Redback Graphix

Redback Graphix PDF Author: Anna Zagala
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 132

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Book Description
Redback Graphix will bowl readers over with color and edgy social comment. From 1979 to 1994, the Australian design and screenprinting studio Redback Graphix produced posters that combined witty graphics with eye-watering colors to give voice to a raft of pressing social issues -- from AIDS awareness and alcohol abuse to the promotion of local films and music gigs. Originally designed for the street, these posters are now considered icons of an era and are highly sought after. Anna Zagala's text provides an insight into why these posters continue to excite and inspire a new generation.

Redback Graphix

Redback Graphix PDF Author: Anna Zagala
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 132

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Book Description
Redback Graphix will bowl readers over with color and edgy social comment. From 1979 to 1994, the Australian design and screenprinting studio Redback Graphix produced posters that combined witty graphics with eye-watering colors to give voice to a raft of pressing social issues -- from AIDS awareness and alcohol abuse to the promotion of local films and music gigs. Originally designed for the street, these posters are now considered icons of an era and are highly sought after. Anna Zagala's text provides an insight into why these posters continue to excite and inspire a new generation.

Volume One

Volume One PDF Author: Museum of Contemporary Art (Sydney, N.S.W.)
Publisher: MCA Store
ISBN: 1921034548
Category : Art, Australian
Languages : en
Pages : 458

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Book Description
"The work features over 280 works by more than 170 Australian artists drawn from a period of acquisitions which began with the consitution of the MCA in May 1989."--p. 17.

Graphic Indigeneity

Graphic Indigeneity PDF Author: Frederick Luis Aldama
Publisher: Univ. Press of Mississippi
ISBN: 1496828038
Category : Literary Criticism
Languages : en
Pages : 410

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Book Description
Honorable Mention Recipient for the Comics Studies Society Prize for Edited Book Collection Contributions by Joshua T. Anderson, Chad A. Barbour, Susan Bernardin, Mike Borkent, Jeremy M. Carnes, Philip Cass, Jordan Clapper, James J. Donahue, Dennin Ellis, Jessica Fontaine, Jonathan Ford, Lee Francis IV, Enrique García, Javier García Liendo, Brenna Clarke Gray, Brian Montes, Arij Ouweneel, Kevin Patrick, Candida Rifkind, Jessica Rutherford, and Jorge Santos Cultural works by and about Indigenous identities, histories, and experiences circulate far and wide. However, not all films, animation, television shows, and comic books lead to a nuanced understanding of Indigenous realities. Acclaimed comics scholar Frederick Luis Aldama shines light on how mainstream comics have clumsily distilled and reconstructed Indigenous identities and experiences. He and contributors emphasize how Indigenous comic artists are themselves clearing new visual-verbal narrative spaces for articulating more complex histories, cultures, experiences, and narratives of self. To that end, Aldama brings together scholarship that explores both the representation and misrepresentation of Indigenous subjects and experiences as well as research that analyzes and highlights the extraordinary work of Indigenous comic artists. Among others, the book examines Daniel Parada’s Zotz, Puerto Rican comics Turey el Taíno and La Borinqueña, and Moonshot: The Indigenous Comics Collection. This volume’s wide-armed embrace of comics by and about Indigenous peoples of the Americas and Australasia is a first step to understanding how the histories of colonial and imperial domination connect the violent wounds that still haunt across continents. Aldama and contributors resound this message: Indigeneity in comics is an important, powerful force within our visual-verbal narrative arts writ large.

Protest!

Protest! PDF Author: Liz McQuiston
Publisher:
ISBN: 0711241295
Category :
Languages : en
Pages : 290

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Book Description
Social discontent and political protest have been expressed visually as well as verbally throughout the ages. Graffiti scribbles on a wall, pictures scattered in the street during marches, posters spread through the environment: all have played their part. For such agitational images represent a power strugg≤ a rebellion against an established order and a call to arms, or a passionate cry of concern for a cause. The book begins in the 16th century with the Reformation, when images could be produced in multiples. It then travels through decades and centuries of graphics: protesting against the miseries of war; satirising the foibles of royalty, politicians, religions, and society in general; calling for an end to racial discrimination and apartheid; demanding freedom from tyranny and dictatorships; struggling for LGBTQ+ rights; and, finally, attending to 21st-century concerns and Trumpisms. Each chronological chapter opens with a short introduction offering historical and artistic context to the period, followed by a copious and wide-ranging display of powerful protest graphics, grouped together by event or movement. Encompassing an astounding breadth of emotion--from hilarious satire to utter horror--Protest! is a tribute to the liberating concept of hard-won 'freedom of speech' throughout history, and which still has agency in current times.

