Author: Trae Crowder
Publisher: Simon and Schuster
ISBN: 1501160400
Category : Humor
Languages : en
Pages : 352
Book Description
"The Liberal Rednecks--a three-man stand-up comedy group doing scathing political satire--celebrate all that's good about the South while leading the Redneck Revolution and standing proudly blue in a sea of red. Smart, hilarious, and incisive, the Liberal Rednecks confront outdated traditions and intolerant attitudes, tackling everything people think they know about the South--the good, the bad, the glorious, and the shameful--in a laugh-out-loud funny and lively manifesto for the rise of a New South. Home to some of the best music, athletes, soldiers, whiskey, waffles, and weather the country has to offer, the South has also been bathing in backward bathroom bills and other bigoted legislation that Trae Crowder has targeted in his Liberal Redneck videos, which have gone viral with over 50 million views. Perfect for fans of Stuff White People Like and I Am America (And So Can You), The Liberal Redneck Manifesto skewers political and religious hypocrisies in witty stories and hilarious graphics--such as the Ten Commandments of the New South--and much more! While celebrating the South as one of the richest sources of American culture, this entertaining book issues a wake-up call and a reminder that the South's problems and dreams aren't that far off from the rest of America's"--
The Liberal Redneck Manifesto
Author: Trae Crowder
Publisher: Simon and Schuster
ISBN: 1501160400
Category : Humor
Languages : en
Pages : 352
Book Description
"The Liberal Rednecks--a three-man stand-up comedy group doing scathing political satire--celebrate all that's good about the South while leading the Redneck Revolution and standing proudly blue in a sea of red. Smart, hilarious, and incisive, the Liberal Rednecks confront outdated traditions and intolerant attitudes, tackling everything people think they know about the South--the good, the bad, the glorious, and the shameful--in a laugh-out-loud funny and lively manifesto for the rise of a New South. Home to some of the best music, athletes, soldiers, whiskey, waffles, and weather the country has to offer, the South has also been bathing in backward bathroom bills and other bigoted legislation that Trae Crowder has targeted in his Liberal Redneck videos, which have gone viral with over 50 million views. Perfect for fans of Stuff White People Like and I Am America (And So Can You), The Liberal Redneck Manifesto skewers political and religious hypocrisies in witty stories and hilarious graphics--such as the Ten Commandments of the New South--and much more! While celebrating the South as one of the richest sources of American culture, this entertaining book issues a wake-up call and a reminder that the South's problems and dreams aren't that far off from the rest of America's"--
Publisher: Simon and Schuster
ISBN: 1501160400
Category : Humor
Languages : en
Pages : 352
Book Description
"The Liberal Rednecks--a three-man stand-up comedy group doing scathing political satire--celebrate all that's good about the South while leading the Redneck Revolution and standing proudly blue in a sea of red. Smart, hilarious, and incisive, the Liberal Rednecks confront outdated traditions and intolerant attitudes, tackling everything people think they know about the South--the good, the bad, the glorious, and the shameful--in a laugh-out-loud funny and lively manifesto for the rise of a New South. Home to some of the best music, athletes, soldiers, whiskey, waffles, and weather the country has to offer, the South has also been bathing in backward bathroom bills and other bigoted legislation that Trae Crowder has targeted in his Liberal Redneck videos, which have gone viral with over 50 million views. Perfect for fans of Stuff White People Like and I Am America (And So Can You), The Liberal Redneck Manifesto skewers political and religious hypocrisies in witty stories and hilarious graphics--such as the Ten Commandments of the New South--and much more! While celebrating the South as one of the richest sources of American culture, this entertaining book issues a wake-up call and a reminder that the South's problems and dreams aren't that far off from the rest of America's"--
Redneck #20
Author: Donny Cates
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
Welcome to Asilo Del Muerto, home to all the evils of this world and the next. But who is Carrona and why is he the only one who can save Bartlett?
Publisher: Image Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 32
Book Description
Welcome to Asilo Del Muerto, home to all the evils of this world and the next. But who is Carrona and why is he the only one who can save Bartlett?
