Author: Abigail Booth Gerdts
Publisher:
ISBN: 9781732449305
Category :
Languages : en
Pages :
Book Description
Volume 1: 1846 through 1866, Volume 2: 1867 through 1876, Volume 3: 1877 to March 1881, Volume 4.1: 1881 through 1882, Volume 4.2: 1883 through 1889, Volume 5: 1890 through 1910. 4tos, cloth. New York, Spanierman Gallery, Goodrich-Homer Art Education Project, 2005-2014.
Record of Works by WINSLOW HOMER
Author: Abigail Booth Gerdts
Publisher:
ISBN: 9781732449305
Category :
Languages : en
Pages :
Book Description
Volume 1: 1846 through 1866, Volume 2: 1867 through 1876, Volume 3: 1877 to March 1881, Volume 4.1: 1881 through 1882, Volume 4.2: 1883 through 1889, Volume 5: 1890 through 1910. 4tos, cloth. New York, Spanierman Gallery, Goodrich-Homer Art Education Project, 2005-2014.
Publisher:
ISBN: 9781732449305
Category :
Languages : en
Pages :
Book Description
Volume 1: 1846 through 1866, Volume 2: 1867 through 1876, Volume 3: 1877 to March 1881, Volume 4.1: 1881 through 1882, Volume 4.2: 1883 through 1889, Volume 5: 1890 through 1910. 4tos, cloth. New York, Spanierman Gallery, Goodrich-Homer Art Education Project, 2005-2014.
Winslow Homer
Author: Nicolai Cikovsky
Publisher: Yale University Press
ISBN: 0300065558
Category : Biography & Autobiography
Languages : en
Pages : 436
Book Description
This work examines Homer's artistic accomplishments. It focuses not only on his use of various media, but also on the suites of works on the same subject that reflect the artist's modern practice of thinking and working serially and thematically.
Publisher: Yale University Press
ISBN: 0300065558
Category : Biography & Autobiography
Languages : en
Pages : 436
Book Description
This work examines Homer's artistic accomplishments. It focuses not only on his use of various media, but also on the suites of works on the same subject that reflect the artist's modern practice of thinking and working serially and thematically.
American Watercolor in the Age of Homer and Sargent
Author: Kathleen A. Foster
Publisher: Yale University Press
ISBN: 030022589X
Category : Art
Languages : en
Pages : 497
Book Description
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
Publisher: Yale University Press
ISBN: 030022589X
Category : Art
Languages : en
Pages : 497
Book Description
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
Winslow Homer and the Camera
Author: Frank H. Goodyear III
Publisher: Yale University Press
ISBN: 0300214553
Category : Art
Languages : en
Pages : 209
Book Description
A revelatory exploration of Winslow Homer’s engagement with photography, shedding new light on his celebrated paintings and works on paper One of the greatest American painters of the 19th century, Winslow Homer (1836–1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer’s art, this volume exposes Homer’s own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer’s understanding of the camera’s ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America’s most original painters.
Publisher: Yale University Press
ISBN: 0300214553
Category : Art
Languages : en
Pages : 209
Book Description
A revelatory exploration of Winslow Homer’s engagement with photography, shedding new light on his celebrated paintings and works on paper One of the greatest American painters of the 19th century, Winslow Homer (1836–1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer’s art, this volume exposes Homer’s own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer’s understanding of the camera’s ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America’s most original painters.
Winslow Homer: Crosscurrents
Author: Stephanie L. Herdrich
Publisher: Metropolitan Museum of Art
ISBN: 1588397475
Category : Art
Languages : en
Pages : 208
Book Description
This timely study of Winslow Homer highlights his imagery of the Atlantic world and reveals themes of racial, political, and natural conflict across his career. Long celebrated as the quintessential New England regionalist, Winslow Homer (1836–1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This groundbreaking publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas—in particular, The Gulf Stream (1899), an iconic painting long considered the most consequential of his career—revealing a lifelong fascination with struggle and conflict. The book also includes Homer’s depictions of rural life and the sea, in which he grapples with the violence of nature, as well as his Civil War and Reconstruction paintings of the 1860s and 1870s, which explore the unresolved effects of the war on the landscape, soldiers, and the formerly enslaved. Recognizing the artist’s keen ability to distill complex issues in his work, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer’s work resonates with the challenges of the present day.
