performing Arts
Languages : en
Pages : 504
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Book Description
Choreographing Discourses brings together essays originally published by Mark Franko between 1996 and the contemporary moment. Assembling these essays from international, sometimes untranslated sources and curating their relationship to a rapidly changing field, this Reader offers an important resource in the dynamic scholarly fields of Dance and Performance Studies. What makes this volume especially appropriate for undergraduate and graduate teaching is its critical focus on twentieth- and twenty-first-century dance artists and choreographers – among these, Oskar Schlemmer, Merce Cunningham, Kazuo Ohno, William Forsythe, Bill T. Jones, and Pina Bausch, some of the most high-profile European, American, and Japanese artists of the past century. The volume’s constellation of topics delves into controversies that are essential turning points in the field (notably, Still/Here and Paris is Burning), which illuminate the spine of the field while interlinking dance scholarship with performance theory, film, visual, and public art. The volume contains the first critical assessments of Franko’s contribution to the field by André Lepecki and Gay Morris, and an interview incorporating a biographical dimension to the development of Franko’s work and its relation to his dance and choreography. Ultimately, this Reader encourages a wide scope of conversation and engagement, opening up core questions in ethics, embodiment, and performativity.
Author: Susan L. Green
Publisher: Taylor & Francis
ISBN: 1003850839
Category : Art
Languages : en
Pages : 251
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Book Description
This book is the first introduction to Western art that not only considers how choice of materials can impact form, but also how objects in different media can alter in appearance over time, and the role of conservators in the preservation of our cultural heritage. The first four chapters cover wall and easel paintings, sculpture, drawings, and prints, from the late Middle Ages to the present day. They examine, with numerous examples, how these works have been produced, how they might have been transformed, and how efforts regarding their preservation can sometimes be misleading or result in controversy. The final two chapters look at how photography, new techniques, and modern materials prompted innovative ways of creating art in the twentieth century, and how the rapid expansion of technology in the twenty-first century has led to a revolution in how artworks are constructed and seen, generating specific challenges for collectors, curators, and conservators alike. This book is primarily directed at undergraduates interested in art history, museum studies, and conservation, but will also be of interest to a more general non-specialist audience.