Redneck Liberation
Author: David Fillingim
Publisher: Mercer University Press
ISBN: 9780865548961
Category : Juvenile Nonfiction
Languages : en
Pages : 188
Book Description
In this unique book, David Fillingim explores country music as a mode of theological expression. Following the lead of James Cone's classic, "The Spirituals and the Blues, Fillingim looks to country music for themes of theological liberation by and for the redneck community. The introduction sets forth the book's methodology and relates it to recent scholarship on country music. Chapter 1 contrasts country music with Southern gospel music--the sacred music of the redneck community--as responses to the question of theodicy, which a number of thinkers recognize as the central question of marginalized groups. The next chapter "The Gospel according to Hank," outlines the career of Hank Williams and follows that trajectory through the work of other artists whose work illustrates how the tradition negotiates Hank's legacy. "The Apocalypse according to Garth" considers the seismic shifts occuring during country music's popularity boom in the 1980s. Another chapter is dedicated to the women of country music, whose honky-tonky feminism parallels and intertwines with mainstream country music, which was dominated by men for most of its history. Written to entertain as well as educate and advance, "Redneck Liberation will appeal to anyone who is interested in country music, Southern religion, American popular religiosity, or liberation theology.
Publisher: Mercer University Press
ISBN: 9780865548961
Category : Juvenile Nonfiction
Languages : en
Pages : 188
Book Description
In this unique book, David Fillingim explores country music as a mode of theological expression. Following the lead of James Cone's classic, "The Spirituals and the Blues, Fillingim looks to country music for themes of theological liberation by and for the redneck community. The introduction sets forth the book's methodology and relates it to recent scholarship on country music. Chapter 1 contrasts country music with Southern gospel music--the sacred music of the redneck community--as responses to the question of theodicy, which a number of thinkers recognize as the central question of marginalized groups. The next chapter "The Gospel according to Hank," outlines the career of Hank Williams and follows that trajectory through the work of other artists whose work illustrates how the tradition negotiates Hank's legacy. "The Apocalypse according to Garth" considers the seismic shifts occuring during country music's popularity boom in the 1980s. Another chapter is dedicated to the women of country music, whose honky-tonky feminism parallels and intertwines with mainstream country music, which was dominated by men for most of its history. Written to entertain as well as educate and advance, "Redneck Liberation will appeal to anyone who is interested in country music, Southern religion, American popular religiosity, or liberation theology.
From Yeoman to Redneck in the South Carolina Upcountry, 1850-1915
Author: Stephen A. West
Publisher: University of Virginia Press
ISBN: 9780813926995
Category : History
Languages : en
Pages : 286
Book Description
In From Yeoman to Redneck in the South Carolina Upcountry, Stephen A. West revises understandings of the American South by offering a new perspective on two iconic figures in the region's social landscape. "Yeoman," a term of praise for the small landowning farmer, was commonly used during the antebellum era but ultimately eclipsed by "redneck," an epithet that emerged at the end of the nineteenth century. In popular use, each served less as a precise class label than as a means to celebrate or denigrate the moral and civic worth of broad groups of white men. Viewing these richly evocative figures as ideological inventions rather than sociological realities, West examines the divisions they obscured and the conflicts that gave them such force. The setting for this impressively detailed study is the Upper Piedmont of South Carolina, the sort of upcountry region typically associated with the white "plain folk." West shows how the yeoman ideal played a vital role in proslavery discourse before the Civil War but poorly captured the realities of life, with important implications for how historians understand the politics of slavery and the drive for secession. After the Civil War, the South Carolina upcountry was convulsed by the economic transformations and political conflicts out of which the redneck was born. West reinterprets key developments in the history of the New South--such as the politics of lynching and the phenomenon of the "Southern demagogue"--and uncovers the historical roots of a stereotype that continues to loom large in popular understandings of the American South. Drawing together periods and topics often treated separately, West combines economic, social, and political history in an original and compelling account.
