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Author: Kathleen S. Lamp
Publisher: University of South Carolina Press
ISBN: 9781611173369
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
In A City of Marble, Kathleen Lamp argues that classical rhetorical theory shaped the Augustan cultural campaigns and that in turn the Augustan cultural campaigns functioned rhetorically to help Augustus gain and maintain power and to influence civic identity and participation in the Roman Principate (27 b. c. e.—14 c. e.). Lamp begins by studying rhetorical treatises, those texts most familiar to scholars of rhetoric, and moves on to those most obviously using rhetorical techniques in visual form. She then arrives at those objects least recognizable as rhetorical artifacts, but perhaps most significant to the daily lives of the Roman people—coins, altars, wall painting. This progression also captures the development of the Augustan political myth that Augustus was destined to rule and lead Rome to greatness as a descendant of the hero Aeneas. A City of Marble examines the establishment of this myth in state rhetoric, traces its circulation, and finally samples its popular receptions and adaptations. In doing so, Lamp inserts a long-excluded though significant audience—the common people of Rome—into contemporary understandings of rhetorical history and considers Augustan culture as significant in shaping civic identity, encouraging civic participation, and promoting social advancement. Lamp approaches the relationship between classical rhetoric and Augustan culture through a transdisciplinary methodology drawn from archaeology, art and architectural history, numismatics, classics, and rhetorical studies. By doing so, she grounds Dionysius of Halicarnassus's claims that the Principate represented a renaissance of rhetoric rooted in culture and a return to an Isocratean philosophical model of rhetoric, thus offering a counterstatement to the "decline narrative" that rhetorical practice withered in the early Roman Empire. Thus Lamp's work provides a step toward filling the disciplinary gap between Cicero and the Second Sophistic.
Author: Kathleen S. Lamp
Publisher: University of South Carolina Press
ISBN: 9781611173369
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Get Book Here
Book Description
In A City of Marble, Kathleen Lamp argues that classical rhetorical theory shaped the Augustan cultural campaigns and that in turn the Augustan cultural campaigns functioned rhetorically to help Augustus gain and maintain power and to influence civic identity and participation in the Roman Principate (27 b. c. e.—14 c. e.). Lamp begins by studying rhetorical treatises, those texts most familiar to scholars of rhetoric, and moves on to those most obviously using rhetorical techniques in visual form. She then arrives at those objects least recognizable as rhetorical artifacts, but perhaps most significant to the daily lives of the Roman people—coins, altars, wall painting. This progression also captures the development of the Augustan political myth that Augustus was destined to rule and lead Rome to greatness as a descendant of the hero Aeneas. A City of Marble examines the establishment of this myth in state rhetoric, traces its circulation, and finally samples its popular receptions and adaptations. In doing so, Lamp inserts a long-excluded though significant audience—the common people of Rome—into contemporary understandings of rhetorical history and considers Augustan culture as significant in shaping civic identity, encouraging civic participation, and promoting social advancement. Lamp approaches the relationship between classical rhetoric and Augustan culture through a transdisciplinary methodology drawn from archaeology, art and architectural history, numismatics, classics, and rhetorical studies. By doing so, she grounds Dionysius of Halicarnassus's claims that the Principate represented a renaissance of rhetoric rooted in culture and a return to an Isocratean philosophical model of rhetoric, thus offering a counterstatement to the "decline narrative" that rhetorical practice withered in the early Roman Empire. Thus Lamp's work provides a step toward filling the disciplinary gap between Cicero and the Second Sophistic.
Author: Kees Dekker
Publisher:
ISBN: 1009371703
Category : History
Languages : en
Pages : 90
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Book Description
This Element Recovering Old English examines the philological activities of scholars involved in the recovery of Old English in the period between c. 1550 and 1830. This Element focuses on four philological pursuits that dominated this recovery: collecting documents, recording the lexicon editing texts and studying the grammar. This Element demonstrates that throughout the vicissitudes of history these four components of humanist philology have formed the backbone of Old English studies and constitute a thread that connects the efforts of early modern philologists with the global interest in Old English that we see today.