Publisher: Metropolitan Museum of Art
ISBN: 1588397475
Category : Art
Languages : en
Pages : 208
Book Description
This timely study of Winslow Homer highlights his imagery of the Atlantic world and reveals themes of racial, political, and natural conflict across his career. Long celebrated as the quintessential New England regionalist, Winslow Homer (1836–1910) in fact brushed a much wider canvas, traveling throughout the Atlantic world and frequently engaging in his art with issues of race, imperialism, and the environment. This groundbreaking publication focuses, for the first time, on the watercolors and oil paintings Homer made during visits to Bermuda, Cuba, coastal Florida, and the Bahamas—in particular, The Gulf Stream (1899), an iconic painting long considered the most consequential of his career—revealing a lifelong fascination with struggle and conflict. The book also includes Homer’s depictions of rural life and the sea, in which he grapples with the violence of nature, as well as his Civil War and Reconstruction paintings of the 1860s and 1870s, which explore the unresolved effects of the war on the landscape, soldiers, and the formerly enslaved. Recognizing the artist’s keen ability to distill complex issues in his work, Winslow Homer: Crosscurrents upends popular conceptions and convincingly argues that Homer’s work resonates with the challenges of the present day.
The Life and Works of Winslow Homer
Author: William Howe Downes
Publisher: Alpha Edition
ISBN: 9789353868239
Category : History
Languages : en
Pages : 474
Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Publisher: Alpha Edition
ISBN: 9789353868239
Category : History
Languages : en
Pages : 474
Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Playing It Straight
Author: Jennifer A. Greenhill
Publisher: Univ of California Press
ISBN: 0520272455
Category : Art
Languages : en
Pages : 254
Book Description
Outgrowth of the author's thesis (Yale University, 2007) under the title: The plague of jocularity: contesting humor in American art and culture, 1863-1893.
Publisher: Univ of California Press
ISBN: 0520272455
Category : Art
Languages : en
Pages : 254
Book Description
Outgrowth of the author's thesis (Yale University, 2007) under the title: The plague of jocularity: contesting humor in American art and culture, 1863-1893.
Winslow Homer: American Passage
Author: William R. Cross
Publisher: Farrar, Straus and Giroux
ISBN: 0374603804
Category : Biography & Autobiography
Languages : en
Pages : 435
Book Description
The definitive life of the painter who forged American identity visually, in art and illustration, with an impact comparable to that of Walt Whitman and Mark Twain in poetry and prose—yet whose own story has remained largely untold. In 1860, at the age of twenty-four, Winslow Homer (1836–1910) sold Harper’s Weekly two dozen wood engravings, carved into boxwood blocks and transferred to metal plates to stamp on paper. One was a scene that Homer saw on a visit to Boston, his hometown. His illustration shows a crowd of abolitionists on the brink of eviction from a church; at their front is Frederick Douglass, declaring “the freedom of all mankind.” Homer, born into the Panic of 1837 and raised in the years before the Civil War, came of age in a nation in crisis. He created multivalent visual tales, both quintessentially American and quietly replete with narrative for and about people of all races and ages. Whether using pencil, watercolor, or, most famously, oil, Homer addressed the hopes and fears of his fellow Americans and invited his viewers into stories embedded with universal, timeless questions of purpose and meaning. Like his contemporaries Twain and Whitman, Homer captured the landscape of a rapidly changing country with an artist’s probing insight. His tale is one of America in all its complexity and contradiction, as he evolved and adapted to the restless spirit of invention transforming his world. In Winslow Homer: American Passage, William R. Cross reveals the man behind the art. It is the surprising story of a life led on the front lines of history. In that life, this Everyman made archetypal images of American culture, endowed with a force of moral urgency through which they speak to all people today. Includes Color Images and Maps
Publisher: Farrar, Straus and Giroux
ISBN: 0374603804
Category : Biography & Autobiography
Languages : en
Pages : 435
Book Description