Publisher: University of Virginia Press
ISBN: 9780813926995
Category : History
Languages : en
Pages : 286
Book Description
In From Yeoman to Redneck in the South Carolina Upcountry, Stephen A. West revises understandings of the American South by offering a new perspective on two iconic figures in the region's social landscape. "Yeoman," a term of praise for the small landowning farmer, was commonly used during the antebellum era but ultimately eclipsed by "redneck," an epithet that emerged at the end of the nineteenth century. In popular use, each served less as a precise class label than as a means to celebrate or denigrate the moral and civic worth of broad groups of white men. Viewing these richly evocative figures as ideological inventions rather than sociological realities, West examines the divisions they obscured and the conflicts that gave them such force. The setting for this impressively detailed study is the Upper Piedmont of South Carolina, the sort of upcountry region typically associated with the white "plain folk." West shows how the yeoman ideal played a vital role in proslavery discourse before the Civil War but poorly captured the realities of life, with important implications for how historians understand the politics of slavery and the drive for secession. After the Civil War, the South Carolina upcountry was convulsed by the economic transformations and political conflicts out of which the redneck was born. West reinterprets key developments in the history of the New South--such as the politics of lynching and the phenomenon of the "Southern demagogue"--and uncovers the historical roots of a stereotype that continues to loom large in popular understandings of the American South. Drawing together periods and topics often treated separately, West combines economic, social, and political history in an original and compelling account.
Rednecks, Queers, and Country Music
Author: Nadine Hubbs
Publisher: Univ of California Press
ISBN: 0520958349
Category : Music
Languages : en
Pages : 241
Book Description
In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase "I’ll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.
Publisher: Univ of California Press
ISBN: 0520958349
Category : Music
Languages : en
Pages : 241
Book Description
In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase "I’ll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.
All-American Redneck
Author: Matthew J. Ferrence
Publisher: Univ. of Tennessee Press
ISBN: 1621900746
Category : Literary Collections
Languages : en
Pages : 209
Book Description
In contemporary culture, the stereotypical trappings of “redneckism” have been appropriated for everything from movies like Smokey and the Bandit to comedy acts like Larry the Cable Guy. Even a recent president, George W. Bush, shunned his patrician pedigree in favor of cowboy “authenticity” to appeal to voters. Whether identified with hard work and patriotism or with narrow-minded bigotry, the Redneck and its variants have become firmly established in American narrative consciousness. This provocative book traces the emergence of the faux-Redneck within the context of literary and cultural studies. Examining the icon’s foundations in James Fenimore Cooper’s Natty Bumppo—“an ideal white man, free of the boundaries of civilization”—and the degraded rural poor of Erskine Caldwell’s Tobacco Road, Matthew Ferrence shows how Redneck stereotypes were further extended in Deliverance, both the novel and the film, and in a popular cycle of movies starring Burt Reynolds in the 1970s and ’80s, among other manifestations. As a contemporary cultural figure, the author argues, the Redneck represents no one in particular but offers a model of behavior and ideals for many. Most important, it has become a tool—reductive, confining, and (sometimes, almost) liberating—by which elite forces gather and maintain social and economic power. Those defying its boundaries, as the Dixie Chicks did when they criticized President Bush and the Iraq invasion, have done so at their own peril. Ferrence contends that a refocus of attention to the complex realities depicted in the writings of such authors as Silas House, Fred Chappell, Janisse Ray, and Trudier Harris can help dislodge persistent stereotypes and encourage more nuanced understandings of regional identity. In a cultural moment when so-called Reality Television has turned again toward popular images of rural Americans (as in, for example, Duck Dynasty and Moonshiners), All- American Redneck reveals the way in which such images have long been manipulated for particular social goals, almost always as a means to solidify the position of the powerful at the expense of the regional.
Publisher: Univ. of Tennessee Press
ISBN: 1621900746
Category : Literary Collections
Languages : en
Pages : 209
Book Description
In contemporary culture, the stereotypical trappings of “redneckism” have been appropriated for everything from movies like Smokey and the Bandit to comedy acts like Larry the Cable Guy. Even a recent president, George W. Bush, shunned his patrician pedigree in favor of cowboy “authenticity” to appeal to voters. Whether identified with hard work and patriotism or with narrow-minded bigotry, the Redneck and its variants have become firmly established in American narrative consciousness. This provocative book traces the emergence of the faux-Redneck within the context of literary and cultural studies. Examining the icon’s foundations in James Fenimore Cooper’s Natty Bumppo—“an ideal white man, free of the boundaries of civilization”—and the degraded rural poor of Erskine Caldwell’s Tobacco Road, Matthew Ferrence shows how Redneck stereotypes were further extended in Deliverance, both the novel and the film, and in a popular cycle of movies starring Burt Reynolds in the 1970s and ’80s, among other manifestations. As a contemporary cultural figure, the author argues, the Redneck represents no one in particular but offers a model of behavior and ideals for many. Most important, it has become a tool—reductive, confining, and (sometimes, almost) liberating—by which elite forces gather and maintain social and economic power. Those defying its boundaries, as the Dixie Chicks did when they criticized President Bush and the Iraq invasion, have done so at their own peril. Ferrence contends that a refocus of attention to the complex realities depicted in the writings of such authors as Silas House, Fred Chappell, Janisse Ray, and Trudier Harris can help dislodge persistent stereotypes and encourage more nuanced understandings of regional identity. In a cultural moment when so-called Reality Television has turned again toward popular images of rural Americans (as in, for example, Duck Dynasty and Moonshiners), All- American Redneck reveals the way in which such images have long been manipulated for particular social goals, almost always as a means to solidify the position of the powerful at the expense of the regional.
