Cinema's Conversion to Sound

Cinema's Conversion to Sound PDF Author: Charles O’Brien
Publisher: Indiana University Press
ISBN: 9780253217202
Category : Music
Languages : en
Pages : 222

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Book Description
A groundbreaking look at the transition to sound in the French Cinema.

Cinema's Conversion to Sound

Cinema's Conversion to Sound PDF Author: Charles O’Brien
Publisher: Indiana University Press
ISBN: 9780253217202
Category : Music
Languages : en
Pages : 222

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Book Description
A groundbreaking look at the transition to sound in the French Cinema.

French National Cinema

French National Cinema PDF Author: Susan Hayward
Publisher: Psychology Press
ISBN: 0415307821
Category : Motion pictures
Languages : en
Pages : 417

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Book Description
This revised and updated edition of a successful and established text provides a much-needed historical overview of French cinema from its roots through to the political and social developments in the 1990s and beyond.

Inventing the Louvre

Inventing the Louvre PDF Author: Andrew McClellan
Publisher: Univ of California Press
ISBN: 9780520221765
Category : Architecture
Languages : en
Pages : 308

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Book Description
A narrative history of the founding of the Louvre that also explores the ideological underpinnings, pedagogical aims, and aesthetic criteria of this, the first great national art museum.

Alien Tongues

Alien Tongues PDF Author: Elizabeth Klosty Beaujour
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 296

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Book Description


Kierkegaard’s Mirrors

Kierkegaard’s Mirrors PDF Author: P. Stokes
Publisher: Springer
ISBN: 0230251269
Category : Philosophy
Languages : en
Pages : 232

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Book Description
What is it to see the world, other people, and imagined situations as making personal moral demands of us? What is it to experience stories as speaking to us personally and directly? Kierkegaard's Mirrors explores Kierkegaard's answers to these questions, with a new phenomenological interpretation of Kierkegaardian 'interest'.

The Classic French Cinema, 1930-1960

The Classic French Cinema, 1930-1960 PDF Author: C. G. Crisp
Publisher: Indiana University Press
ISBN: 9780253315502
Category : Motion pictures
Languages : en
Pages : 522

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Book Description
Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.

Grand Design

Grand Design PDF Author: Tino Balio
Publisher: Univ of California Press
ISBN: 9780520203341
Category : Business & Economics
Languages : en
Pages : 500

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Book Description
The advent of color, big musicals, the studio system, and the beginning of institutionalized censorship made the thirties the defining decade for Hollywood. The year 1939, celebrated as "Hollywood's greatest year," saw the release of such memorable films as Gone with the Wind, The Wizard of Oz, and Stagecoach. It was a time when the studios exercised nearly absolute control over their product as well as over such stars as Bette Davis, Clark Gable, and Humphrey Bogart. In this fifth volume of the award-winning series History of the American Cinema, Tino Balio examines every aspect of the filmmaking and film exhibition system as it matured during the Depression era.

To Desire Differently

To Desire Differently PDF Author: Sandy Flitterman-Lewis
Publisher: Columbia University Press
ISBN: 9780231104975
Category : Performing Arts
Languages : en
Pages : 396

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Book Description
Explores impact of 3 women filmmakers on French films

Irving Thalberg

Irving Thalberg PDF Author: Mark A. Vieira
Publisher: Univ of California Press
ISBN: 0520945115
Category : Performing Arts
Languages : en
Pages : 526

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Book Description
Hollywood in the 1920s sparkled with talent, confidence, and opportunity. Enter Irving Thalberg of Brooklyn, who survived childhood illness to run Universal Pictures at twenty; co-found Metro-Goldwyn-Mayer at twenty-four; and make stars of Lon Chaney, Norma Shearer, Greta Garbo, Joan Crawford, Clark Gable, and Jean Harlow. Known as Hollywood's "Boy Wonder," Thalberg created classics such as Ben-Hur, Tarzan the Ape Man, Grand Hotel, Freaks, Mutiny on the Bounty, and The Good Earth, but died tragically at thirty-seven. His place in the pantheon should have been assured, yet his films were not reissued for thirty years, spurring critics to question his legend and diminish his achievements. In this definitive biography, illustrated with rare photographs, Mark A. Vieira sets the record straight, using unpublished production files, financial records, and correspondence to confirm the genius of Thalberg's methods. In addition, this is the first Thalberg biography to utilize both his recorded conversations and the unpublished memoirs of his wife, Norma Shearer. Irving Thalberg is a compelling narrative of power and idealism, revealing for the first time the human being behind the legend.

Sound Technology and the American Cinema

Sound Technology and the American Cinema PDF Author: James Lastra
Publisher: Columbia University Press
ISBN: 0231505469
Category : Performing Arts
Languages : en
Pages : 289

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Book Description
Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect. Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film. Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.