The definitive life of the painter who forged American identity visually, in art and illustration, with an impact comparable to that of Walt Whitman and Mark Twain in poetry and prose—yet whose own story has remained largely untold. In 1860, at the age of twenty-four, Winslow Homer (1836–1910) sold Harper’s Weekly two dozen wood engravings, carved into boxwood blocks and transferred to metal plates to stamp on paper. One was a scene that Homer saw on a visit to Boston, his hometown. His illustration shows a crowd of abolitionists on the brink of eviction from a church; at their front is Frederick Douglass, declaring “the freedom of all mankind.” Homer, born into the Panic of 1837 and raised in the years before the Civil War, came of age in a nation in crisis. He created multivalent visual tales, both quintessentially American and quietly replete with narrative for and about people of all races and ages. Whether using pencil, watercolor, or, most famously, oil, Homer addressed the hopes and fears of his fellow Americans and invited his viewers into stories embedded with universal, timeless questions of purpose and meaning. Like his contemporaries Twain and Whitman, Homer captured the landscape of a rapidly changing country with an artist’s probing insight. His tale is one of America in all its complexity and contradiction, as he evolved and adapted to the restless spirit of invention transforming his world. In Winslow Homer: American Passage, William R. Cross reveals the man behind the art. It is the surprising story of a life led on the front lines of history. In that life, this Everyman made archetypal images of American culture, endowed with a force of moral urgency through which they speak to all people today. Includes Color Images and Maps
Winslow Homer
Author: Sterling and Francine Clark Art Institute
Publisher: Clark Art Institute
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 246
Book Description
Winslow Homer (1836-1910) is one of the core figures of 19th-century American art. While most well-known for his oil paintings of Civil War scenes and the windswept Atlantic coastline, Homer's oeuvre encompasses a variety of themes, ranging from childhood games through the life-and-death struggles of man and nature. The Clark Art Institute holds one of the greatest collections of Homer's work across all media, including wood engravings, etchings, watercolors, drawings, and paintings from nearly all phases of his career. The collection was assembled predominately by Robert Sterling Clark (1877-1956), who purchased his first Winslow Homer painting in 1915, followed by Two Guides in 1916 and maintained a passion for the artist throughout the rest of his collecting career, acquiring the small oil Playing a Fish in 1955. This book examines Robert Sterling Clark as a collector of Homer and the Clark's extensive holdings of the artist. Over thirty entries discuss the role of individual works in Homer's oeuvre and their larger significance to the art world. An illustrated checklist provides information on titles, dates, and media for the entire collection. Distributed for the Sterling and Francine Clark Art Institute Exhibition Schedule: Sterling and Francine Clark Art Institute (06/09/13-09/08/13)
Publisher: Clark Art Institute
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 246
Book Description
Winslow Homer (1836-1910) is one of the core figures of 19th-century American art. While most well-known for his oil paintings of Civil War scenes and the windswept Atlantic coastline, Homer's oeuvre encompasses a variety of themes, ranging from childhood games through the life-and-death struggles of man and nature. The Clark Art Institute holds one of the greatest collections of Homer's work across all media, including wood engravings, etchings, watercolors, drawings, and paintings from nearly all phases of his career. The collection was assembled predominately by Robert Sterling Clark (1877-1956), who purchased his first Winslow Homer painting in 1915, followed by Two Guides in 1916 and maintained a passion for the artist throughout the rest of his collecting career, acquiring the small oil Playing a Fish in 1955. This book examines Robert Sterling Clark as a collector of Homer and the Clark's extensive holdings of the artist. Over thirty entries discuss the role of individual works in Homer's oeuvre and their larger significance to the art world. An illustrated checklist provides information on titles, dates, and media for the entire collection. Distributed for the Sterling and Francine Clark Art Institute Exhibition Schedule: Sterling and Francine Clark Art Institute (06/09/13-09/08/13)
Winslow Homer in the 1890s
Author: Winslow Homer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
This magnificent volume is devoted to Winslow Homer's great landscape and marine paintings in the 1890's, which many believe to be the zenith of his art. By 1890, having spent hundreds of hours studying the ocean and its relationship to the cliffs at Prout's Neck, Maine, and penetrated meanings both universal and particular, he had achieved a complete mastery of marine painting, and from then on produced masterpiece after masterpiece, a large majority of them inspired by his Prout's Neck surroundings. -- Provided by publisher.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
This magnificent volume is devoted to Winslow Homer's great landscape and marine paintings in the 1890's, which many believe to be the zenith of his art. By 1890, having spent hundreds of hours studying the ocean and its relationship to the cliffs at Prout's Neck, Maine, and penetrated meanings both universal and particular, he had achieved a complete mastery of marine painting, and from then on produced masterpiece after masterpiece, a large majority of them inspired by his Prout's Neck surroundings. -- Provided by publisher.