Jeff Foxworthy's Complete Redneck Dictionary
Author: Jeff Foxworthy
Publisher: Random House Digital, Inc.
ISBN: 0345507029
Category : Humor
Languages : en
Pages : 385
Book Description
Brings together all three of the reference guides to redneck culture and linguistics into a single A-to-Z resource that offers new definitions for such words as "iota," "ostrich," and "sandwich."
Publisher: Random House Digital, Inc.
ISBN: 0345507029
Category : Humor
Languages : en
Pages : 385
Book Description
Brings together all three of the reference guides to redneck culture and linguistics into a single A-to-Z resource that offers new definitions for such words as "iota," "ostrich," and "sandwich."
Redneck Haiku
Author: Mary K. Witte
Publisher:
ISBN: 9781595800077
Category : Humor
Languages : en
Pages : 0
Book Description
The classic Bubba figure is portrayed in Japanese-style verse, addressing the whole spectrum of redneck culture from RVs and Wal-Mart to monster trucks, and hunting.
Publisher:
ISBN: 9781595800077
Category : Humor
Languages : en
Pages : 0
Book Description
The classic Bubba figure is portrayed in Japanese-style verse, addressing the whole spectrum of redneck culture from RVs and Wal-Mart to monster trucks, and hunting.
Cassell's Dictionary of Slang
Author: Jonathon Green
Publisher: Sterling Publishing Company, Inc.
ISBN: 9780304366361
Category : Language Arts & Disciplines
Languages : en
Pages : 1600
Book Description
With its unparalleled coverage of English slang of all types (from 18th-century cant to contemporary gay slang), and its uncluttered editorial apparatus, Cassell's Dictionary of Slang was warmly received when its first edition appeared in 1998. 'Brilliant.' said Mark Lawson on BBC2's The Late Review; 'This is a terrific piece of work - learned, entertaining, funny, stimulating' said Jonathan Meades in The Evening Standard.But now the world's best single-volume dictionary of English slang is about to get even better. Jonathon Green has spent the last seven years on a vast project: to research in depth the English slang vocabulary and to hunt down and record written instances of the use of as many slang words as possible. This has entailed trawling through more than 4000 books - plus song lyrics, TV and movie scripts, and many newspapers and magazines - for relevant material. The research has thrown up some fascinating results
Publisher: Sterling Publishing Company, Inc.
