Reggae, Rasta, Revolution PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Reggae, Rasta, Revolution PDF full book. Access full book title Reggae, Rasta, Revolution by Chris Potash. Download full books in PDF and EPUB format.
Author: Chris Potash
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 328
Get Book Here
Book Description
Here is the first ever anthology on Jamaican music forms that have changed the shape of Western popular music. Beginning with Bob Marley, music reviewer Chris Potash explores the roots of Jamaican pop from mento, ska, calypso, and rock steady. The book also profiles such roots pioneers as Toots and the Maytals, the Skatalites, Jimmy Cliff, and more.
Author: Chris Potash
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 328
Get Book Here
Book Description
Here is the first ever anthology on Jamaican music forms that have changed the shape of Western popular music. Beginning with Bob Marley, music reviewer Chris Potash explores the roots of Jamaican pop from mento, ska, calypso, and rock steady. The book also profiles such roots pioneers as Toots and the Maytals, the Skatalites, Jimmy Cliff, and more.
Author: Stephen A. King
Publisher: Univ. Press of Mississippi
ISBN: 1496800397
Category : Music
Languages : en
Pages : 204
Get Book Here
Book Description
Who changed Bob Marley’s famous peace-and-love anthem into “Come to Jamaica and feel all right?” When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica’s poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a “violent counterculture” but an important symbol of Jamaica’s new cultural heritage. This book attempts to explain how the Jamaican establishment’s strategies of social control influenced the evolutionary direction of both the music and the Rastafarian movement. From 1959 to 1971, Jamaica’s popular music became identified with the Rastafarians, a social movement that gave voice to the country’s poor black communities. In response to this challenge, the Jamaican government banned politically controversial reggae songs from the airwaves and jailed or deported Rastafarian leaders. Yet when reggae became internationally popular in the 1970s, divisions among Rastafarians grew wider, spawning a number of pseudo-Rastafarians who embraced only the external symbolism of this worldwide religion. Exploiting this opportunity, Jamaica’s new Prime Minister, Michael Manley, brought Rastafarian political imagery and themes into the mainstream. Eventually, reggae and Rastafari evolved into Jamaica’s chief cultural commodities and tourist attractions.
Author: Monique A. Bedasse
Publisher: UNC Press Books
ISBN: 1469633604
Category : Social Science
Languages : en
Pages : 271
Get Book Here
Book Description
From its beginnings in 1930s Jamaica, the Rastafarian movement has become a global presence. While the existing studies of the Rastafarian movement have primarily focused on its cultural expression through reggae music, art, and iconography, Monique A. Bedasse argues that repatriation to Africa represents the most important vehicle of Rastafari's international growth. Shifting the scholarship on repatriation from Ethiopia to Tanzania, Bedasse foregrounds Rastafari's enduring connection to black radical politics and establishes Tanzania as a critical site to explore gender, religion, race, citizenship, socialism, and nation. Beyond her engagement with how the Rastafarian idea of Africa translated into a lived reality, she demonstrates how Tanzanian state and nonstate actors not only validated the Rastafarian idea of diaspora but were also crucial to defining the parameters of Pan-Africanism. Based on previously undiscovered oral and written sources from Tanzania, Jamaica, England, the United States, and Trinidad, Bedasse uncovers a vast and varied transnational network--including Julius Nyerere, Michael Manley, and C. L. R James--revealing Rastafari's entrenchment in the making of Pan-Africanism in the postindependence period.
Author: Horace Campbell
Publisher: Africa Research and Publications
ISBN: 9780865430358
Category : Black nationalism
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Sarah Hill
Publisher: Routledge
ISBN: 1351573454
Category : Music
Languages : en
Pages : 166
Get Book Here
Book Description
In the 1960s, Welsh-language popular music emerged as a vehicle for mobilizing a geographically dispersed community into political action. As the decades progressed, Welsh popular music developed beyond its acoustic folk roots, adopting the various styles of contemporary popular music, and ultimately gaining the cultural self-confidence to compete in the Anglo-American mainstream market. The resulting tensions, between Welsh and English, amateur and professional, rural and urban, the local and the international, necessitate the understanding of Welsh pop as part of a much larger cultural process. Not merely a 'Celtic' issue, the cultural struggles faced by Welsh speakers in a predominantly Anglophone environment are similar to those faced by innumerable other minority communities enduring political, social or linguistic domination. The aim of 'Blerwytirhwng?' The Place of Welsh Pop Music is to explore the popular music which accompanied those struggles, to connect Wales to the larger Anglo-American popular culture, and to consider the shift in power from the dominant to the minority, the centre to the periphery. By surveying the development of Welsh-language popular music from 1945-2000, 'Blerwytirhwng?' The Place of Welsh Pop examines those moments of crisis in Welsh cultural life which signalled a burgeoning sense of national identity, which challenged paradigms of linguistic belonging, and out of which emerged new expressions of Welshness.
