Author: Charles I. Armstrong
Publisher: A&C Black
ISBN: 1623563534
Category : Literary Criticism
Languages : en
Pages : 386
Get Book Here
Book Description
Reframing Yeats, the first critical study of its kind, uses a focus on genre and allusion to engage with a broad range of W. B. Yeats's writings, examining instances of his poetry, autobiographical writings, criticism, and drama. Identifying a schism in recent Yeatsian criticism between biographical and formalist methodologies, Armstrong's study combines an historicist perspective with close attention to literary form. The result is a flexible approach that casts new light on how Yeats's texts interact with their interpretative frameworks. Cognizant of both literary and political history, this book presents new interpretations of Yeats's work. Not only does it provide fresh readings of texts such as “The Municipal Gallery Re-visited,” “Among School Children” and "The Resurrection", but it also raises important new questions concerning Yeats's relationship to Modernism and literary genre.
Author: Gregory Castle
Publisher:
ISBN: 1009411713
Category : Literary Criticism
Languages : en
Pages : 276
Get Book Here
Book Description
Yeats, Revivalism, and the Temporalities of Irish Modernism offers a new understanding of a writer whose revivalist commitments are often regarded in terms of nostalgic yearning and dreamy romanticism. It counters such conventions by arguing that Yeats's revivalism is an inextricable part of his modernism. Gregory Castle provides a new reading of Yeats that is informed by the latest research on the Irish Revival and guided by the phenomenological idea of worldmaking, a way of looking at literature as an aesthetic space with its own temporal and spatial norms, its own atmosphere generated by language, narrative, and literary form. The dialectical relation between the various worlds created in the work of art generate new ways of accounting for time beyond the limits of historical thinking. It is just this worldmaking power that links Yeats's revivalism to his modernism and constructs new grounds for recognizing his life and work.
Author: Jack Quin
Publisher: Oxford University Press
ISBN: 019284315X
Category : Art and literature
Languages : en
Pages : 225
Get Book Here
Book Description
This book comprehensively examines the relationship between literature and sculpture in the work of W. B. Yeats, drawing on extensive archival research to offer revelatory new readings of the poet. The book traces Yeats's literary and critical engagement with Celtic Revival statuary, publicmonuments in Dublin, the coin designs of the Irish Free State, abstract sculpture by the Vorticists and modernists, and a variety of carvings, decorative sculptures, and objets d'art. By charting Yeats's early art school education in Dublin, his attempts to raise funds for public monuments in thecity, and to secure commissions for his favourite sculptors, the book documents a lifelong interest in the plastic arts. New and original readings of Yeats's poetry, drama, and prose criticism emerge from this concertedly inter-arts and interdisciplinary study.
Author: Wit Pietrzak
Publisher: Springer
ISBN: 3319600893
Category : Literary Criticism
Languages : en
Pages : 264
Get Book Here
Book Description
This book focuses on W. B. Yeats’s critical writings, an aspect of his oeuvre which has been given limited treatment so far. It traces his critical work from his earliest articles, through to his occult treatises, and all the way to his last pamphlets, in which he sought to delineate the idea of a literary culture: a community of people willing to credit poetry with the central role in imagining and organising social praxis throughout society. The chapters of this study investigate the contexts in which Yeats’s thought developed, his many disputes over the shape of Irish cultural politics, the future of poetry and the place literature occupies in the world. What transpires is an image of Yeats who is strung between the impulses of faith in the existence of a supernatural order and ironic scepticism as to the possibility of ever capturing that order in language. This study is distinguished by its grounding of Yeats's critical agenda in a broader context through textual analysis. In addition, it organises and systematises his conceptions of poetry and its social role through its approach to his criticism as a fully-fledged area of his artistic practice. The monograph has been written within the framework of the project financed by The National Science Centre, Cracow, Poland, pursuant to the decision number DEC-2013/09/D/HS2/02782.
Author: Kathryn Wills
Publisher: Wipf and Stock Publishers
ISBN: 1666708283
Category : Literary Criticism
Languages : en
Pages : 273
Get Book Here
Book Description
This book offers a new way of understanding the old conflict between iconophiles and iconoclasts by exploring the way images in poetry are used by one poet, W. B. Yeats, and his translator, Yves Bonnefoy. Using the phenomenology of Jean-Luc Marion as a tool of interpretation, the book suggests further that translation is a significant act in which one entire theological world of a Protestant poet may become a completely different, Catholic one when the translation is performed by a culturally Catholic poet. For Bonnefoy, therefore, the act of translation becomes a profound act of hope.
Author: Özlem Saylan
Publisher: Cambridge Scholars Publishing
ISBN: 1527526267
Category : Psychology
Languages : en
Pages : 111
Get Book Here
Book Description
Carrying a story to tell is the “ancient burden” of craftsmen, and it is one of the characteristics of the quest to find oneself, since a journey requires recognition of the aspects of self and anti–self. Like the speaker of his poems, W.B. Yeats has something to tell. His poetry draws nourishment from the battle between the dichotomies of self and anti–self, human and divine, mind and intellect, past and present, and body and soul. This book covers a selection of Yeats’s poems from 1889 to 1939, discussing them within the frame of the quest to find oneself and its gyroscopic transformation. The book illustrates that self is not a single entity, but has multiple layers, and it can be found within the quest in which it experiences a simultaneous transformation with every phase of the antithetical structure of gyroscopic movements. In addition, the way of the quest is cyclical; however, it is not a vicious cycle, since, in life, every end is a phase of a beginning and every beginning is a phase of an end.
