Religion and the Supernatural on the American Screen PDF Download
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Author: Emanuel Lawrence Gebauer
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 450
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Book Description
Author: Emanuel Lawrence Gebauer
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 450
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Book Description
Author: Douglas E. Cowan
Publisher:
ISBN: 9781481304900
Category : Horror films
Languages : en
Pages : 0
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Book Description
Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.
Author: T.M. Luhrmann
Publisher: Princeton University Press
ISBN: 0691211981
Category : Religion
Languages : en
Pages : 256
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Book Description
The hard work required to make God real, how it changes the people who do it, and why it helps explain the enduring power of faith How do gods and spirits come to feel vividly real to people—as if they were standing right next to them? Humans tend to see supernatural agents everywhere, as the cognitive science of religion has shown. But it isn’t easy to maintain a sense that there are invisible spirits who care about you. In How God Becomes Real, acclaimed anthropologist and scholar of religion T. M. Luhrmann argues that people must work incredibly hard to make gods real and that this effort—by changing the people who do it and giving them the benefits they seek from invisible others—helps to explain the enduring power of faith. Drawing on ethnographic studies of evangelical Christians, pagans, magicians, Zoroastrians, Black Catholics, Santeria initiates, and newly orthodox Jews, Luhrmann notes that none of these people behave as if gods and spirits are simply there. Rather, these worshippers make strenuous efforts to create a world in which invisible others matter and can become intensely present and real. The faithful accomplish this through detailed stories, absorption, the cultivation of inner senses, belief in a porous mind, strong sensory experiences, prayer, and other practices. Along the way, Luhrmann shows why faith is harder than belief, why prayer is a metacognitive activity like therapy, why becoming religious is like getting engrossed in a book, and much more. A fascinating account of why religious practices are more powerful than religious beliefs, How God Becomes Real suggests that faith is resilient not because it provides intuitions about gods and spirits—but because it changes the faithful in profound ways.
Author: Western Reserve University
Publisher:
ISBN:
Category :
Languages : en
Pages : 500
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Book Description
Author: John Parratt
Publisher: Cambridge University Press
ISBN: 9780521797399
Category : Religion
Languages : en
Pages : 204
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Book Description
An overview of the main trends and contributions to Christian thought of Third World theologies.
Author: Erika Engstrom
Publisher: Lexington Books
ISBN: 0739184768
Category : Social Science
Languages : en
Pages : 167
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Book Description
This book examines the text of the CW network television series Supernatural, a program based in the horror genre that offers viewers myriad religious-based antagonists, through the portrayals of monsters which its two main characters “hunt” and destroy, as well as storylines based in the Bible. Even as the series’ producers claim a non-religious perspective, we contend that story arcs and outcomes of episodes actually forward a hegemonic portrayal of Christianity that portrays a good-versus-evil motif regarding the superiority of Christianity. The depiction of its protagonist brothers, Dean and Sam Winchester of Lawrence, Kansas, forwards a pro-American perspective to a more generalized fight against evil in contemporary times.
Author: Justin L. Barrett
Publisher: Altamira Press
ISBN:
Category : Faith
Languages : en
Pages : 160
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Book Description
Because of the design of our minds. That is Justin Barrett's simple answer to the question of his title. With rich evidence from cognitive science but without technical language, psychologist Barrett shows that belief in God is an almost inevitable consequence of the kind of minds we have. Most of what we believe comes from mental tools working below our conscious awareness. And what we believe consciously is in large part driven by these unconscious beliefs. Barrett demonstrates that beliefs in gods match up well with these automatic assumptions; beliefs in an all-knowing, all-powerful God match up even better. Barrett goes on to explain why beliefs like religious beliefs are so widespread and why it is very difficult for our minds to think without them. Anyone who wants a concise, clear, and scientific explanation of why anyone would believe in God should pick up Barrett's book.
Author: Lawrence Calvin Little
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 220
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Book Description
Author: John Jefferson Davis
Publisher: Wipf and Stock Publishers
ISBN: 1725285029
Category : Religion
Languages : en
Pages : 99
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Book Description
Growing in our ability to have a conscious awareness of God's presence with us in the midst of our busy and over-stimulated world is a key to our spiritual health and emotional well-being. Practicing the Ordinary Supernatural Presence of God helps us to do exactly that--by enriching our devotional lives with a richer and deeper biblical theology based on key biblical texts such as Acts 2, John 17, and Matthew 28, and crucial biblical doctrines such as the Trinity, Union with Christ, and the Holy Spirit.
Author: Murray Leeder
Publisher: Springer
ISBN: 1137583711
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
This study sees the nineteenth century supernatural as a significant context for cinema’s first years. The book takes up the familiar notion of cinema as a “ghostly,” “spectral” or “haunted” medium and asks what made such association possible. Examining the history of the projected image and supernatural displays, psychical research and telepathy, spirit photography and X-rays, the skeletons of the danse macabre and the ghostly spaces of the mind, it uncovers many lost and fascinating connections. The Modern Supernatural and the Beginnings of Cinema locates film’s spectral affinities within a history stretching back to the beginning of screen practice and forward to the digital era. In addition to examining the use of supernatural themes by pioneering filmmakers like Georges Méliès and George Albert Smith, it also engages with the representations of cinema’s ghostly past in Guy Maddin’s recent online project Seances (2016). It is ideal for those interested in the history of cinema, the study of the supernatural and the pre-history of the horror film.
