Author: James A. Aho
Publisher: Praeger
ISBN:
Category : History
Languages : en
Pages : 288
Book Description
Religious Mythology and the Art of War
Author: James A. Aho
Publisher: Praeger
ISBN:
Category : History
Languages : en
Pages : 288
Book Description
Publisher: Praeger
ISBN:
Category : History
Languages : en
Pages : 288
Book Description
A Terrible Love of War
Author: James Hillman
Publisher: Penguin
ISBN: 1101667109
Category : Psychology
Languages : en
Pages : 273
Book Description
War is a timeless force in the human imagination—and, indeed, in daily life. Engaged in the activity of destruction, its soldiers and its victims discover a paradoxical yet profound sense of existing, of being human. In A Terrible Love of War, James Hillman, one of today’s most respected psychologists, undertakes a groundbreaking examination of the essence of war, its psychological origins and inhuman behaviors. Utilizing reports from many fronts and times, letters from combatants, analyses by military authorities, classic myths, and writings from great thinkers, including Twain, Tolstoy, Kant, Arendt, Foucault, and Levinas, Hillman’s broad sweep and detailed research bring a fundamentally new understanding to humanity’s simultaneous attraction and aversion to war. This is a compelling, necessary book in a violent world.
Publisher: Penguin
ISBN: 1101667109
Category : Psychology
Languages : en
Pages : 273
Book Description
War is a timeless force in the human imagination—and, indeed, in daily life. Engaged in the activity of destruction, its soldiers and its victims discover a paradoxical yet profound sense of existing, of being human. In A Terrible Love of War, James Hillman, one of today’s most respected psychologists, undertakes a groundbreaking examination of the essence of war, its psychological origins and inhuman behaviors. Utilizing reports from many fronts and times, letters from combatants, analyses by military authorities, classic myths, and writings from great thinkers, including Twain, Tolstoy, Kant, Arendt, Foucault, and Levinas, Hillman’s broad sweep and detailed research bring a fundamentally new understanding to humanity’s simultaneous attraction and aversion to war. This is a compelling, necessary book in a violent world.
A History of the Art of War
Author: Charles Oman
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 738
Book Description
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 738
Book Description
Religion and the Conduct of War, C. 300-1215
Author: David S. Bachrach
Publisher: Boydell Press
ISBN: 9780851159447
Category : History
Languages : en
Pages : 238
Book Description
An analysis of the dynamic interpenetration of religion and war in the West from the fourth to the 13th centuries.
Publisher: Boydell Press
ISBN: 9780851159447
Category : History
Languages : en
Pages : 238
Book Description
An analysis of the dynamic interpenetration of religion and war in the West from the fourth to the 13th centuries.
The Sixteenth Century
Author: Charles Oman
Publisher: Taylor & Francis
ISBN: 9780837181189
Category : History
Languages : en
Pages : 247
Book Description
Publisher: Taylor & Francis
ISBN: 9780837181189
Category : History
Languages : en
Pages : 247
Book Description
War Is a Force that Gives Us Meaning
Author: Chris Hedges
Publisher: PublicAffairs
ISBN: 1610395107
Category : History
Languages : en
Pages : 156
Book Description
General George S. Patton famously said, "Compared to war all other forms of human endeavor shrink to insignificance. God, I do love it so!" Though Patton was a notoriously single-minded general, it is nonetheless a sad fact that war gives meaning to many lives, a fact with which we have become familiar now that America is once again engaged in a military conflict. War is an enticing elixir. It gives us purpose, resolve, a cause. It allows us to be noble. Chris Hedges of The New York Times has seen war up close -- in the Balkans, the Middle East, and Central America -- and he has been troubled by what he has seen: friends, enemies, colleagues, and strangers intoxicated and even addicted to war's heady brew. In War Is a Force That Gives Us Meaning, he tackles the ugly truths about humanity's love affair with war, offering a sophisticated, nuanced, intelligent meditation on the subject that is also gritty, powerful, and unforgettable.
