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Author: Victor G. Ambrus
Publisher: History Press (SC)
ISBN: 9780752450339
Category : Archaeological illustration
Languages : en
Pages : 0
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Book Description
Drawing.
Author: Victor G. Ambrus
Publisher: History Press (SC)
ISBN: 9780752450339
Category : Archaeological illustration
Languages : en
Pages : 0
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Book Description
Drawing.
Author: Karl A. E.. Enenkel
Publisher: BRILL
ISBN: 9004496424
Category : History
Languages : en
Pages : 469
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Book Description
The papers in this volume offer examples of how historians, writers, playwrights, and painters in the early modern period used ancient history as a rich field of raw material that could be used, recycled, and adapted to new needs and purposes. They focused on classical antiquity as a source from which they could recreate the past as a way of understanding and legitimizing the present. The contributors to this volume have addressed a number of important, common issues that span a wide range of subjects from fifteenth-century Italian painting to the teaching of Greek history in eighteenth-century Germany. This volume is of interest for historians of the early modern period from all disciplines and for all those interested in the reception of classical antiquity. This publication has also been published in hardback, please click here for details.
Author: Mark P Witton
Publisher: The Crowood Press
ISBN: 1785003356
Category : Crafts & Hobbies
Languages : en
Pages : 148
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Book Description
Dinosaurs and other prehistoric animals have always fascinated people but they pose vast problems for the artist. How do you go about recreating the anatomy and behaviour of a creature we've never seen? How can we restore landscapes long lost to time? And where does the boundary between palaeontology - the science of understanding fossils- and artistic licence lie? In this outstanding book, Mark Witton shares his detailed paintings and great experience of drawing and painting extinct species. The approaches used in rendering these impressive creatures are discussed and demonstrate the problems, as well as the unexpected freedoms, that palaeontological artists are faced with. The book showcases over ninety scientifically credible paintings of some of the most spectacular animals in the Earth's history, as well as may less familiar species. Mark explains how each image was created with details of the artistic process, scientific grounding and collaborations between researchers and discusses the methods and goals of palaeoartistry - the recreation of extinct animals and landscapes in art. This book will be of great interest to palaeontological artists, researchers, museum curators, dinosaur enthusiasts and fossil hunters. Superbly illustrated with 90 paintings.
Author: Donna R. Braden
Publisher: Rowman & Littlefield
ISBN: 1538111047
Category : Business & Economics
Languages : en
Pages : 209
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Book Description
Historical environments delight visitors because of their ability to make them feel transported to another time and place. These environments, found in both museum exhibitions and historic structures, are usually rich with objects that hint at deeper stories and context. But these spaces often lack rigor in terms of historical and interpretive methodology, along with a thoughtful and purposeful integration of storytelling principles. Spaces That Tell Stories: Creating Historical Environments offers a fresh look at historical environments, providing a roadmap for applying this rigor and integrating these principles into the creation of such environments. It begins by delving into the power of these environments for museum visitors, drawing upon multiple cross-disciplinary fields. An in-depth how-to methodology follows, which begins with the steps of framing the project by aligning it with institutional goals, defining audiences, involving visitor studies, and inviting community engagement. It continues through the steps of researching, creating, interpreting, refining, and evaluating the impact of the environment. The author’s methodology is applicable to environments in both historic structures and museum exhibits from different eras, places, and topics. It is also scalable to museums’ varying sizes and budgets. To give a sense of how the methodology laid out in this book translates into real-world practice, detailed case studies appear throughout, along with practical tips, checklists, charts, descriptive photographs, and source lists. An extensive bibliography follows. Spaces That Tell Stories: Creating Historical Environments is a unique contribution to the museum field. It is a must-read for museum professionals installing or upgrading historic environments, while the methodology and case studies also offer practical strategies for other museum professionals working with collections, exhibitions, and interpretation (and how these are integrated), thoughtful insights into museum practice for students, and a helpful toolkit for local historians.
Author: Gail Lee Bernstein
Publisher: Univ of California Press
ISBN: 0520070178
Category : History
Languages : en
Pages : 356
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Book Description
In thirteen wide-ranging essays, scholars and students of Asian and women's studies will find a vivid exploration of how female roles and feminine identity have evolved over 350 years, from the Tokugawa era to the end of World War II. Starting from the premise that gender is not a biological given, but is socially constructed and culturally transmitted, the authors describe the forces of change in the construction of female gender and explore the gap between the ideal of womanhood and the reality of Japanese women's lives. Most of all, the contributors speak to the diversity that has characterized women's experience in Japan. This is an imaginative, pioneering work, offering an interdisciplinary approach that will encourage a reconsideration of the paradigms of women's history, hitherto rooted in the Western experience.