Author: Tom M. Devine
Publisher: Edinburgh University Press
ISBN: 1474408818
Category : Social Science
Languages : en
Pages : 386
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Book Description
For more than a century and a half the real story of Scotlands connections to transatlantic slavery has been lost to history and shrouded in myth. There was even denial that the Scots unlike the English had any significant involvement in slavery .Scotland saw itself as a pioneering abolitionist nation untainted by a slavery past.This book is the first detailed attempt to challenge these beliefs.Written by the foremost scholars in the field , with findings based on sustained archival research, the volume systematically peels away the mythology and radically revises the traditional picture.In doing so the contributors come to a number of surprising conclusions. Topics covered include national amnesia and slavery,the impact of profits from slavery on Scotland, Scots in the Caribbean sugar islands ,compensation paid to Scottish owners when slavery was abolished,domestic controversies on the slave trade,the role of Scots in slave trading from English ports and much else. The book is a major contribution to Scottish history,to studies of the Scots global diaspora and to the history of slavery within the British Empire.It will have wide appeal not only to scholars and students but to all readers interested in discovering an untold aspect of Scotlands past.
Author: Leland Ryken
Publisher: Crossway
ISBN: 1433564300
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
A Christian Perspective on the Joys of Reading Reading has become a lost art. With smartphones offering us endless information with the tap of a finger, it's hard to view reading as anything less than a tedious and outdated endeavor. This is particularly problematic for Christians, as many find it difficult to read even the Bible consistently and attentively. Reading is in desperate need of recovery. Recovering the Lost Art of Reading addresses these issues by exploring the importance of reading in general as well as studying the Bible as literature, offering practical suggestions along the way. Leland Ryken and Glenda Faye Mathes inspire a new generation to overcome the notion that reading is a duty and instead discover it as a delight.
Author: Leslie Jamison
Publisher: Little, Brown
ISBN: 0316259624
Category : Biography & Autobiography
Languages : en
Pages : 539
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Book Description
From the New York Times bestselling author of The Empathy Exams comes this transformative work showing that sometimes the recovery is more gripping than the addiction. With its deeply personal and seamless blend of memoir, cultural history, literary criticism, and reportage, The Recovering turns our understanding of the traditional addiction narrative on its head, demonstrating that the story of recovery can be every bit as electrifying as the train wreck itself. Leslie Jamison deftly excavates the stories we tell about addiction -- both her own and others' -- and examines what we want these stories to do and what happens when they fail us. All the while, she offers a fascinating look at the larger history of the recovery movement, and at the complicated bearing that race and class have on our understanding of who is criminal and who is ill. At the heart of the book is Jamison's ongoing conversation with literary and artistic geniuses whose lives and works were shaped by alcoholism and substance dependence, including John Berryman, Jean Rhys, Billie Holiday, Raymond Carver, Denis Johnson, and David Foster Wallace, as well as brilliant lesser-known figures such as George Cain, lost to obscurity but newly illuminated here. Through its unvarnished relation of Jamison's own ordeals, The Recovering also becomes a book about a different kind of dependency: the way our desires can make us all, as she puts it, "broken spigots of need." It's about the particular loneliness of the human experience-the craving for love that both devours us and shapes who we are. For her striking language and piercing observations, Jamison has been compared to such iconic writers as Joan Didion and Susan Sontag, yet her utterly singular voice also offers something new. With enormous empathy and wisdom, Jamison has given us nothing less than the story of addiction and recovery in America writ large, a definitive and revelatory account that will resonate for years to come.
Author: Tom M. Devine
Publisher: Edinburgh University Press
ISBN: 0748698094
Category : History
Languages : en
Pages : 280
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Book Description
The first ever book-length attempt to strip away the myths and write the real history of Scotland's slavery past. Written to appeal to a wide audience, it contains many original ,surprising and uncomfortable conclusions.