Publisher: PublicAffairs
ISBN: 1610395107
Category : History
Languages : en
Pages : 156
Book Description
General George S. Patton famously said, "Compared to war all other forms of human endeavor shrink to insignificance. God, I do love it so!" Though Patton was a notoriously single-minded general, it is nonetheless a sad fact that war gives meaning to many lives, a fact with which we have become familiar now that America is once again engaged in a military conflict. War is an enticing elixir. It gives us purpose, resolve, a cause. It allows us to be noble. Chris Hedges of The New York Times has seen war up close -- in the Balkans, the Middle East, and Central America -- and he has been troubled by what he has seen: friends, enemies, colleagues, and strangers intoxicated and even addicted to war's heady brew. In War Is a Force That Gives Us Meaning, he tackles the ugly truths about humanity's love affair with war, offering a sophisticated, nuanced, intelligent meditation on the subject that is also gritty, powerful, and unforgettable.
The Art of Maneuver
Author: Robert Leonhard
Publisher: Presidio Press
ISBN: 0307513270
Category : History
Languages : en
Pages : 328
Book Description
The Art of Maneuver shows how true maneuver-warfare theory has been applied in campaigns throughout history. With a genius for apt analogy the author shows how our obsession with fighting and winning set-piece battles causes us to overlook an enemy’s true vulnerabilities. But as low-intensity conflicts promise to become the dominant warfare of the future, the importance of maneuver in attacking an enemy’s critical vulnerability will render attrition approaches to warfighting ever more obsolete. Praise for The Art of Maneuver “Robert Leonhard is one of a number of prominent young military writers, like Daniel Bolger, John Antal, Bruce Gudmundsson, and Harold Raugh, whose work appears regularly in military journals. The Art of Maneuver is his first book, and military readers will appreciate his grasp of military history, forceful analysis, and adventurous writing style. . . .This is an important book which deserves the attention of military professionals. . . . Leonhard deserves credit for a hard-nosed attempt to evaluate U.S. strengths and weaknesses as a basis for further improvements in service doctrine, training, and force development. . . . In the celebratory aftermath of a ‘good war,’ such honest self-appraisal is both healthy and encouraging.”—Parameters “This commentary on warfighting is of value to any student of warfare, especially with our current emphasis on the importance of joint and combined operations. . . . This is an intelligent, thorough, and well-researched work. The author’s knowledge is demonstrated amply throughout, and his ability to express maneuver warfare concepts in simple terms is unequaled. . . . An important milestone in the evolution of the maneuver style of warfare. Read it!”—Marine Corps Gazette “Leonhard . . . has combined military expertise and historical analysis for an entertaining and fresh look at maneuver warfare. . . . In one volume, the author offers trenchant, exciting, and masterful perspective on victory in modern warfare.”—National Defense “Robert Leonhard makes an outstanding contribution to our understanding of maneuver warfare in this book. . . . Our leaders, junior and senior alike, should find this book well worth reading and contemplating.”—ARMOR Magazine “An important contribution to the on-going reassessment of U.S. Army doctrine . . . A must for anyone seriously interested in the future of Army doctrine—and the Army. . . . Further, it is an excellent starting point for young officers to begin their lifelong study of the art of war.”—ARMY Magazine
Publisher: Presidio Press
ISBN: 0307513270
Category : History
Languages : en
Pages : 328
Book Description