The Phantom Unmasked

The Phantom Unmasked PDF Author: Kevin Patrick
Publisher: University of Iowa Press
ISBN: 1609385004
Category : Comics & Graphic Novels
Languages : en
Pages : 271

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Book Description
Before Superman, before Batman, there was—the Phantom! Making its debut as an American newspaper comic strip in 1936, The Phantom was the forerunner of the comic-book superhero genre that today animates vast billion-dollar franchises spanning print, film, television, video games, and licensed merchandise. But you’ve probably never heard of it—you probably think Superman inaugurated the genre. That’s because, despite its American origins, The Phantom comic strip has enjoyed far greater popularity with international audiences, most notably in Australia, Sweden, and India, where it has appeared in newspapers, magazines, and comic books. The paradox of the character’s relative obscurity in the United States, offset by his phenomenal success in these three markedly different countries, is the subject of The Phantom Unmasked. By tracing the publication history of The Phantom in magazines and comic books across international markets since the mid-1930s, author Kevin Patrick delves into the largely unexplored prehistory of modern media licensing industries. He also explores the interconnections between the cultural, political, economic, and historical factors that fueled the character’s international popularity. The Phantom Unmasked offers readers a nuanced study of the complex cultural flow of American comic books around the world. Equally important, to provide a rare glimpse of international comics fandom, Patrick surveyed the Phantom’s “phans”—as they call themselves—and lets them explain how and why they came to love the world’s first masked superhero.

The Australian Art Field

The Australian Art Field PDF Author: Tony Bennett
Publisher: Routledge
ISBN: 0429590008
Category : Art
Languages : en
Pages : 295

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Book Description
This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia. Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of Indigenous artists. This book will be of interest to scholars in contemporary art, art history, cultural studies, and Indigenous peoples.

The Design Collective

The Design Collective PDF Author: Laetitia Shand
Publisher: Cambridge Scholars Publishing
ISBN: 1443844578
Category : Design
Languages : en
Pages : 285

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Book Description
The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse around human capital, flat structures and collectives as a means for ‘making’ the things of everyday life. As the essays presented in this collection illustrate, there is an emerging field of discourse about the potential of the collective as an organising and generative community structure that links creativity, social change and politics. Furthermore it is clear that in this developing context there are a number of issues central to design practice, such as authorship, agency and aesthetics that are in the process of re-evaluation and critique. Bringing together views of practitioners, historians and theorists, this volume examines the etymology, boundaries and practices that the idea of the collective affords. It is broadly organised into sections on architecture, digital technologies and counter-cultural practices and includes historical and contemporary accounts of design collectives from a range of disciplinary viewpoints.

A Companion to Feminist Art

A Companion to Feminist Art PDF Author: Hilary Robinson
Publisher: John Wiley & Sons
ISBN: 1118929187
Category : Art
Languages : en
Pages : 592

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Book Description
Original essays offering fresh ideas and global perspectives on contemporary feminist art The term ‘feminist art’ is often misused when viewed as a codification within the discipline of Art History—a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines ‘art’ as a dynamic set of material and theoretical practices in the realm of culture, and ‘feminism’ as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simple classification of a type of art, but rather the space where feminist politics and the domain of art-making intersect. The Companion provides readers with an overview of the developments, concepts, trends, influences, and activities within the space of contemporary feminist art—in different locations, ways of making, and ways of thinking. Newly-commissioned essays focus on the recent history of and current discussions within feminist art. Diverse in scope and style, these contributions range from essays on the questions and challenges of large sectors of artists, such as configurations of feminism and gender in post-Cold War Europe, to more focused conversations with women artists on Afropean decoloniality. Ranging from discussions of essentialism and feminist aesthetics to examinations of political activism and curatorial practice, the Companion informs and questions readers, introduces new concepts and fresh perspectives, and illustrates just how much more there is to discover within the realm of feminist art. Addresses the intersection between feminist thinking and major theories that have influenced art theory Incorporates diverse voices from around the world to offer viewpoints on global feminisms from scholars who live and work in the regions about which they write Examines how feminist art intersects with considerations of collectivity, war, maternal relationships, desire, men, and relational aesthetics Explores the myriad ways in which the experience of inhabiting and perceiving aged, raced, and gendered bodies relates to feminist politics in the art world Discusses a range practices in feminism such as activism, language, education, and different ways of making art The intersection of feminist art-making and feminist politics are not merely components of a unified whole, they sometimes diverge and divide. A Companion to Feminist Art is an indispensable resource for artists, critics, scholars, curators, and anyone seeking greater strength on the subject through informed critique and debate.

In Search of the Never-Never

In Search of the Never-Never PDF Author: Ann McGrath
Publisher: ANU Press
ISBN: 1760462691
Category : History
Languages : en
Pages : 317

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Book Description
Mickey Dewar made a profound contribution to the history of the Northern Territory, which she performed across many genres. She produced high‑quality, memorable and multi-sensory histories, including the Cyclone Tracy exhibition at the Museum and Art Gallery of the Northern Territory and the reinterpretation of Fannie Bay Gaol. Informed by a great love of books, her passion for history was infectious. As well as offering three original chapters that appraise her work, this edited volume republishes her first book, In Search of the Never-Never. In Dewar’s comprehensive and incisive appraisal of the literature of the Northern Territory, she provides brilliant, often amusing insights into the ever-changing representations of a region that has featured so large in the Australian popular imagination

Yulyurlu Lorna Fencer Napurrurla

Yulyurlu Lorna Fencer Napurrurla PDF Author: Yulyurlu Lorna Fencer Napurrurla
Publisher: Wakefield Press
ISBN: 1743050097
Category : Art
Languages : en
Pages : 130

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Book Description
Yulyurlu Lorna Fencer Napurrurla was an important pioneer of the Central Desert art movement. This profile of Yulyurlu illustrates her bold and expressive artwork, with its brilliant use of colour and ongoing graphic explorations of her Yam Dreaming complex from Tanami Desert.