Author: Donald Heinz
Publisher: Oxford University Press
ISBN: 0198027605
Category : Social Science
Languages : en
Pages : 319
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Book Description
Is death merely the cessation of life? Are our final years simply a wearing out of the body? Are hospitals and funeral homes--the bureaucratic machinery of death--capable of handling the profound spiritual dimension of dying? In The Last Passage, Donald Heinz offers wise answers to these questions in a book that urges us to "recover a death of our own" and to view our final years as a fulfillment, a "last career." Despite the recent spate of books on death and dying, death remains a fact our culture tries desperately to ignore. In other times and in other cultures, preparing for death was seen as an important spiritual task--perhaps the most important task of our lives. Heinz argues that we can reconceive of death, reinvest it with meaning, and save it from becoming a meaningless biological event. Seeking appropriate models for such a reconstruction, Heinz offers a fascinating overview of the many ways death has been envisioned and ritualized throughout human history, from the Tibetan Book of the Dead to 15th century Christian ars moriendi--manuals on the art of dying--and from Jean Paul Sartre to Elizabeth Kubler-Ross. He also surveys the more recent contributions of psychologists, anthropologists, cultural critics, and death awareness advocates, whose efforts have largely failed to integrate death into a larger human story and the larger human community. Finally, Heinz shows us how we might create rituals through the use of music, visual arts, dance, drama, and language that would enable us to approach death with reverence, as the spiritual consummation of our lives.
Author: April D. DeConick
Publisher: A&C Black
ISBN: 0567043320
Category : Religion
Languages : en
Pages : 311
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Book Description
Explores tough questions that have occupied scholars since the discovery of the Gospel of Thomas in the sands of Nag Hammadi, Egypt, in the 1940's. Where did this gospel come from? When was it written? Who wrote it? Why was it composed? What is its meaning? This book examines these issues.
Author: Hedda Friberg
Publisher: Cambridge Scholars Publishing
ISBN: 1443809306
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Various ways of collecting, storing and recovering memories have been the focus of the most recent joint research project carried out by a group of Irish Studies scholars, all based in the Nordic countries and members of the Nordic Irish Studies Network (NISN). The result of the project, Recovering Memory: Irish Representations of Past and Present, is a collection of essays which examines the theme of memory in Irish literature and culture against the theoretical background of the philosophical discourse of modernity. Offering a wide range of perspectives, this volume examines a plurality of representations—past and present—of memory, both public and private, and the intersection between collective memory and individual in modern Ireland. Also explored is the relation between memory and identity—national and private—as well as questions of subjectivity and the construction of the self. Given Ireland’s tragic past and its long history of colonisation, it is inevitable that various aspects of memory in terms of nationality, post-colonialism, and politics also have bearing on this study. The volume is divided into five sections, each of which examines one broadly defined aspect of memory. The introductory section focuses on memory and history, and is followed by sections on memory and autobiography, place, identity, and memory in the work of novelist John Banville. Within each section, the individual writers engage in a fruitful dialogue with each other and with the approaches of such theorists as Arendt, Husserl, Merleau-Ponty, Ricoeur, and Baudrillard.
Author: Merle L. Bachman
Publisher: Syracuse University Press
ISBN: 9780815631514
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
According to traditional narratives of assimilation, in the bargain made for an American identity, Jews freely surrendered Yiddish language and culture. Or did they? Recovering "Yiddishland" seeks to “return” readers to a threshold where Americanization also meant ambivalence and resistance. It reconstructs “Yiddishland” as a cultural space produced by Yiddish immigrant writers from the 1890s through the 1930s, largely within the sphere of New York. Rejecting conventional literary history, the book spotlights “threshold texts” in the unjustly forgotten literary project of these writers—texts that reveal unexpected and illuminating critiques of Americanization. Merle Lyn Bachman takes a fresh look at Abraham Cahan’s Yekl and Anzia Yezierska’s Hungry Hearts, tracing in them a re-inscription of the Yiddish world that various characters seem to be committed to leaving behind. She also translates for the first time Yiddish poems featuring African-Americans that reflect the writers’ confrontation with their passage, as Jews, into “white” identities. Finally, Bachman discusses the modernist poet Mikhl Likht, whose simultaneous embrace of American literature and resistance to assimilating into English marked him as the supreme “threshold” poet. Conscious of the risks of any postmodern—“post-assimilation”—attempt to recover the past, Bachman invents the figure of “the Yiddish student,” whose comments can reflect—and keep in check—the nostalgia and naivete of the returnee to Yiddish.
