Author: Nick Scudamore
Publisher: Troubador Publishing Ltd
ISBN: 1803133643
Category : Biography & Autobiography
Languages : en
Pages : 196
Book Description
A nostalgic tome dedicated solely to subjective recollections of the thrilling drama of a cinema manager arranging cinema usherette rotas and checking choc-ice deliveries might not be expected to attract many readers. Yet weird stuff kept happening to me.
Reel Life Behind the Screen: A Cinema Manager Remembers
Author: Nick Scudamore
Publisher: Troubador Publishing Ltd
ISBN: 1803133643
Category : Biography & Autobiography
Languages : en
Pages : 196
Book Description
A nostalgic tome dedicated solely to subjective recollections of the thrilling drama of a cinema manager arranging cinema usherette rotas and checking choc-ice deliveries might not be expected to attract many readers. Yet weird stuff kept happening to me.
Publisher: Troubador Publishing Ltd
ISBN: 1803133643
Category : Biography & Autobiography
Languages : en
Pages : 196
Book Description
A nostalgic tome dedicated solely to subjective recollections of the thrilling drama of a cinema manager arranging cinema usherette rotas and checking choc-ice deliveries might not be expected to attract many readers. Yet weird stuff kept happening to me.
The Cinema of Norman Mailer
Author: Justin Bozung
Publisher: Bloomsbury Publishing USA
ISBN: 1501325523
Category : Performing Arts
Languages : en
Pages : 337
Book Description
The Cinema of Norman Mailer: Film is Like Death not only examines the enfant terrible writer's thoughts on cinema, but also features interviews with Norman Mailer himself. The Cinema of Norman Mailer also explores Mailer's cinema through previously published and newly commissioned essays written by an array of film and literary scholars, enthusiasts, and those with a personal, philosophical connection to Mailer. This volume discusses the National Book Award and Pulitzer Prize-winning author and filmmaker's six films created during the years of 1947 and 1987, and contends to show how Mailer's films can be best read as cinematic delineations that visually represent many of the writer's metaphysical and ontological concerns and ideas that appear in his texts from the 1950s until his passing in 2007. By re-examining Mailer's cinema through these new perspectives, one may be awarded not just a deeper understanding of Mailer's desire to make films, but also find a new, alternative vision of Mailer himself. Norman Mailer was not just a writer, but more: he was one of the most influential Postmodern artists of the twentieth century with deep roots in the cinema. He allowed the cinema to not only influence his aesthetic approach, but sanctioned it as his easiest-crafted analogy for exploring sociological imagination in his writing. Mailer once suggested, "Film is legitimately more interesting than books..." and with that in mind, readers of Norman Mailer might begin to rethink his oeuvre through the viewfinder of the film medium, as he was equally as passionate about working within cinema as he was about literature itself.
Publisher: Bloomsbury Publishing USA
ISBN: 1501325523
Category : Performing Arts
Languages : en
Pages : 337
Book Description
The Cinema of Norman Mailer: Film is Like Death not only examines the enfant terrible writer's thoughts on cinema, but also features interviews with Norman Mailer himself. The Cinema of Norman Mailer also explores Mailer's cinema through previously published and newly commissioned essays written by an array of film and literary scholars, enthusiasts, and those with a personal, philosophical connection to Mailer. This volume discusses the National Book Award and Pulitzer Prize-winning author and filmmaker's six films created during the years of 1947 and 1987, and contends to show how Mailer's films can be best read as cinematic delineations that visually represent many of the writer's metaphysical and ontological concerns and ideas that appear in his texts from the 1950s until his passing in 2007. By re-examining Mailer's cinema through these new perspectives, one may be awarded not just a deeper understanding of Mailer's desire to make films, but also find a new, alternative vision of Mailer himself. Norman Mailer was not just a writer, but more: he was one of the most influential Postmodern artists of the twentieth century with deep roots in the cinema. He allowed the cinema to not only influence his aesthetic approach, but sanctioned it as his easiest-crafted analogy for exploring sociological imagination in his writing. Mailer once suggested, "Film is legitimately more interesting than books..." and with that in mind, readers of Norman Mailer might begin to rethink his oeuvre through the viewfinder of the film medium, as he was equally as passionate about working within cinema as he was about literature itself.
