Recueil factice d'articles de presse concernant Andrée Conti

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Languages : fr
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Recueil factice d'articles de presse concernant Andrée Conti

Recueil factice d'articles de presse concernant Andrée Conti PDF Author:
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Languages : fr
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Recueil factice d'articles de presse concernant Andréa Lambert

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Languages : fr
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Recueil factice d'articles de presse concernant l'"Immagine" di A. Conti e G. Zorzi et des oeuvres d'Erm. Contini et de Bruno Corra

Recueil factice d'articles de presse concernant l' Author:
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Languages : fr
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Recueil factice d'articles de presse concernant la musique en Italie

Recueil factice d'articles de presse concernant la musique en Italie PDF Author:
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Languages : fr
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Recueil factice d'articles de presse concernant Aimé

Recueil factice d'articles de presse concernant Aimé PDF Author:
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A Lace Guide for Makers and Collectors

A Lace Guide for Makers and Collectors PDF Author: Gertrude Whiting
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Category : Lace and lace making
Languages : fr
Pages : 428

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The Romantic Agony

The Romantic Agony PDF Author: Mario Praz
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Category : Devil in literature
Languages : en
Pages : 532

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Orestes

Orestes PDF Author: Voltaire
Publisher: Simon and Schuster
ISBN: 1627933212
Category : Drama
Languages : en
Pages : 56

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Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."

Graphic History

Graphic History PDF Author: Philip Benedict
Publisher: Librairie Droz
ISBN: 9782600004404
Category : Art
Languages : en
Pages : 454

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The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.

The Judgment of Palaemon

The Judgment of Palaemon PDF Author: Philip Ford
Publisher: BRILL
ISBN: 9004245391
Category : History
Languages : en
Pages : 287

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In Virgil's third Eclogue, Palaemon concludes the poetry competition between Menalcas and Damoetas by saying that he cannot choose between them, a judgment that is emblematic of the contest between Neo-Latin and vernacular poetry in Renaissance France. Both forms of poetry draw on similar roots, both are equally accomplished, and the contest between them is largely amicable. The Judgment of Palaement illustrates the almost symbiotic relationship between Renaissance Latin and French poetry, while exploring poets' motivation for choosing one language over another, the different challenges each form of writing involved, and the extent of the collaboration between different language communities. It focuses on some of the major writers of the period, as well as less known ones, and on genres specific to humanist poetry. It shows that composing in Latin was often considered more natural than writing in the vernacular, at a time when many Frenchmen's mother tongue was a non-standard French dialect or distinct language. Book jacket.