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Author: Johann Joachim Quantz
Publisher: UPNE
ISBN: 9781555534738
Category : Education
Languages : en
Pages : 470
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Book Description
Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style
Author: Johann Joachim Quantz
Publisher: UPNE
ISBN: 9781555534738
Category : Education
Languages : en
Pages : 470
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Book Description
Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style
Author: David Lasocki
Publisher: Independently Published
ISBN: 9781655627361
Category :
Languages : en
Pages : 412
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Book Description
According to myth (or received opinion), the wealth of sizes of recorder present in the Renaissance petered out in the Baroque period, until only the alto (British: treble) was left, except for a few smaller sizes in concertos and vocal music. In this book David Lasocki examines all the surviving writings between about 1600 and 1800 (treatises, tutors, inventories, advertisements, purchases and sales) as well as indications of instrumentation in the repertoire. He concludes that sizes of recorder besides the alto were far more common and far more diverse than we have imagined. Imagine!
Author: Michael Praetorius
Publisher: Oxford : Clarendon Press
ISBN: 9780198162605
Category : Musical instruments
Languages : en
Pages : 0
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Book Description
Syntagma Musicum is a book by the German musicologist Michael Praetorius, published in Wittenberg and Wolfenbüttel in three parts between 1614 and 1620. It is one of the most commonly used research sources for the music theory of the seventeenth century. The second work De Organographia illustrates and describes musical instruments and their use; becoming a valuable resource for the research and reconstruction of early instruments.
Author: Michael Talbot
Publisher: Routledge
ISBN: 1351537288
Category : Music
Languages : en
Pages : 375
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Book Description
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
Author: Colin Hand
Publisher:
ISBN: 9780862093020
Category :
Languages : en
Pages : 64
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Book Description
Author: Franz Zeidler
Publisher: Mel Bay Publications
ISBN: 1619117614
Category : Music
Languages : en
Pages : 85
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Book Description
Recorder Music through the Centuries is a compilation of three previously published volumes of recorder music by Franz Zeidler: Recorder Book of Medieval and Renaissance Music, Baroque Recorder Music and Classic Period Recorder Music. This book contains 11 recorder solos from the Medieval period, 7 from the Renaissance, 14 from the Baroque period, 10 from the Classical period, and 11 themes from well-known symphonies...53 solos!
Author: Paul Carroll
Publisher: Routledge
ISBN: 1351574655
Category : Music
Languages : en
Pages : 325
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Book Description
The late 17th century through to the end of the 18th century saw rapid progress in the development of woodwind instruments and the composition of a vast body of music for those instruments. During this period a large amount of music for domestic consumption was written for a growing amateur market, a market which has regrown in the latter part of the 20th century. The last 30 years has also seen the standard of performance by professionals on these instruments rise enormously. This book provides a guide to the history of the four main woodwind instruments of the Baroque, the flute, oboe, recorder and bassoon, and this is complemented by a repertoire list for each instrument. It also guides those interested towards a basic technique for playing these instruments - a certain level of musical literacy is assumed - and it can be used by students, professionals and amateurs. Advice is also given on buying a suitable reproduction instrument from a market where now virtually any Baroque instrument can be obtained as a faithful copy. This is the first book of its kind and has its origins in the wind tutors of the 18th century.
Author: Antonio Vivaldi
Publisher: Alfred Music
ISBN: 1457463482
Category : Music
Languages : en
Pages : 22
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Book Description
This piano reduction by Antonio Vivaldi was designed for use with the transcription for band by Alfred Reed.
Author: Jeffery Kite-Powell
Publisher: Indiana University Press
ISBN: 0253348668
Category : Music
Languages : en
Pages : 498
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Book Description
Vocal/choral issues. The solo voice in the Renaissance / Ellen Hargis ; On singing and the vocal ensemble I / Alexander Blachly ; On singing and the vocal ensemble II / Alejandro Planchart ; Practical matters of vocal performance / Anthony Rooley -- Wind, string, and percussion instruments. Recorder ; Renaissance flute / Herbert Myers ; Capped double reeds : crumhorn--Kortholt--Schreierpfeif / Jeffery Kite-Powell ; Shawm and curtal / Ross Duffin ; Racket : rackett, Rankett (Ger.), cervelas (Fr.), cervello (It.) / Jeffery Kite-Powell ; Bagpipe / Adam Knight Gilbert ; Cornett / Douglas Kirk ; Sackbut / Stewart Carter -- Bowed instruments / Wendy Gillespie -- The violin / David Douglass -- Plucked instruments / Paul O'Dette -- The harp / Herbert Myers -- Early percussion / Benjamin Harms -- Keyboard instruments / Jack Ashworth -- Practical considerations/instrumentation. Proto-continuo / Jack Ashworth and Paul O'Dette ; Mixed ensembles / James Tyler ; Large ensembles / Jeffery Kite-Powell ; Rehearsal tips for directors / Adam Knight Gilbert ; Performance editions / Frederick Gable -- Performance practice. Tuning and temperament / Ross Duffin ; Pitch and transposition / Herbert Myers ; Ornamentation in sixteenth-century music / Bruce Dickey ; Pronunciation guides / Ross Duffin -- Aspects of theory. Eight brief rules for composing a si placet altus, ca. 1470-1510 / Adam Knight Gilbert ; Renaissance theory / Sarah Mead -- Introduction to Renaissance dance. Early Renaissance dance, 1450-1520 / Yvonne Kendall -- For the early music director. Starting from scratch / Jeffery Kite-Powell.
Author: Manfredo Zimmermann
Publisher: BoD – Books on Demand
ISBN: 3739231971
Category : Music
Languages : en
Pages : 94
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Book Description
Everything you want to know about embellishing Music of the Baroque Era is taught systematically and well-founded here: from the different "essential ornaments" such as trill, mordent, appoggiatura, slide, etc. up to the free melodic ornaments, cadenzas and improvised grounds. In addition, you will find valuable information, tips, constructive exercises, historical examples and much more. Exclusively you get a live recorded harpsichord-basso continuo accompaniment for all exercises, which supports you harmonically and rhythmically. For pupils, students, amateurs and professional musicians