Author: John Connell
Publisher: Psychology Press
ISBN: 9780415170277
Category : Globalization
Languages : en
Pages : 338
Get Book Here
Book Description
Sound Tracks traces the relationships between music, space and identity from inner city 'scenes' to the music of nations, to give a wide-ranging perspective on popular music.
Author: Hugh Hodges
Publisher: University of Virginia Press
ISBN: 9780813926834
Category : Literary Criticism
Languages : en
Pages : 260
Get Book Here
Book Description
Soon Come celebrates Jamaican poetry as an expression and extension of the island's rich spiritual traditions, offering fresh insights into some of the late twentieth century's most important and influential poetry. Drawing inspiration from the history of Myal, Kumina, Revivalism, and Rastafari, Hodges develops a critical language for the discussion of a wide range of Jamaican texts, both oral and written. Beginning with traditional proverbs and Anancy stories, Soon Come explores healing rituals, possession rites, and miracles in Revival hymns; the seminal poetry of Claude McKay, Una Marson, and Louise Bennett; the Rastafari-influenced reggae of Bob Marley, Jimmy Cliff, Bunny Wailer, and Ras Michael; the dub poetry of Linton Kwesi Johnson and Mutabaruka; and the groundbreaking work of Dennis Scott, Anthony McNeill, and Lorna Goodison. What emerges is a profoundly hopeful vision of Jamaican poetry as an ongoing ritual that engenders the future even as it reimagines the past. Written in a lively, accessible style, Soon Come will appeal as much to the general reader as to the academic, to the serious Bob Marley fan as much as to the student of New World religious traditions.
Author: Deborah A. Thomas
Publisher: Duke University Press
ISBN: 9780822334194
Category : History
Languages : en
Pages : 380
Get Book Here
Book Description
DIVAn ethnographic study of cultural policy in Jamaica as seen from above and below in relation to race, class, and nation./div
Author: Christopher Partridge
Publisher: Oxford University Press, USA
ISBN: 0199751404
Category : Music
Languages : en
Pages : 369
Get Book Here
Book Description
The study of religion and popular culture is an increasingly significant area of scholarly inquiry. Surprisingly, however, Christopher Partridge's The Lyre of Orpheus is the first general introduction to the subject of religion and popular music. His aim in this book is to introduce a range of theoretical and methodological perspectives to be used in the study of religion and popular music and popular music subcultures. He addresses a range of issues from postcolonialism to postmodernism, from sex to drugs, from violence to the demonic, and from misogyny to misanthropy. Part One provides a general overview of the history of popular music scholarship and the key approaches that have been taken. Part Two looks at approaches from the perspectives of theology and religious studies, examining key themes relating to particular genres and subcultures. Part Three narrows the focus and examines key artists and bands mentioned in Part Two, including Elvis, Bob Dylan, Madonna and Björk. Written to be accessible to the undergraduate, The Lyre of Orpheus will also appeal to general readers interested in the role of religion in our culture.
Author: Paul Sullivan
Publisher: Reaktion Books
ISBN: 1780232101
Category : Music
Languages : en
Pages : 265
Get Book Here
Book Description
Dub is the avant-garde verso of reggae, created by manipulating and reshaping recordings using studio strategies and techniques. While dub was one of the first forms of popular music to turn the idea of song inside out, it is far from being fully explored. Tracing the evolution of dub, Remixology travels from Kingston, Jamaica, across the globe, following dub’s influence on the development of the MC, the birth of sound system culture, and the postwar Jamaican diaspora. Starting in 1970s Kingston, Paul Sullivan examines the origins of dub as a genre, approach, and attitude. He stops off in London, Berlin, Toronto, Bristol, and New York, exploring those places where dub had the most impact and investigates its effect on postpunk, dub-techno, jungle, and the dubstep. Along the way, Sullivan speaks with a host of international musicians, DJs, and luminaries of the dub world, from DJ Spooky, Adrian Sherwood, Channel, and Roy to Shut Up and Dance and Roots Manuva. Wide-ranging and lucid, Remixology sheds new light on the dub-born notions of remix and reinterpretation that set the stage for the music of the twenty-first century.