Author: Richard Guy Wilson
Publisher: University of Virginia Press
ISBN: 9780813923482
Category : Architecture
Languages : en
Pages : 448
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Book Description
Although individually and collectively Americans have many histories, the dominant view of our national past focuses on the colonial era. The reasons for this are many and complex, touching on stories of the country's origins and of the founding fathers, the privileged position in history granted the thirteen original colonies, and the ways in which the nation has adjusted to change and modernity. But no matter the cause, the result is obvious: images and forms derived from and related to America's colonial past are the single most popular form of cultural expression. Often conceived solely in architectural terms, from the red-brick and white-trimmed buildings that recall eighteenth-century James River estates to the clapboarded saltboxes that recall early New England, Colonial Revival is in fact better understood as a process of remembering. In Re-creating the American Past, architectural historian Richard Guy Wilson and a host of other scholars examine how and why Colonial Revival has persisted in modern times. The volume contains essays that explore Colonial Revival expressions in architecture, landscape architecture, historic preservation, decorative arts, and painting and sculpture, as well as the social, intellectual, and cultural background of the phenomena. Based on the University of Virginia's landmark 2000 conference "The Colonial Revival in America," Re-creating the American Past is a comprehensive and handsome volume that recovers the origins, characteristics, diversity, and significance of the Colonial Revival, situating it within the broader history of American design, culture, and society.
Author: J. KENT. FITCH LAYTON (TAD. WORMSTEDT, BILL.)
Publisher: History Press
ISBN: 9780750998680
Category :
Languages : en
Pages : 192
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Book Description
Bringing the world of Titanic and her sisters back to life as never before through the captivating original artwork of talented artists
Author: John L. Walter
Publisher: W W Norton & Company Incorporated
ISBN: 9780393703252
Category : Psychology
Languages : en
Pages : 191
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Book Description
"This question leads to many others, which form the basis for the chapters of the book. Each inquiry is illustrated by case excerpts that show where this approach diverges from strategic and solution-focused questioning. Healthcare Institute and an organizational consultant within Culture Change Consultants."--BOOK JACKET.
Author: Philip Moss
Publisher: The History Press
ISBN: 0750998253
Category : Social Science
Languages : en
Pages : 251
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Book Description
If you stand today in the middle of Gloucester you're standing above two thousand years of accumulated history. Beneath your feet is a Roman fortress, a proud colonial city, a Saxon royal centre, a prosperous medieval market town, a Roundhead bastion and an expanding Victorian industrial hub. Over the last 50 years, local artist and historian Philip Moss has been recreating those Gloucesters of the past in a series of beautiful and well researched reconstruction drawings and paintings. In Gloucester: Recreating the Past, the complete body of Philip's work has been collected together for the first time, and is presented alongside original photographs and drawings from archaeological excavations to tell the story of Gloucester from its Roman beginnings to the present day.
Author: Derek R. Peterson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 296
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Book Description
The study of intellectual history in Africa is in its infancy. We know very little about what Africa’s thinkers made of their times. Recasting the Past brings one field of intellectual endeavor into view. The book takes its place alongside a small but growing literature that highlights how, in autobiographies, historical writing, fiction, and other literary genres, African writers intervened creatively in their political world. The past has already been worked over by the African interpreters that the present volume brings into view. African brokers—pastors, journalists, kingmakers, religious dissidents, politicians, entrepreneurs all—have been doing research, conducting interviews, reading archives, and presenting their results to critical audiences. Their scholarly work makes it impossible to think of African history as an inert entity awaiting the attention of professional historians. Professionals take their place in a broader field of interpretation, where Africans are already reifying, editing, and representing the past. The essays collected in Recasting the Past study the warp and weft of Africa’s homespun historical work. Contributors trace the strands of discourse from which historical entrepreneurs drew, highlighting the sources of inspiration and reference that enlivened their work. By illuminating the conventions of the past, Africa’s history writers set their contemporary constituents on a path toward a particular future. History writing was a means by which entrepreneurs conjured up constituencies, claimed legitimate authority, and mobilized people around a cause. By illuminating the spheres of debate in which Africa’s own scholars participated, Recasting the Past repositions the practice of modern history.