The Art of Maneuver shows how true maneuver-warfare theory has been applied in campaigns throughout history. With a genius for apt analogy the author shows how our obsession with fighting and winning set-piece battles causes us to overlook an enemy’s true vulnerabilities. But as low-intensity conflicts promise to become the dominant warfare of the future, the importance of maneuver in attacking an enemy’s critical vulnerability will render attrition approaches to warfighting ever more obsolete. Praise for The Art of Maneuver “Robert Leonhard is one of a number of prominent young military writers, like Daniel Bolger, John Antal, Bruce Gudmundsson, and Harold Raugh, whose work appears regularly in military journals. The Art of Maneuver is his first book, and military readers will appreciate his grasp of military history, forceful analysis, and adventurous writing style. . . .This is an important book which deserves the attention of military professionals. . . . Leonhard deserves credit for a hard-nosed attempt to evaluate U.S. strengths and weaknesses as a basis for further improvements in service doctrine, training, and force development. . . . In the celebratory aftermath of a ‘good war,’ such honest self-appraisal is both healthy and encouraging.”—Parameters “This commentary on warfighting is of value to any student of warfare, especially with our current emphasis on the importance of joint and combined operations. . . . This is an intelligent, thorough, and well-researched work. The author’s knowledge is demonstrated amply throughout, and his ability to express maneuver warfare concepts in simple terms is unequaled. . . . An important milestone in the evolution of the maneuver style of warfare. Read it!”—Marine Corps Gazette “Leonhard . . . has combined military expertise and historical analysis for an entertaining and fresh look at maneuver warfare. . . . In one volume, the author offers trenchant, exciting, and masterful perspective on victory in modern warfare.”—National Defense “Robert Leonhard makes an outstanding contribution to our understanding of maneuver warfare in this book. . . . Our leaders, junior and senior alike, should find this book well worth reading and contemplating.”—ARMOR Magazine “An important contribution to the on-going reassessment of U.S. Army doctrine . . . A must for anyone seriously interested in the future of Army doctrine—and the Army. . . . Further, it is an excellent starting point for young officers to begin their lifelong study of the art of war.”—ARMY Magazine
The Origins Of Western Warfare
Author: Doyne Dawson
Publisher: Routledge
ISBN: 0429964633
Category : History
Languages : en
Pages : 214
Book Description
What is the source of the uniquely Western way of war, the persistent militarism that has made Europe the site of bloodshed throughout history and secured the dominance of the West over the rest of the world? The answer, Doyne Dawson persuasively argues in this groundbreaking new book, is to be found in the very bedrock of Western civilization: ancient Greece and Rome.The Origins of Western Warfare begins with an overview of primitive warfare, showing how the main motivations of prehistoric combat?revenge and honor?set the tone for Greek thinking about questions of war and morality. These ideas, especially as later developed by the Romans, ensured the emergence of a distinctive Western tradition of warfare: dynamic, aggressive, and devastatingly successful when turned against non-Western cultures.Dawson identifies key factors that led Western culture down this particular path. First, the Greeks argued that war could be justified as an instrument of human and divine justice, securing the social and cosmic order. Second, war was seen as a rational instrument of foreign policy. This, probably the most original contribution of the Greeks to military thought, was articulated as early as the fifth century b.c. Finally, Greek military thought was dominated by the principle of ?civic militarism,? in which the ideal state is based upon self-governing citizens trained and armed for war.The Roman version of civic militarism became thoroughly imperial in spirit, and in general, the Romans successfully modified these Greek ideas to serve their expansionist policies. At the end of antiquity, these traditions were passed on to medieval Europe, forming the basis for the just war doctrines of the Church. Later, in early modern Europe, they were fully revived, systematized, and given a basis in natural law?to the benefit of absolute monarchs. For centuries this neoclassical synthesis served the needs of European elites, and echoes of it are still heard in contemporary justifications for war.Providing a careful reconsideration of what the classical sources tell us about Western thinking on fundamental questions of war and peace, The Origins of Western Warfare makes a lasting contribution to our understanding of one of the most persistent and troubling aspects of Western culture.