ISBN: 9780304366361
Category : Language Arts & Disciplines
Languages : en
Pages : 1600
Book Description
With its unparalleled coverage of English slang of all types (from 18th-century cant to contemporary gay slang), and its uncluttered editorial apparatus, Cassell's Dictionary of Slang was warmly received when its first edition appeared in 1998. 'Brilliant.' said Mark Lawson on BBC2's The Late Review; 'This is a terrific piece of work - learned, entertaining, funny, stimulating' said Jonathan Meades in The Evening Standard.But now the world's best single-volume dictionary of English slang is about to get even better. Jonathon Green has spent the last seven years on a vast project: to research in depth the English slang vocabulary and to hunt down and record written instances of the use of as many slang words as possible. This has entailed trawling through more than 4000 books - plus song lyrics, TV and movie scripts, and many newspapers and magazines - for relevant material. The research has thrown up some fascinating results
Redneck Liberal
Author: Chester M. Morgan
Publisher: LSU Press
ISBN: 9780807124321
Category : History
Languages : en
Pages : 296
Book Description
“Theodore Glimore Bilbo was, is, and evermore shall be God or Satan. He dwelled—dwells— in heaven or hell, but never in limbo.” So wrote A. Wigfall Green almost a quarter of a century ago, and so remains the popular perception of this colorful and controversial symbol of a faded era, though current opinion would tip the scales heavily in favor of the satanic and hellish. Theodore Bilbo is remembered almost exclusively as the archangel of white supremacy. His reputation as perhaps the vilest purveyor of racist rhetoric is richly deserved in light of his vehement opposition to the black civil rights movement that emerged during the last years of his career as United States senator from Mississippi. Yet, as Chester Morgan demonstrates in Redneck Liberal, the conventional image of Bilbo as merely a racist demagogue paints only half the picture. Bilbo served a full term in the Senate (1934-1940) before his political career was consumed by racism, and it is that period that is the focus of this study by Morgan. Bilbo’s first term in the Senate coincided with Franklin Roosevelt’s New Deal. Morgan provides a thorough treatment of Bilbo’s activities in Washington and his large role in Mississippi politics. In the Senate Bilbo consistently gave strong support to virtually all New Deal social and economic programs, such as relief for the unemployed, social security, public housing, and fair labor standards, while at the same time championing the cause of the nation’s small farmers in every way he could. His crude and often repulsive style may have antagonized the more sophisticated liberal academics and bureaucrats of the time, but his first-term voting record would have been the envy of any urban New Dealer. Morgan’s early chapters provide background on Bilbo’s long career prior to his election to the Senate (he served twice as governor of Mississippi, for instance) and also on the main trends in Mississippi politics from Reconstruction to the 1930s. An epilogue seeks to explain the well-known, virulently racist attitude of his final years. Throughout the book Morgan manages to capture the flamboyance of Bilbo’s personality and the vitality and intricacy of Mississippi politics. Redneck Liberal—only the second book on Bilbo ever to be published—draws heavily on Bilbo’s personal correspondence, the papers of Franklin Roosevelt, and other primary sources.
Publisher: LSU Press
ISBN: 9780807124321
Category : History
Languages : en
Pages : 296
Book Description
“Theodore Glimore Bilbo was, is, and evermore shall be God or Satan. He dwelled—dwells— in heaven or hell, but never in limbo.” So wrote A. Wigfall Green almost a quarter of a century ago, and so remains the popular perception of this colorful and controversial symbol of a faded era, though current opinion would tip the scales heavily in favor of the satanic and hellish. Theodore Bilbo is remembered almost exclusively as the archangel of white supremacy. His reputation as perhaps the vilest purveyor of racist rhetoric is richly deserved in light of his vehement opposition to the black civil rights movement that emerged during the last years of his career as United States senator from Mississippi. Yet, as Chester Morgan demonstrates in Redneck Liberal, the conventional image of Bilbo as merely a racist demagogue paints only half the picture. Bilbo served a full term in the Senate (1934-1940) before his political career was consumed by racism, and it is that period that is the focus of this study by Morgan. Bilbo’s first term in the Senate coincided with Franklin Roosevelt’s New Deal. Morgan provides a thorough treatment of Bilbo’s activities in Washington and his large role in Mississippi politics. In the Senate Bilbo consistently gave strong support to virtually all New Deal social and economic programs, such as relief for the unemployed, social security, public housing, and fair labor standards, while at the same time championing the cause of the nation’s small farmers in every way he could. His crude and often repulsive style may have antagonized the more sophisticated liberal academics and bureaucrats of the time, but his first-term voting record would have been the envy of any urban New Dealer. Morgan’s early chapters provide background on Bilbo’s long career prior to his election to the Senate (he served twice as governor of Mississippi, for instance) and also on the main trends in Mississippi politics from Reconstruction to the 1930s. An epilogue seeks to explain the well-known, virulently racist attitude of his final years. Throughout the book Morgan manages to capture the flamboyance of Bilbo’s personality and the vitality and intricacy of Mississippi politics. Redneck Liberal—only the second book on Bilbo ever to be published—draws heavily on Bilbo’s personal correspondence, the papers of Franklin Roosevelt, and other primary sources.