Billboard
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
New York Star
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 654
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 654
Book Description
Leighlin Road
Author: Martin Duffy
Publisher: Troubador Publishing Ltd
ISBN: 1803132817
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
This memoir tells the story of the first twenty-one years of my life, growing up and coming of age in the working class Dublin Corporation housing estate of Crumlin. Although humorous when telling my tale, the book also includes stories of abuse, death and loss. The chapters unfold from my unlikely birth – the youngest of fifteen children – to Crumlin life, the death of my brother Paddy in a London road accident and the abuse I suffered through a 'Christian' Brother at school. From a little boy priest in Blackrock College and then as an apprentice projectionist in the Kenilworth Cinema and a year as clapper/loader in Ardmore Studios. The story goes on through my difficult teenage years of alienation from my father and his death at the age of seventy, a month before my 21st birthday and a few months before my marrying my pregnant 18-year-old girlfriend. That marked the end of my life in 147, Leighlin Road and the start of my life as a married man and father-to-be. This book will be of interest to anyone of a Dublin/Irish heritage who will understand my journey. Back in my day emigration, particularly to England, was part of Irish life and that is reflected in my story. I am an experienced storyteller and now I am finally telling my own story of the years that formed the man I am today.
Publisher: Troubador Publishing Ltd
ISBN: 1803132817
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
This memoir tells the story of the first twenty-one years of my life, growing up and coming of age in the working class Dublin Corporation housing estate of Crumlin. Although humorous when telling my tale, the book also includes stories of abuse, death and loss. The chapters unfold from my unlikely birth – the youngest of fifteen children – to Crumlin life, the death of my brother Paddy in a London road accident and the abuse I suffered through a 'Christian' Brother at school. From a little boy priest in Blackrock College and then as an apprentice projectionist in the Kenilworth Cinema and a year as clapper/loader in Ardmore Studios. The story goes on through my difficult teenage years of alienation from my father and his death at the age of seventy, a month before my 21st birthday and a few months before my marrying my pregnant 18-year-old girlfriend. That marked the end of my life in 147, Leighlin Road and the start of my life as a married man and father-to-be. This book will be of interest to anyone of a Dublin/Irish heritage who will understand my journey. Back in my day emigration, particularly to England, was part of Irish life and that is reflected in my story. I am an experienced storyteller and now I am finally telling my own story of the years that formed the man I am today.
Nickelodeon
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1632
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1632
Book Description
Movie Maker
Author:
Publisher:
ISBN:
Category : Amateur films
Languages : en
Pages : 580
Book Description
Publisher:
ISBN:
Category : Amateur films
Languages : en
Pages : 580
Book Description
Dead and Alive
Author: Lesley Stern
Publisher:
ISBN: 9780981191454
Category : Human body in motion pictures
Languages : en
Pages : 0
Book Description
In the cinema many were living and many kept on living and many became dead, as Gertrude Stein might say. Some kept on living and some kept on being dead and some became things. Bodies proliferate in cinema. Living bodies to be sure, but also dead bodies, and transitional bodies, suspended between the being of a subject and objecthood. We tend to use the same word to designate both a living and a dead body. We also, of course, use the word 'corpse'. Dead is dead, no doubt, but if there are degrees of deadness then a corpse is probably deader than a dead body. Lesley Stern is more interested in things than in death. It is thus the liveliness of corpses that lures her. Not dead bodies which act as though they were alive, nor live bodies which may really be dead, nor bodies which may in fact be composited, or even digitally constructed bodies. Rather, ordinary, old-fashioned bodies, bodies once living and now dead which exhibit a performative potential for conjuring a quality of cinematic thingness. They are bodies that insist on existing after they are dead. In some films in which dead bodies persist, time is concentrated in the body. And dispersed. When life leaves the body, time-or a particular quality of time-enters into the body, and into the film. The body, then, becomes an index of cinematic temporality. Published by caboose books, Montreal. Distributed worldwide, excluding Canada, by Rutgers University Press.
