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Author: Lawrence Howe
Publisher: Scarecrow Press
ISBN: 081089226X
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
Widely recognized in his character of the Tramp, Charlie Chaplin transcended the role of actor to become screenwriter, director, composer, producer, and finally studio head. The subject of numerous biographical studies, Chaplin has been examined as both myth and man, but these treatments fail to adequately address the often-overlooked complexity of his filmmaking. Refocusing Chaplin: A Screen Icon through Critical Lenses features essays that examine the actor and director through various theoretical perspectives—including Marxism, feminism, gender studies, deconstruction, psychoanalytic criticism, new historicism, performance studies, and cultural criticism. Complementing this range of intellectual inquiry is the wide reach of films discussed, from The Circus (1928), The Gold Rush (1925), and City Lights (1931) to Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and Limelight (1952). Shorter films, such as “The Pawnshop” (1916), “The Rink” (1916), and “A Dog’s Life” (1918) are also examined. These essays analyze the tensions between the carefully constructed worlds of Chaplin’s films and their cultural contexts. The varied approaches and range of materials in this volume not only comprehensively assess the screen icon but also foster a conversation that exemplifies the best of intellectual exchange. Refocusing Chaplin provides a unique view into the work of one of cinema’s most important and influential artists.
Author: Lawrence Howe
Publisher: Scarecrow Press
ISBN: 081089226X
Category : Performing Arts
Languages : en
Pages : 251
Get Book Here
Book Description
Widely recognized in his character of the Tramp, Charlie Chaplin transcended the role of actor to become screenwriter, director, composer, producer, and finally studio head. The subject of numerous biographical studies, Chaplin has been examined as both myth and man, but these treatments fail to adequately address the often-overlooked complexity of his filmmaking. Refocusing Chaplin: A Screen Icon through Critical Lenses features essays that examine the actor and director through various theoretical perspectives—including Marxism, feminism, gender studies, deconstruction, psychoanalytic criticism, new historicism, performance studies, and cultural criticism. Complementing this range of intellectual inquiry is the wide reach of films discussed, from The Circus (1928), The Gold Rush (1925), and City Lights (1931) to Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and Limelight (1952). Shorter films, such as “The Pawnshop” (1916), “The Rink” (1916), and “A Dog’s Life” (1918) are also examined. These essays analyze the tensions between the carefully constructed worlds of Chaplin’s films and their cultural contexts. The varied approaches and range of materials in this volume not only comprehensively assess the screen icon but also foster a conversation that exemplifies the best of intellectual exchange. Refocusing Chaplin provides a unique view into the work of one of cinema’s most important and influential artists.
Author: Ewa Barbara Luczak
Publisher: Routledge
ISBN: 1000416240
Category : Social Science
Languages : en
Pages : 243
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Book Description
Mocking Eugenics explores the opposition to eugenic discourse mounted by twentieth-century American artists seeking to challenge and destabilize what they viewed as a dangerous body of thought. Focusing on their wielding of humor to attack the contemporaneous science of heredity and the totalitarian impulse informing it, this book confronts the conflict between eugenic theories presented as grounded in scientific and metaphysical truth and the satirical treatment of eugenics as not only absurdly illogical but also antithetical to democratic ideals and inimical to humanistic values. Through analyses of the films of Charlie Chaplin and the fiction of F. Scott Fitzgerald, Ernest Hemingway, Anita Loos, and Wallace Thurman, Mocking Eugenics examines their use of laughter to dismantle the rhetoric of perfectionism, white supremacy, and nativism that shaped mainstream expressions of American patriotism and normative white masculinity. As such, it will appeal to scholars of cultural studies, literature, cinema, sociology, humor, and American studies.
Author: John W. Fawell
Publisher: Rowman & Littlefield
ISBN: 1538146061
Category : Performing Arts
Languages : en
Pages : 421
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Book Description
Charlie Chaplin was a skilled comedian, filmmaker and composer, and the mission of this book is to educate readers on the wide variety of Chaplin’s artistry: the subtlety of his mimetic satire, the sophistication of his film direction, and his prodigious musical skill that resulted in some of film’s greatest orchestral arrangements. This encyclopedia also emphasizes the singular nature of Chaplin’s biography: his unprecedented renown, the wide list of notables in art and culture with whom he fraternized, and the controversies that seemed to dog each stage of his life, perhaps most notably in his run-ins with the FBI and the House UnAmerican Activities Committee, both of whom suspected him of communist leanings. Charlie Chaplin: A Reference Guide to His Life and Works captures his life, and legacy. It features a chronology, an introduction that offers a brief account of his life, and a dictionary section listing entries on Chaplin’s childhood, career, family, and associates. The bibliography is one of the largest available of works concerning Chaplin.
Author: Loïc Bourdeau
Publisher: Edinburgh University Press
ISBN: 1474479944
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Examines François Ozon, one of France’s most prolific and best known international (queer) directors.
Author: Owen Clayton
Publisher: Cambridge University Press
ISBN: 1009348035
Category : Literary Criticism
Languages : en
Pages : 359
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Book Description
This book explores the diversity of meanings that accrue around the terms 'hobo', 'tramp', and 'vagabond'.
Author: Keith Corson
Publisher: Edinburgh University Press
ISBN: 1474429505
Category : Motion picture producers and directors
Languages : en
Pages : 176
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Book Description
Using an auterist lens to challenge the notions of taste, genre and aesthetics that are commonly used to form the cinematic canon, this book explores the twelve films Veber directed between 1976 and 2008. These include Le Jouet (1976), Les fugitifs (1986) and L'emmerdeur (2008).
Author: Douglas Rosenberg
Publisher: Oxford University Press
ISBN: 0199981620
Category : Music
Languages : en
Pages : 817
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Book Description
The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.
Author: Janice M. Irvine
Publisher: University of Michigan Press
ISBN: 0472902652
Category : Social Science
Languages : en
Pages : 349
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Book Description
Marginal People in Deviant Places revisits early- to mid-twentieth-century ethnographic studies, arguing that their focus on marginal subcultures—ranging from American hobos, to men who have sex with other men in St. Louis bathrooms, to hippies, to taxi dancers in Chicago, to elderly Jews in Venice, California—helped produce new ways of thinking about social difference more broadly in the United States. Irvine demonstrates how the social scientists who told the stories of these marginalized groups represented an early challenge to then-dominant narratives of scientific racism, prefiguring the academic fields of gender, ethnic, sexuality, and queer studies in key ways. In recounting the social histories of certain American outsiders, Irvine identifies an American paradox by which social differences are both despised and desired, and she describes the rise of an outsider capitalism that integrates difference into American society by marketing it.
Author: Jeff Jaeckle
Publisher: Edinburgh University Press
ISBN: 1474406564
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
This first collection of critical essays on Preston Sturges-director, screenwriter, comic genius of Hollywood-reawakens interest in the filmmaker's life and works and reminds readers why his movies continue to be culturally significant and immensely enjoyable.
Author: James E. Caron
Publisher: Springer Nature
ISBN: 3031412761
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.” The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous’s laughing Medusa figure and her theory about écriture féminine. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parton’s persona, capable of both an amiable and a caustic satire. The book traces Parton’s burgeoning celebrity, analyzes her satires on cultural expectations of gendered behavior, and provides a close look at her variegated comic style. The book then makes two first-order conclusions: Parton not only offers a unique profile for antebellum women comic writers, but her Fanny Fern persona also anchors a potential genealogy of women comic writers and activists, down to the present day, who could fit Kate Clinton’s concept of fumerism, a feminist style of humor that fumes, that embraces the comic power of a Medusa satire.