Publisher: Routledge
ISBN: 0429964633
Category : History
Languages : en
Pages : 214
Book Description
What is the source of the uniquely Western way of war, the persistent militarism that has made Europe the site of bloodshed throughout history and secured the dominance of the West over the rest of the world? The answer, Doyne Dawson persuasively argues in this groundbreaking new book, is to be found in the very bedrock of Western civilization: ancient Greece and Rome.The Origins of Western Warfare begins with an overview of primitive warfare, showing how the main motivations of prehistoric combat?revenge and honor?set the tone for Greek thinking about questions of war and morality. These ideas, especially as later developed by the Romans, ensured the emergence of a distinctive Western tradition of warfare: dynamic, aggressive, and devastatingly successful when turned against non-Western cultures.Dawson identifies key factors that led Western culture down this particular path. First, the Greeks argued that war could be justified as an instrument of human and divine justice, securing the social and cosmic order. Second, war was seen as a rational instrument of foreign policy. This, probably the most original contribution of the Greeks to military thought, was articulated as early as the fifth century b.c. Finally, Greek military thought was dominated by the principle of ?civic militarism,? in which the ideal state is based upon self-governing citizens trained and armed for war.The Roman version of civic militarism became thoroughly imperial in spirit, and in general, the Romans successfully modified these Greek ideas to serve their expansionist policies. At the end of antiquity, these traditions were passed on to medieval Europe, forming the basis for the just war doctrines of the Church. Later, in early modern Europe, they were fully revived, systematized, and given a basis in natural law?to the benefit of absolute monarchs. For centuries this neoclassical synthesis served the needs of European elites, and echoes of it are still heard in contemporary justifications for war.Providing a careful reconsideration of what the classical sources tell us about Western thinking on fundamental questions of war and peace, The Origins of Western Warfare makes a lasting contribution to our understanding of one of the most persistent and troubling aspects of Western culture.
God Against the Gods
Author: Jonathan Kirsch
Publisher: Penguin
ISBN: 9780142196335
Category : Religion
Languages : en
Pages : 356
Book Description
"Lively… points out that the conflict between the worship of many gods and the worship of one true god never disappeared." —Publishers Weekly "Jonathan Kirsch has written another blockbuster about the Bible and its world." —David Noel Freedman, Editor-in-Chief of the Anchor Bible Project "Kirsch tackles the central issue bedeviling the world today - religious intolerance… A timely book, well-written and researched." —Leonard Shlain, author of The Alphabet and the Goddess and Sex, Time and Power "An intriguing read." —The Jerusalem Report "A timely tale about the importance of religious tolerance in today’s world." —San Francisco Chronicle "Kirsch is a fine storyteller with a flair for rendering ancient tales relevant and appealing." —The Washington Post
Publisher: Penguin
ISBN: 9780142196335
Category : Religion
Languages : en
Pages : 356
Book Description
"Lively… points out that the conflict between the worship of many gods and the worship of one true god never disappeared." —Publishers Weekly "Jonathan Kirsch has written another blockbuster about the Bible and its world." —David Noel Freedman, Editor-in-Chief of the Anchor Bible Project "Kirsch tackles the central issue bedeviling the world today - religious intolerance… A timely book, well-written and researched." —Leonard Shlain, author of The Alphabet and the Goddess and Sex, Time and Power "An intriguing read." —The Jerusalem Report "A timely tale about the importance of religious tolerance in today’s world." —San Francisco Chronicle "Kirsch is a fine storyteller with a flair for rendering ancient tales relevant and appealing." —The Washington Post
"The White Horse" and Other Stories
Author: Emilia Bazan
Publisher: Bucknell University Press
ISBN: 9780838752586
Category : Fiction
Languages : en
Pages : 172
Book Description