Author: Fritjof Capra
Publisher: Exploring Complexity
ISBN:
Category : Business & Economics
Languages : en
Pages : 292
Get Book Here
Book Description
Havana's Instituto de Filosofia's First Biennial International Seminar on the Philosophical, Epistemological and Methodological Implications of Complexity Theory, was held in January 2002 in Havana, Cuba's capital city. The seminar was aimed at familiarizing Cuban researchers and professors in a more direct way with some of the current trends - and widespread scope - of the expanding field of complexity thinking, affording them the possibility of personal contacts with some of the people engaged in that effort. The seminar was attended by specialists from fifteen countries, ranging from Chile to Australia along the West-East axis, and from Norway to South Africa along the North-South one. There were participants from developed and underdeveloped countries. This book contains selected papers from the 'Complexity 2002' seminar, edited by Fritjof Capra (author of 'The Tao of Physics', 'The Web of Life: A New Scientific Understanding of Living Systems' and 'The Hidden Connections: A Science for Sustainable Living'), Alicia Juarrero (author of 'Dynamics in Action'), Pedro Sotolong, and Jacco van Uden (author of 'Complexity and Organization'). The papers have been organized in four parts: I. Sources of Complexity: Science and Information; II. Philosophical, Epistemological and Methodological implications; III. Organizational Implications; IV. Global and Ethical Implications. The papers in Part I can be said to approach the phenomenon of complexity at a very basic level. Here the issues being addressed revolve around the very fundamental question of why the complexity sciences are so important: What are the most fundamental lessons to be learned from studying complex systems? Papers included in Part II engage in a broader, philosophical investigation of some of the most general ontological, epistemological and methodological implications of the complexity approach, showing how very old questions are currently being reformulated and/or reinterpreted in the light of complexity thinking. Papers that appear in Part III address various important issues about the links between complexity and social, organizational, business and management questions. Finally, Papers in Part IV return once again to more global implications of Complexity thinking, this time dealing with Ethical and Globalization issues of contemporary world.
Author: Roy Ascott
Publisher:
ISBN:
Category : Art and technology
Languages : en
Pages : 328
Get Book Here
Book Description
We are in the middle of a process of complex cultural transformation, but to what extent is this matched by the transformation in the way we see ourselves? This book covers a wide-ranging discussion on the interaction between Art, Science and Technology, and goes on to challenge assumptions about 'reality'. Loosely themed around four key elements of Mind, Body, Art and Values, the editor leads the investigation through the familiar territories of interactive media and artificial life, combining them with new and ancient ideas about creativity and personal identity. The contributing authors numb.
Author: Cynthia Baron
Publisher: University of Michigan Press
ISBN: 9780472050253
Category : Performing Arts
Languages : en
Pages : 228
Get Book Here
Book Description
"A significant contribution to the literature on screen performance studies, Reframing Screen Performance brings the study of film acting up to date. It should be of interest to those within cinema studies as well as general readers." ---Frank P. Tomasulo, Florida State University Reframing Screen Performance is a groundbreaking study of film acting that challenges the long held belief that great cinematic performances are created in the editing room. Surveying the changing attitudes and practices of film acting---from the silent films of Charlie Chaplin to the rise of Lee Strasberg's Actor's Studio in the 1950s to the eclecticism found in contemporary cinema---this volume argues that screen acting is a vital component of film and that it can be understood in the same way as theatrical performance. This richly illustrated volume shows how and why the evocative details of actors' voices, gestures, expressions, and actions are as significant as filmic narrative and audiovisual design. The book features in-depth studies of performances by Anjelica Huston, John Cusack, and Julianne Moore (among others) alongside subtle analyses of directors like Robert Altman and Akira Kurosawa, Sally Potter and Orson Welles. The book bridges the disparate fields of cinema studies and theater studies as it persuasively demonstrates the how theater theory can be illuminate the screen actor's craft. Reframing Screen Performance brings the study of film acting into the twenty-first century and is an essential text for actors, directors, cinema studies scholars, and cinephiles eager to know more about the building blocks of memorable screen performance. Cynthia Baron is Associate Professor of Film Studies at Bowling Green State University and co-editor of More Than a Method: Trends and Traditions in Contemporary Film Performance. Sharon Carnicke is Professor of Theater and Slavic Studies and Associate Dean of Theater at the University of Southern California and author of Stanislavsky in Focus.
Author: Cliff McMahon
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 200
Get Book Here
Book Description
The discourse of the sublime, in this study, becomes positioned in new perspectives when an amalgamation is made between major classical theorists and contemporary theorists, leading to something like an anatomy of the sublime presented here as a theory of modes. This amalgamation blends the sublimicist concepts of Longinus, Burke, Kant, Nietzsche, Herbert Weiskel, Paul Crowther, Jean-Francois Lyotard, Frances Ferguson, Slavoj Zizek, Terry Eagleton, Harold Bloom, David Nye, Jeremy Gilbert-Rolfe, Sartre, and Jung. The treatment of Sartre and Jung shows that they generated major changes in the thought climate which established new modes of sublime experience recognized in modern art. This study seeks to elucidate not only the standard core concepts of the theorists, but also to bring to new prominence certain neglected religious. Offering important innovative enlargements of the basic terminology for the discourse field, this study opens new doors to the analysis of sublime experiences and sublime objects, and thus new doors to the analysis of art works and artists' programs, as well as new extensions of aesthetic theory.