Publisher:
ISBN: 9780981191454
Category : Human body in motion pictures
Languages : en
Pages : 0
Book Description
In the cinema many were living and many kept on living and many became dead, as Gertrude Stein might say. Some kept on living and some kept on being dead and some became things. Bodies proliferate in cinema. Living bodies to be sure, but also dead bodies, and transitional bodies, suspended between the being of a subject and objecthood. We tend to use the same word to designate both a living and a dead body. We also, of course, use the word 'corpse'. Dead is dead, no doubt, but if there are degrees of deadness then a corpse is probably deader than a dead body. Lesley Stern is more interested in things than in death. It is thus the liveliness of corpses that lures her. Not dead bodies which act as though they were alive, nor live bodies which may really be dead, nor bodies which may in fact be composited, or even digitally constructed bodies. Rather, ordinary, old-fashioned bodies, bodies once living and now dead which exhibit a performative potential for conjuring a quality of cinematic thingness. They are bodies that insist on existing after they are dead. In some films in which dead bodies persist, time is concentrated in the body. And dispersed. When life leaves the body, time-or a particular quality of time-enters into the body, and into the film. The body, then, becomes an index of cinematic temporality. Published by caboose books, Montreal. Distributed worldwide, excluding Canada, by Rutgers University Press.
Dramatic Mirror of the Stage and Motion Pictures
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 982
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 982
Book Description
The Disney Revolt
Author: Jake S. Friedman
Publisher: Chicago Review Press
ISBN: 164160722X
Category : Social Science
Languages : en
Pages : 246
Book Description
An essential piece of Disney history has been largely unreported for eighty years. Soon after the birth of Mickey Mouse, one animator raised the Disney Studio far beyond Walt's expectations. That animator also led a union war that almost destroyed it. Art Babbitt animated for the Disney studio throughout the 1930s and through 1941, years in which he and Walt were jointly driven to elevate animation as an art form, up through Snow White, Pinocchio, and Fantasia. But as America prepared for World War II, labor unions spread across Hollywood. Disney fought the unions while Babbitt embraced them. Soon, angry Disney cartoon characters graced picket signs as hundreds of animation artists went out on strike. Adding fuel to the fire was Willie Bioff, one of Al Capone's wiseguys who was seizing control of Hollywood workers and vied for the animators' union. Using never-before-seen research from previously lost records, including conversation transcriptions from within the studio walls, author and historian Jake S. Friedman reveals the details behind the labor dispute that changed animation and Hollywood forever. The Disney Revolt is an American story of industry and of the underdog, the golden age of animated cartoons at the world's most famous studio.
Publisher: Chicago Review Press
ISBN: 164160722X
Category : Social Science
Languages : en
Pages : 246
Book Description
An essential piece of Disney history has been largely unreported for eighty years. Soon after the birth of Mickey Mouse, one animator raised the Disney Studio far beyond Walt's expectations. That animator also led a union war that almost destroyed it. Art Babbitt animated for the Disney studio throughout the 1930s and through 1941, years in which he and Walt were jointly driven to elevate animation as an art form, up through Snow White, Pinocchio, and Fantasia. But as America prepared for World War II, labor unions spread across Hollywood. Disney fought the unions while Babbitt embraced them. Soon, angry Disney cartoon characters graced picket signs as hundreds of animation artists went out on strike. Adding fuel to the fire was Willie Bioff, one of Al Capone's wiseguys who was seizing control of Hollywood workers and vied for the animators' union. Using never-before-seen research from previously lost records, including conversation transcriptions from within the studio walls, author and historian Jake S. Friedman reveals the details behind the labor dispute that changed animation and Hollywood forever. The Disney Revolt is an American story of industry and of the underdog, the golden age of animated cartoons at the world's most famous studio.