"This is a collection of stories by Emilia Pardo Bazan (1851-1921), a Spanish author who often found the subject matter of her stories in the mysteries and vicissitudes of life. Some of her tales are fictional accounts of actual occurrences or people ("The Pardon," "A Galician Mother," and "The Lady Bandit"); others are a defense of women subjugated by a double standard ("The Guilty Woman" and "The Faithful Fiancee"); a number focus on the figure of the rural priest ("A Descendant of the Cid" and "Don Carmelo's Salvation," for example). One highly symbolic story - "The White Horse" - qualifies Pardo Bazan as the godmother of the Generation of 98, the group of writers who exhorted Spain to begin anew, ridding itself of inertia, apathy, and fixation on past glories. Several of the collected tales are like contemporary suspense thrillers (such as "The Cuff Link" and "The White Hair"), while many others reveal a keen psychological insight ("The Torn Lace," "The Substitute," "Scissors," "The Nurse," and "Rescue"). Pardo Bazan's themes are fear, love, hatred, forgiveness, cruelty, poverty, necrophilia, repentance, homesickness, and madness - that is, naked reality, bitter reality, and often an ugly, vicious reality." "One of the indisputable giants of the nineteenth-century short story is Guy de Maupassant. Pardo Bazan met him (along with Daudet and Zola) in France and considered him - author of "The Horla" - to be the master of short story writers. However, although Maupassant influenced her (most notably in psychological inquiry and careful attention to realistic detail), Pardo Bazan put her own stamp on her stories and developed a style sui generis, the most striking feature of which is brevity." "The essence of Pardo Bazan's approach is to engage the reader as quickly as possible, certainly in the first paragraph, frequently in the first few sentences. Some aspect of a character or an episode is brought to light and the story unfolds rapidly. There are third-person narratives in which the author occasionally injects herself or her point of view. Other narratives are presented wholly in the first person - some by an omniscient narrator, some by the "players"; and, from time to time, Pardo Bazan has someone else tell the story to her, and then as narrator she becomes the audience." "It is entirely plausible that some of her graphic descriptions were intended to blunt accusations of softness (i.e., femininity) that in her era would - foolishly, but automatically - have been associated with a woman writer. Still, when the time came to represent the plight of women - in terms of natural, understandable sexual needs and intellectual acceptance - Pardo Bazan captured the anguish and inferior status of her Spanish sisters."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Bucknell University Press
ISBN: 9780838752586
Category : Fiction
Languages : en
Pages : 172
Book Description
"This is a collection of stories by Emilia Pardo Bazan (1851-1921), a Spanish author who often found the subject matter of her stories in the mysteries and vicissitudes of life. Some of her tales are fictional accounts of actual occurrences or people ("The Pardon," "A Galician Mother," and "The Lady Bandit"); others are a defense of women subjugated by a double standard ("The Guilty Woman" and "The Faithful Fiancee"); a number focus on the figure of the rural priest ("A Descendant of the Cid" and "Don Carmelo's Salvation," for example). One highly symbolic story - "The White Horse" - qualifies Pardo Bazan as the godmother of the Generation of 98, the group of writers who exhorted Spain to begin anew, ridding itself of inertia, apathy, and fixation on past glories. Several of the collected tales are like contemporary suspense thrillers (such as "The Cuff Link" and "The White Hair"), while many others reveal a keen psychological insight ("The Torn Lace," "The Substitute," "Scissors," "The Nurse," and "Rescue"). Pardo Bazan's themes are fear, love, hatred, forgiveness, cruelty, poverty, necrophilia, repentance, homesickness, and madness - that is, naked reality, bitter reality, and often an ugly, vicious reality." "One of the indisputable giants of the nineteenth-century short story is Guy de Maupassant. Pardo Bazan met him (along with Daudet and Zola) in France and considered him - author of "The Horla" - to be the master of short story writers. However, although Maupassant influenced her (most notably in psychological inquiry and careful attention to realistic detail), Pardo Bazan put her own stamp on her stories and developed a style sui generis, the most striking feature of which is brevity." "The essence of Pardo Bazan's approach is to engage the reader as quickly as possible, certainly in the first paragraph, frequently in the first few sentences. Some aspect of a character or an episode is brought to light and the story unfolds rapidly. There are third-person narratives in which the author occasionally injects herself or her point of view. Other narratives are presented wholly in the first person - some by an omniscient narrator, some by the "players"; and, from time to time, Pardo Bazan has someone else tell the story to her, and then as narrator she becomes the audience." "It is entirely plausible that some of her graphic descriptions were intended to blunt accusations of softness (i.e., femininity) that in her era would - foolishly, but automatically - have been associated with a woman writer. Still, when the time came to represent the plight of women - in terms of natural, understandable sexual needs and intellectual acceptance - Pardo Bazan captured the anguish and inferior status of her Spanish sisters."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved